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''Sweet Charity'' is a 1969 American musical comedy-drama film directed and choreographed by Bob Fosse in his film directorial debut. It is adapted by Peter Stone from the 1966 stage musical of the same namealso directed and choreographed by Fossein turn based on the 1957 Federico Fellini film ''Nights of Cabiria.'' It stars Shirley MacLaine in the title role, a taxi dancer at a Times Square dance hall. The cast also features John McMartin, Chita Rivera, Paula Kelly, Stubby Kaye, Ricardo Montalbán, Sammy Davis Jr., and Barbara Bouchet. Ben Vereen, in his film debut, appears as a dancer. The film was released by Universal Pictures on April 1, 1969. It received a mixed critical reception, but received three Academy Award nominations - Best Score, Best Art Direction and Best Costume Design. MacLaine was nominated for a Golden Globe Award for her performance. Retrospective reviews have been more positive. Plot Charity Hope Valentine works as a taxi dancer along with her friend ...
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Bob Fosse
Robert Louis Fosse (; June 23, 1927 – September 23, 1987) was an American choreographer, dancer, filmmaker, and stage director. Known for his work on stage and screen, he is arguably the most influential figure in the field of jazz dance in the twentieth century. He received List of awards and nominations received by Bob Fosse, numerous accolades including an Academy Award, a BAFTA Award, three Primetime Emmy Awards, nine Tony Awards, and the Palme d'Or. Fosse started his career acting in the musical productions of ''Call Me Mister'' (1947), ''Billion Dollar Baby'' (1951), and ''Pal Joey (musical), Pal Joey'' (1952). He transitioned into directing and choreographing musical works, winning Tony Awards for Tony Award for Best Choreography, choreographing ''The Pajama Game'' (1954), ''Damn Yankees'' (1955), ''Redhead (musical), Redhead'' (1959), ''Little Me (musical), Little Me'' (1963), ''Sweet Charity'' (1966), ''Pippin (musical), Pippin'' (1972), ''Dancin''' (1978), and ''Big ...
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Robert Surtees (cinematographer)
Robert Lee Surtees A.S.C. (August 9, 1906 – January 5, 1985) was an American cinematographer who won three Academy Awards for the films ''King Solomon's Mines'', '' The Bad and the Beautiful'' and the 1959 version of '' Ben-Hur''. Surtees worked at various studios, including Universal, UFA, Warner Brothers, and MGM, lighting for notable directors Howard Hawks, Mike Nichols, and William Wyler, gaining him a reputation as one of the most versatile cinematographers of his time. Early life and education Robert L. Surtees was born in Covington, Kentucky, on August 9, 1906. He grew up in Ohio where he got a job as a photographer and retoucher at a portrait studio in Cincinnati. Surtees then moved to New York City for a year to study photography, but always had a goal of becoming a cinematographer."Robert Surtees Obituary." ''American Cinematographer'' (March 1985): 101. Print. Career With an intention to attend college, Surtees moved to California in 1925. Roy C. Hunter at Univer ...
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Academy Award For Best Original Score
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established as 35% of the music, which is raised to 80% for sequels and franchise films. Fifteen scores are shortlisted before nominations are announced. History The Academy began awarding movies for their scores in 1935. The category was originally called Best Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for '' One Hundred Men and a Girl'' in 1938, a film without a credited composer that featured pre-existing classical music, the Academy added a Best Original S ...
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42nd Academy Awards
The 42nd Academy Awards were presented April 7, 1970, at the Dorothy Chandler Pavilion in Los Angeles, California. For the second year in a row, there was no official host. This was the first Academy Awards ceremony to be broadcast via satellite to an international audience, although Brazil was the only country outside North America to air the event live. One year after '' Oliver!'' became the only G-rated film to win Best Picture, ''Midnight Cowboy'' became the first and only X-rated film to win, though its rating was changed in 1971 to R after the MPAA revised its ratings criteria. Only one other X-rated film has been nominated for Best Picture since, Stanley Kubrick's '' A Clockwork Orange'' (1971), which was also subsequently downgraded to an R rating (though this was a result of cuts to the original film). '' They Shoot Horses, Don't They?'' set an Oscar record by receiving nine nominations without one for Best Picture. This was the last time until the 68th Academy A ...
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Ben Vereen
Benjamin Augustus Vereen (né Middleton; October 10, 1946) is an American actor, dancer and singer. He gained prominence for his performances in the original Broadway productions of the musicals ''Jesus Christ Superstar'', for which he received a Tony Award nomination, and ''Pippin (musical), Pippin,'' for which he won the 1973 Tony Award for Best Actor in a Musical. Early life Vereen was born October 10, 1946, in Laurinburg, North Carolina. While still an infant, Vereen and his family relocated to the Bedford-Stuyvesant neighborhood in Brooklyn, New York City. He was adopted by James Vereen, a paint-factory worker, and his wife, Pauline Vereen, who worked as a maid and theatre wardrobe mistress. He discovered he was adopted when he applied for a passport to join Sammy Davis Jr. on a tour of ''Golden Boy (musical), Golden Boy'' to London when he was 25. He was raised Pentecostalism, Pentecostal. During his pre-teen years, he exhibited an innate talent for drama and dance and ...
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Barbara Bouchet
Barbara Bouchet (born Bärbel Gutscher; 15 August 1943)
, glamourgirlsofthesilverscreen.com; retrieved 12 December 2014.
is a German-Italian actress, dancer, and model, active in the United States and Italy. She is regarded as a sex symbol in of the 1960s and 1970s. Born in German-occupied Czechoslovakia, Bouchet's family emigrated to the United States after the

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Times Square
Times Square is a major commercial intersection, tourist destination, entertainment hub, and Neighborhoods in New York City, neighborhood in the Midtown Manhattan section of New York City. It is formed by the junction of Broadway (Manhattan), Broadway, Seventh Avenue (Manhattan), Seventh Avenue, and 42nd Street (Manhattan), 42nd Street. Together with adjacent Duffy Square, Times Square is a bowtie-shaped plaza five blocks long between 42nd and 47th Street (Manhattan), 47th Streets. Times Square is brightly lit by numerous digital billboards and advertisements as well as businesses offering 24/7 service. One of the world's busiest pedestrian intersections, it is also the hub of the Broadway theatre, Broadway Theater District, Manhattan, Theater District and a major center of the world's entertainment industry. Times Square is one of the world's most visited tourist attractions, drawing an estimated 50 million visitors annually. Approximately 330,000 people pass through Times Squ ...
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Taxi Dancer
A taxi dancer is a paid dance partner in a ballroom dance. Taxi dancers work (sometimes for money but not always) on a dance-by-dance basis. When taxi dancing first appeared in taxi-dance halls during the early 20th century in the United States, male patrons typically bought dance tickets for a small sum each. When a patron presented a ticket to a chosen taxi dancer, she danced with him for the length of a song. She earned a commission on every dance ticket she received. Though taxi dancing has for the most part disappeared in the United States, it is still practiced in some other countries. Etymology The term "taxi dancer" comes from the fact that, as with a taxi-cab driver, the dancer's pay is proportional to the time they spend dancing with the customer. Patrons in a taxi-dance hall typically purchased dance tickets for ten cents each, which gave rise to the term "dime-a-dance girl". Other names for a taxi dancer are "dance hostess" and "taxi" (in Argentina). In the 1920s ...
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Comedy-drama
Comedy drama (also known by the portmanteau dramedy) is a hybrid genre of works that combine elements of comedy and Drama (film and television), drama. In film, as well as scripted television series, serious dramatic subjects (such as death, illness, betrayal, grief, etc.) are handled with realism and subtlety, while preserving a humorous tenor. The term "dramedy" began to be used in the television industry in the 1980s. Modern television comedy dramas tend to have more humour integrated into the story than the comic relief common in drama series, but usually contain a lower joke rate than sitcom, sitcoms. History In Theatre of ancient Greece, Greek theatre, plays were considered comedies or tragedies (i.e. drama): the former being light stories with a happy ending, and the latter serious stories with a sad ending. This concept even influenced Theatre of ancient Rome, Roman theatre and theatre of the Hellenistic period. Theatre of that era is thought to have long-lasting infl ...
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Musical Film
Musical film is a film genre in which songs by the Character (arts), characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the musical theater, stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegesis, diegetic audience, as the performer looks directly into the camera and performs to it. With the Sound film, advent of sound in the late 1920s, musicals gained popularity with ...
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Universal Pictures
Universal City Studios LLC, doing business as Universal Pictures (also known as Universal Studios or simply Universal), is an American filmmaking, film production and film distribution, distribution company headquartered at the 10 Universal City Plaza, Universal Studios complex in Universal City, California, and is the flagship studio of Universal Studios, Inc., Universal Studios, the film studio arm of NBCUniversal, a subsidiary of Comcast. Founded in 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers (producer), Pat Powers, William Swanson, David Horsley, Robert H. Cochrane and Jules Brulatour, Universal is the oldest surviving film studio in the United States and the fifth oldest globally after Gaumont Film Company, Gaumont, Pathé, Titanus and Nordisk Film, and is one of the Major film studios, "Big Five" film studios. Universal's most commercially successful film franchises include ''Fast & Furious, Jurassic Park'', and ''Despicable Me''. A ...
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Ralph Burns
Ralph Joseph P. Burns (June 29, 1922 – November 21, 2001) was an American jazz pianist, composer, and arranger. Early life Burns was born in Newton, Massachusetts, United States, where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in the home of Frances Wayne. Wayne was an established big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such performers as Nat King Cole and Art Tatum. Career After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two men began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed Herman's sound. For 15 years, Burns wrote ...
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