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Requiem (Wilberg)
Mack Wilberg's ''Requiem'' is a large-scale work for chorus, orchestra, a soprano and a baritone soloist. Wilberg began composition in 2006 and it was premiered in 2007 in Salt Lake City, Utah. It comprises seven movements, which together last thirty-four minutes. It was published in 2008 by Oxford University Press. The cover art of the album and the score displays the stained glass of the Chapel of Thanksgiving in Dallas, TX, created by Gabriel Loire History Wilberg completed ''Requiem'' in 2007. He called it a "requiem for the living." Wilberg was first inspired to write a full requiem after Craig Jessop commissioned him to write an Introit and Epilogue for a performance of Vaughan Williams’s cantata, ''Dona nobis pacem'', at Carnegie Hall's National High School Choral Festival on March 14, 2006. Wilberg later decided to compose other movements to fill the requiem, culminating in its premiere performance on April 26, 2007 with soprano Laura Garff Lewis and baritone Tyler O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Requiem Mass
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Mass in the Catholic Church, Catholic Church. This church service has inspired hundreds of compositions, including settings by Officium Defunctorum (Victoria), Victoria, Requiem (Mozart), Mozart, Requiem (Berlioz), Berlioz, Requiem (Verdi), Verdi, Requiem (Fauré), Fauré, Requiem (Dvořák), Dvořák, Requiem (Duruflé), Duruflé and War Requiem, Britten. For centuries settings of the Mass for the Dead were to be chanted in Catholic liturgy, liturgical service Monophony, monophonically. Later the settings became Polyphony, polyphonic, Victoria's famous 1605 ''a cappella'' work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Dies irae, Day of Wrath sequence, and to score with orchestra. Eventually many settings of the Requiem, not least Verdi's (1874), were essentially concert pieces unsuitable for church service. Common texts The following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack Wilberg
Mack J. Wilberg (born February 20, 1955) is an American composer, arranger, pianist, conductor, and choral clinician who has been the music director of the Tabernacle Choir at Temple Square (formerly known as the Mormon Tabernacle Choir) since 2008. He was a professor of music at Brigham Young University (BYU) from 1984 to 1999. Early life and education Wilberg was born on February 20, 1955, in Price, Utah, and grew up in the nearby town of Castle Dale. Wilberg learned how to play the piano at the age of four. He served as a missionary for the Church of Jesus Christ of Latter-day Saints (LDS Church) in South Korea where he was part of New Horizons, a vocal group made up of LDS missionaries. Wilberg attended BYU after finishing his missionary service, graduating in 1979 with a Bachelor of Music degree in piano performance and composition. He then did graduate study in choral music at the University of Southern California's Thornton School of Music, earning both master of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Sometimes, religious music uses similar instruments across cultures. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Esdras
2 Esdras, also called 4 Esdras, Latin Esdras, or Latin Ezra, is an apocalyptic book in some English versions of the Bible. Tradition ascribes it to Ezra, a scribe and priest of the fifth century BC, whom the book identifies with the sixth-century figure Shealtiel. 2 Esdras forms a part of the canon of Scripture in the Ethiopian Orthodox Church (an Oriental Orthodoxy body), though it is reckoned among the apocrypha by Roman Catholics and Protestants. Within Eastern Orthodoxy it forms a part of the canon although its usage varies by different traditions. 2 Esdras was translated by Jerome as part of the Vulgate, though he placed it in an appendix. Naming conventions As with 1 Esdras, some confusion exists about the numbering of this book. The Vulgate of Jerome includes only a single book of Ezra, but in the Clementine Vulgate, 1, 2, 3 and 4 Esdras are separate books. Protestant writers, after the Geneva Bible, called 1 and 2 Esdras of the Vulgate Ezra and Nehemiah, res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feast Of The Transfiguration
The Feast of the Transfiguration is celebrated by various Christian communities in honor of the transfiguration of Jesus. The origins of the feast are less than certain and may have derived from the dedication of three basilicas on Mount Tabor.''Festival icons for the Christian year'' by John Baggley 2000 pages 58–60 The feast was present in various forms by the 9th century, and in the Western Church was made a universal feast celebrated on 6 August by Pope Callixtus III to commemorate the raising of the siege of Belgrade (1456). In the Syriac Orthodox, Malankara Orthodox, Revised Julian calendars within Eastern Orthodox Church, Eastern Orthodoxy, Roman Catholic, Catholic, Old Catholic, and Anglican churches, the Feast of the Transfiguration is observed on 6 August. In the Armenian Apostolic Church, the Feast of the Transfiguration is observed on the fourteenth Sunday after Easter. In some Lutheran traditions preceding the reforms to the liturgy in the 1970s, 6 August was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 84
Psalm 84 is the 84th psalm of the Book of Psalms, beginning in the English of the King James Version: "How amiable are thy tabernacles, O Lord of hosts!". The Book of Psalms forms part of the ''Ketuvim'' section of the Hebrew Bible and part of the Christian Old Testament. In the slightly different numbering system of the Greek Septuagint version of the bible, and in its Latin translations, the Vulgate, this psalm is Psalm 83. In Latin, the psalm is known as "Quam dilecta tabernacula tua Domine virtutum". The psalm is a hymn psalm, more specifically a pilgrimage psalm, attributed to the sons of Korah. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, notably in Schein's motet '' Wie lieblich sind deine Wohnungen'' and by Johannes Brahms who included it in his '' Ein deutsches Requiem''. The psalm was paraphrased in hymns. Dealing with the place where God lives, its beginning has been used as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 121
Psalm 121 is the 121st psalm of the Book of Psalms, beginning in English in the King James Version: "I will lift up mine eyes unto the hills, from whence cometh my help”. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 120. In Latin, it is known as Levavi oculos meos in montes. It is one of 15 psalms categorized as Song of Ascents (''Shir Hama'alot''), although unlike the others, it begins, ''Shir LaMa'alot'' (A song ''to'' the ascents). The psalm is structured as a dialogue, with its opening question, ''From whence comes my help?'' being answered, possibly in a temple setting, by the priest.Rodd, C. S., ''18. Psalms'', in Barton, J. and Muddiman, J. (2001)The Oxford Bible Commentary, p. 399 The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has been set to music in several languages. Felix Mendelssohn used it for '' Hebe deine Augen a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polytonal
Polytonality (also polyharmony) is the musical use of more than one key (music), key simultaneity (music), simultaneously. Bitonality is the use of only two different keys at the same time. Polyvalence or polyvalency is the use of more than one diatonic function, harmonic function, from the same key, at the same time. Some examples of bitonality superimpose fully harmony, harmonized sections of music in different keys. History In traditional music Lithuanian traditional singing style sutartines is based on polytonality. A typical sutartines song is based on a six-bar melody, where the first three bars contain melody based on the notes of the triad of a major key (for example, in G major), and the next three bars is based on another key, always a major second higher or lower (for example, in A major). This six-bar melody is performed as a canon (music), canon, and repetition starts from the fourth bar. As a result, parts are constantly singing in different tonality (key) simulta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Planing
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more melodies (see voice leading). Effects When all voices between chords move in parallel motion, this generally reduces or negates the effect of harmonic progression. However, "occasionally chords such as the tonic and dominant may create the sense of harmonic progression". Illustrative example Lines with parallel harmony can be viewed as a series of chords with the same intervallic structure. Parallel means that each note within the chord rises or falls by the same interval. Examples from works Prominent examples include: * Claude Debussy's '' Beau soir'' (1880), ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1899), '' La Mer'' (1905), '' La cathédrale engloutie'', "Voiles", " Feuilles mortes" * Maurice Ravel's ''Daphnis and Chloë'' Suite No. 2 (1913), "Menuet" from ''Le Tombeau de Couperin'' * Erik Sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Rutter)
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. It is scored for soprano, mixed choir and orchestra or chamber ensemble. Five of its seven Movement (music), movements are based on text from the Latin Music for the Requiem Mass, Requiem Mass, while the second movement is a setting of "Out of the deep" (Psalm 130) and the sixth movement is an anthem ''The Lord is my Shepherd (Rutter), The Lord is my Shepherd'' (Psalm 23) which Rutter had earlier written. The first movement combines the Introit and Kyrie, the third is ''Pie Jesu'', with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. Four of the movements of the Requiem were first performed at Fremont Presbyterian Church, Sacramento, California, on 14 March 1985. The first performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bryn Terfel
Bryn Terfel Jones (; born 9 November 1965), is a Welsh bass-baritone opera and concert singer. Terfel was initially primarily associated with the roles of Mozart, particularly '' Figaro'', '' Leporello'' and ''Don Giovanni,'' but he has subsequently shifted his attention to heavier roles, especially those by Puccini and Wagner. Biography Terfel was born in Pant Glas, Caernarfonshire, Wales, the son of a farmer. His first language is Welsh. He chose Bryn Terfel as his professional name to avoid confusion with another Welsh baritone, Delme Bryn-Jones. He had an interest in and talent for music from a young age. A family friend taught him how to sing, starting with traditional Welsh songs. After winning numerous competitions for his singing, Terfel moved to London in 1984 and entered the Guildhall School of Music and Drama, where he studied under Rudolf Piernay. In 1988, he entered and won the Morriston Orpheus Choir Supporters' Association Young Welsh Singer of the Year Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederica Von Stade
Frederica von Stade (born 1 June 1945) is a semi-retired American classical singer. Best known for her work in opera, she was also a recitalist and concert artist, and she recorded more than a hundred albums and videos. She is especially associated with operas by Mozart and Rossini, and also with music by French and American composers, most notably Jake Heggie. A Chevalier of France's Ordre des Arts et des Lettres, twice the winner of a Grand Prix du Disque and nominated nine times for a Grammy award, she is widely regarded as the pre-eminent lyric mezzo-soprano of her generation. Early life Frederica von Stade—always Flicka (her childhood nickname) to her family, friends and fans—was born in Somerville, New Jersey on 1 June 1945, the daughter of Sara Clucas von Stade and Charles Steele von Stade, a 1941 US Polo Champion, who had been killed by a landmine while serving with the US Army in Germany during World War II. Her early infancy was largely spent in the affluent hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
