Recollections Of The Arabian Nights
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Recollections Of The Arabian Nights
"Recollections of the Arabian Nights" is a poem by Alfred Tennyson, first published in 1830. It is one of his early works, inspired by the tales of ''One Thousand and One Nights''. Analysis With this poem should be compared the description of Harun al Rashid’s Garden of Gladness in the story of Nur-al-din Ali and the damsel Anis al Talis in the Thirty-Sixth Night.Collins, ed. 1900, p. 43. According to John Churton Collins, the style appears to have been modelled on Coleridge’s ''Kubla Khan'' and '' Lewti'', and the influence of Coleridge is very perceptible throughout the poem. Text When the breeze of a joyful dawn blew freeIn the silken sail of infancy,The tide of time flow’d back with me,  The forward-flowing tide of time;And many a sheeny summer-morn,Adown the Tigris I was borne,By Bagdat’s shrines of fretted gold,High-walled gardens green and old;True Mussulman was I and sworn,  For it was in the golden prime    Of good Haro ...
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Iambic Tetrameter
Iambic tetrameter is a meter (poetry), poetic meter in Ancient Greek poetry, ancient Greek and Latin poetry; as the name of ''a rhythm'', iambic tetrameter consists of four metra, each metron being of the form , x – u – , , consisting of a spondee and an Iamb (poetry), iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is: , x – u – , x – u – , , x – u – , , x – u – , ("x" is a syllable that can be long or short, "–" is a long syllable, and "u" is a short one.) In modern English poetry, it refers to a line consisting of four iamb (poetry), iambic foot (prosody), feet. The word "tetrameter" simply means that there are four feet in the line; ''iambic tetrameter'' is a line comprising four iambs, defined by accent. The scheme is thus: x / x / x / x / (In this case, "x" is an unstressed syllable while "/" is a stressed syllable.) Some poetic forms rely upon the iambic tetrameter, for example triole ...
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Alfred Tennyson
Alfred Tennyson, 1st Baron Tennyson (; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, '' Poems, Chiefly Lyrical'', in 1830. " Claribel" and " Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson also focused on short lyrics, such as " Break, Break, Break", " The Charge of the Light Brigade", " Tears, Idle Tears", and " Crossing the Bar". Much of his verse was based on ...
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Harun Al-Rashid
Abū Jaʿfar Hārūn ibn Muḥammad ar-Rāshīd (), or simply Hārūn ibn al-Mahdī (; or 766 – 24 March 809), famously known as Hārūn al-Rāshīd (), was the fifth Abbasid caliph of the Abbasid Caliphate, reigning from September 786 until his death in March 809. His reign is traditionally regarded to be the beginning of the Islamic Golden Age. His epithet ''al-Rashid'' translates to "the Just", "the Upright", or "the Rightly-Guided". Harun established the legendary library Bayt al-Hikma ("House of Wisdom") in Baghdad in present-day Iraq, and during his rule Baghdad began to flourish as a world center of knowledge, culture and trade. During his rule, the family of Barmakids, which played a deciding role in establishing the Abbasid Caliphate, declined gradually. In 796, he moved his court and government to Raqqa in present-day Syria. Domestically, Harun pursued policies similar to those of his father Al-Mahdi. He released many of the Umayyads and 'Alids his brother Al ...
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John Churton Collins
John Churton Collins (26 March 1848 – 15 September 1908) was a British literary critic. Biography Churton Collins was born at Bourton-on-the-Water, Gloucestershire, England. From King Edward's School, Birmingham, he went to Balliol College, Oxford, where he graduated in 1872, and at once devoted himself to a literary career, as journalist, essayist and lecturer. His first book was a study of Sir Joshua Reynolds (1874), and later he edited various classical English writers, and published volumes on Bolingbroke and Voltaire in England (1886), ''The Study of English Literature'' (1891), a study of Dean Swift (1893), ''Essays and Studies'' (1895), ''Ephemera Critica'' (1901), ''Essays in Poetry and Criticism'' (1905), and Rousseau and Voltaire (1908), his original essays being sharply controversial in tone, but full of knowledge. In 1904 he became professor of English literature at Birmingham University. For many years he was a prominent University Extension lecturer, and a co ...
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Kubla Khan
"Kubla Khan: or A Vision in a Dream" () is a poem written by Samuel Taylor Coleridge, completed in 1797 and published in 1816. It is sometimes given the subtitles "A Vision in a Dream" and "A Fragment." According to Coleridge's preface to "Kubla Khan", the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Xanadu, the summer capital of the Mongol-led Yuan dynasty of China founded by Kublai Khan (Emperor Shizu of Yuan). Upon waking, he set about writing lines of poetry that came to him from the dream until he was interrupted by "a person on business from Porlock". The poem could not be completed according to its original 200–300 line plan as the interruption caused him to forget the lines. He left it unpublished and kept it for private readings for his friends until 1816 when, at the prompting of Lord Byron, it was published. The poem is vastly different in style from other poems written by Coleridge. The first stanza ...
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Lewti
"Lewti, or the Circassian Love-chaunt" is a poem by Samuel Taylor Coleridge, first published in 1798. Publication This poem was first published in the ''Morning Post'' (under the signature Nicias Erythraeus), on 18 April 1798: and was included in the ''Annual Anthology'', 1800; and '' Sibylline Leaves'', 1817, 1828, 1829, and 1834.Coleridge, ed. 1912, p. 253. In the ''Morning Post'' the poem was originally entitled "Lewti; or the Circassian's Love Chant". "Lewti" was to have been included in the ''Lyrical Ballads'' of 1798, but at the last moment the sheets containing it were cancelled and " The Nightingale" substituted.Note to reprint of ''Lyrical Ballads'' (1898), edited by T. Hutchinson. A copy which belonged to Southey, with the new Table of Contents and "The Nightingale" bound up with the text as at first printed, is in the British Library. Another copy is extant which contains the first Table of Contents only, and Lewti without the addition of "The Nightingale". In the '' ...
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Thomas Williams (engraver)
Thomas Williams may refer to: Academics *Thomas Williams, Gresham Professor of Astronomy *Thomas Desmond Williams (1921–1987), Irish academic and Professor of Modern History at University College Dublin * Thomas R. Williams (1939–2025), Canadian educator, 19th principal of Queen's University *T. Harry Williams (1909–1979), historian at Louisiana State University *Thomas Williams, Assistant Dean, Sandra Day O'Connor College of Law *T. C. Williams, American educator for whom T. C. Williams High School, Alexandria, Virginia, is named * Thomas W. Williams (engineer), American educator and 1989 IEEE fellow Arts *Thomas Williams (cartoonist) (1940–2002), English cartoonist *Thomas Williams (Christadelphian) (1847–1913), editor of the Christadelphian Advocate magazine * Thomas Williams (writer) (1926–1990), American novelist *Tennessee Williams (Thomas Lanier Williams, 1911–1983), American playwright *Thomas Richard Williams (1825–1871), British photographer *Ras Shiloh ( ...
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William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the name ...
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The Brothers Dalziel
The Brothers Dalziel (pronounced ) was a prolific wood-engraving business in Victorian London, founded in 1839 by George Dalziel. The Dalziel family In 1840, George (1 December 1815 – 4 August 1902) was joined in the business by his brother Edward Dalziel (1817–1905) and in subsequent years they were joined by their sister Margaret (1819–1894), brother John (1822–1869), and brother Thomas Dalziel (1823–1906). Along with at least three older brothers and one younger, they were children of the artist Alexander Dalziel of Wooler in Northumberland. George Dalziel trained under the wood-engraver Charles Gray in London from around 1835. Business activity The Dalziel Brothers worked with many important Victorian artists, producing illustrations for the burgeoning magazine and book market of the period. Among the artists they worked with were Arthur Boyd Houghton, Richard Doyle, Myles Birket Foster, John Gilbert, William Holman Hunt, John Everett Millais, John Pr ...
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William St
William is a masculine given name of Germanic origin. It became popular in England after the Norman conquest in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will or Wil, Wills, Willy, Willie, Bill, Billie, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie). Female forms include Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a compound of *''wiljô'' "will, wish, desire" and *''helmaz'' "helm, helmet".Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford Unive ...
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Arabian Nights
''One Thousand and One Nights'' (, ), is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Persian, and Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are probably drawn from the Pahlavi Persian work (, ), which in turn may be translations of older Indian texts. Common to all the editions of the ''Nights'' is the framing device of the story of the ruler Shahryar being narrated the tales by his wife Scheherazade, with one tale told over ...
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Orientalism
In art history, literature, and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term 'Orientalism' to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, 'the West' Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, ...
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