HOME
*





Rhythm And Blues At The Flamingo
''Rhythm and Blues at the Flamingo'' is a live rhythm and blues album recorded by Georgie Fame and the Blue Flames at the Flamingo Club (London), Flamingo Club in September 1963 and released by Columbia Records in 1964. It was the first album on which Fame appeared. In the early 1960s Georgie Fame and the Blue Flames were resident at a number of London clubsRudland, D. (2010), CD booklet notes to ''Georgie Fame: Mod Classics 1964–1966, Ace Records'', CDBGPD 206 including The Flamingo and the club's manager Rik Gunnell managed the group. On this recording Gunnell's younger brother Johnny can be heard announcing the songs over the noisy club clientele. The album was produced by Ian Samwell, engineered by Glyn JohnsJohnny Gunnell, cover liner notes on ''Rhythm And Blues At the Flamingo'', Polydor RSO, SPELP80, 1984. and released on the Columbia Graphophone Company, Columbia label (Columbia 33SX 1599). It failed to chart and the single "Do The Dog", taken from the album and rele ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Live Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disapp ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Oscar Washington
Oscar Douglas Washington (c. 1912 – 2004/05) was an American songwriter, guitarist, school teacher and record label owner. He is credited as co-writer of the jazz and rhythm and blues classic " Night Train", and was also influential in the early career of Chuck Berry. Career By the early 1950s, Washington was working in St Louis, Missouri as a school teacher and guitarist. There he collaborated with saxophonist Jimmy Forrest on the composition of "Night Train", which became a number 1 R&B hit in 1952. Most sources credit Washington with writing the lyrics of the song. He also recorded under the name Faith Douglass.Marv Goldberg's R&B Notebooks, The Regals
Accessed 16 April 2012
In 1953, he started the small independent Ballad record label in St Louis. The label released a series of

picture info

Berry Gordy
Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is a retired American record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades. As a songwriter, he composed or co-composed a number of hits including " Lonely Teardrops" and "That's Why" ( Jackie Wilson), " Shop Around" ( the Miracles), and "Do You Love Me" ( the Contours), all of which topped the US R&B charts, as well as the international hit " Reet Petite" ( Jackie Wilson). As part of the Corporation, he wrote many hit songs for the Jackson 5, including "I Want You Back" and " ABC". As a record producer, he launched the Miracles and signed acts like the Supremes, Marvin Gaye, the Temptations, the Four Tops, Gladys Knight & the Pips, and Stevie Wonder. He was known for carefully directing the public image, dress, ma ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Shop Around
"Shop Around" is a song originally recorded by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Smokey Robinson and Motown Records founder Berry Gordy. It became a smash hit in 1960 when originally recorded by the Miracles, reaching number one on the ''Billboard'' R&B chart, number one on the ''Cashbox'' Top 100 Pop Chart, and number 2 on the ''Billboard'' Hot 100 chart. It was the Miracles' first million-selling hit record, and the first-million-selling hit for the Motown Record Corporation. This landmark single was a multiple award winner for the Miracles, having been inducted into the Grammy Hall of Fame in 2006, inducted into The Rock and Roll Hall of Fame as one of The 500 Songs That Shaped Rock and Roll, and honored by ''Rolling Stone'' as #500 in their list of The 500 Greatest Songs of All Time, dropping it 5 spots from #495 in the 2004 version. The Miracles original version Background The original version of "Shop Around" b ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Eric "Monty" Morris
Eric "Monty" Morris (born c.1942)Campbell, Howard (2016)Eric 'Monty' Morris to perform at Grace Jerk Festival, ''Jamaica Observer'', 12 November 2016. Retrieved 13 November 2016 is a Jamaican ska singer, known for his work with the Skatalites and hit singles such as "Sammy Dead Oh" and "Oil in My Lamp". Biography Morris grew up in the Trench Town area of Kingston and like many singers of the era, Morris started by competing in talent contests in the early 1950s, including Vere Johns' ''Opportunity Hour'', and made his first recording with Derrick Morgan.Peter I (2004),What a Man Doeth: Interview with Monty Morris, Reggae-vibes.com, retrieved 2010-07-20. Morris went on to record several singles for Prince Buster and Duke Reid and was the original vocalist for The Skatalites. He also recorded as a duo with Roy Panton. Morris had a hit in 1961 with the song "Humpty Dumpty". In the wake of two big Jamaican hits with "Sammy Dead Oh" and " Oil in My Lamp" he performed in the United ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Phil Upchurch
Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist. Career Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark's 1961 solo hit "Raindrops".) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie. In 1961, his record " You Can't Sit Down" by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. "You Can't Sit Down, Part 2" peaked at No. 29 on the ''Billboard'' charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, '' Mr. Oscar Brown, Jr. Goes to Washington''. In the mid-1960s he was house guitarist of Chess Records and he played with The Dells, Howlin' Wolf, Muddy Wate ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Dee Clark
Dee Clark (November 7, 1938 – December 7, 1990) was an American soul singer best known for a string of R&B and pop hits in the late 1950s and early 1960s, including the song "Raindrops", which became a million-seller in the United States in 1961. Career He was born Delectus ClarkShaw, ''Honkers And Shouters'', 1978, p. 324. or Delecta Clark, Jr. in Blytheville, Arkansas, and moved to Chicago in 1941. His mother, Essie Mae Clark, was a gospel singer and encouraged her son to pursue his love of music. Clark made his first recording in 1952 as a member of the Hambone Kids, who enjoyed some success with a recording of "Hambone" on the OKeh label. In 1953, he joined an R&B group called the Goldentones, who later became the Kool Gents and were discovered by Chicago radio DJ Herb Kent upon winning a talent competition. Kent had the Kool Gents signed to Vee-Jay label's subsidiary Falcon/Abner. The group recorded for Falcon/Abner in 1956, and also recorded a novelty record as "The ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


You Can't Sit Down
"You Can't Sit Down" was originally recorded in 1959 as "Can't Sit Down" by The Bim Bam Boos on Dasher Records catalogue number D-500 and credited to Dasher - Muldrow; it featured Philip Upchurch on guitar and Cornell Muldrow on organ. Background The song references " South Street", which is the same good-time area the Orlons sang about in their 1963 recording of the same name. The Orlons and the Dovells, who later recorded the most popular version, were both from Philadelphia, and recorded for Cameo-Parkway Records. Other Versions *The later better-known recording of "You Can't Sit Down" by Phil Upchurch and his Combo (Upchurch, Muldrow, David Brooks, Mac Johnson and Joe Haddick) was re-recorded in New Orleans in 1960 and released in 1961 by Boyd Records (Boyd 3398) of Oklahoma with distribution by United Artists Records. Upchurch's own version reached #29 on the ''Billboard'' pop charts. *This was followed by the vocal cover version by the Dovells that reached #3 on the ''Bil ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Parchman Farm (song)
"Parchman Farm" or "Parchman Farm Blues" is a blues song first recorded by American Delta blues musician Bukka White in 1940. It is an autobiographical piece, in which White sings of his experience at the infamous Mississippi State Penitentiary, otherwise known as Parchman Farm. Jazz pianist-vocalist Mose Allison adapted it for his own "Parchman Farm" and "New Parchman", which are among his most popular songs. Numerous artists have recorded their own renditions, usually based on Allison's songs. Background Early in his recording career in 1937, Bukka White was arrested and convicted for a shooting incident and was sentenced to Parchman Farm prison in rural Sunflower County, Mississippi. The institution was operated as a hard-time prison labor work farm, which was notorious for its harsh conditions and use of the trusty system. His recording of " Shake 'Em On Down" became a hit while he was there and as a result, White became somewhat of a celebrity at the prison. While ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his " Young Man Blues" for the Who's '' Live at L ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition " Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Work Song (Adderley Song)
"Work Song" is a work song and jazz standard by American trumpeter Nat Adderley and writer Oscar Brown Jr. It was first featured in Adderley's 1960 studio album of the same name, which was met with high praise and acclaim.Yanow, S. Allmusic Reviewaccessed February 17, 2010. "Work Song" is one of Adderley's best known compositions. The song was originally only an instrumental, but Oscar Brown Jr. included lyrics in a cover released the following year on his album, ''Sin & Soul''. Background "Work Song" was inspired by Nat Adderley's childhood experience of seeing a group of convict laborers singing while they worked on a chain gang, paving the street in front of his family’s home in Florida. Musical composition The song is a 16 bar form in F minor. It is a minor blues. The Penguin Guide to Jazz states: Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." In a musical analysis of Adderley's improvisati ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]