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Ramblin' Jack Elliott Albums
''Ramblin' on My Mind'' is the debut studio album by American singer-songwriter Lucinda Williams, released in 1979, by Folkways Records. Produced by Tom Royals, and recorded in Mississippi in the late 1970s, the album features a collection of traditional folk and country standards arranged and performed by Williams, with accompaniment by John Grimaudo on his six-string guitar. When the album was re-issued on CD in 1991 by Smithsonian Folkways, the title was shortened to ''Ramblin and featured an alternate album cover. Background and reception Smithsonian Folkways says her "Southern blues roots are unmistakable on her debut record ..showcasing the artistry that would make her an icon." ''Trouser Press'' called it "a warm, lively album of covers" that "shows off Williams’ affecting vocals and her roots — from the bayou to the church choir to the Opry". Track listing Credits adapted from the album's liner notes Liner notes (also sleeve notes or album notes) are the writi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucinda Williams
Lucinda Gayl Williams (born January 26, 1953) is an American singer-songwriter and a solo guitarist. She recorded her first two albums, ''Ramblin' on My Mind (Lucinda Williams album), Ramblin' on My Mind'' (1979) and ''Happy Woman Blues'' (1980), in a traditional country and blues style that received critical praise but little public or radio attention. In 1988, she released her third album, Lucinda Williams (album), ''Lucinda Williams'', to widespread critical acclaim. Regarded as "an Americana classic", the album also features "Passionate Kisses", a song later recorded by Mary Chapin Carpenter for her 1992 album ''Come On Come On'', which garnered Williams her first Grammy Award for Best Country Song in 36th Annual Grammy Awards, 1994. Known for working slowly, Williams released her fourth album, ''Sweet Old World'', four years later in 1992. ''Sweet Old World'' was met with further critical acclaim and was voted the 11th best album of 1992 in ''The Village Voice''s Pazz & Jop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chauffeur Blues
"Me and My Chauffeur Blues" is a song written and recorded by blues singer and guitarist Memphis Minnie in 1941. It was added to the U.S. National Recording Registry in 2019. A number of other musicians have recorded the song, or adaptations of it, often under shortened titles. Memphis Minnie's song Memphis Minnie recorded "Me and My Chauffeur Blues" in Chicago on May 21, 1941, for Okeh Records, with her husband Ernest "Little Son Joe" Lawlars on additional guitar. She used the tune of "Good Morning, School Girl", recorded by John Lee "Sonny Boy" Williamson in 1937. The 78 rpm record listed "Lawlar" as the songwriter, but it is thought Minnie wrote the song herself.Garon, Paul; Garon, Beth (1992). ''Woman With Guitar: Memphis Minnie's Blues''. New York: Da Capo Press. pp. 51ff. . Performing rights organizations show both Minnie and Ernest Lawler as the writers. The song was selected by the Library of Congress in 2019 for preservation in the National Recording Registry for being " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Speckled Bird (song)
"The Great Speckled Bird" is a hymn from the southern United States whose lyrics were written by the Reverend Guy Smith, and transcribed by singer Charlie Swain. It is an allegory referencing fundamentalist self-perception during the Fundamentalist–Modernist Controversy. The song is in the form of AA, with each section being eight bars in a two-beat meter (either 2/4 or 2/2), with these sixteen bars forming the musical background for each verse. It is based on Jeremiah 12:9, "Mine heritage is unto me as a speckled bird, the birds round about are against her; come ye, assemble all the beasts of the field, come to devour." It was recorded in 1936 by Roy Acuff. It was also later recorded by Johnny Cash and Kitty Wells (both in 1959), Pearly Brown (1961), Hank Locklin (1962), Marty Robbins (1966), Lucinda Williams (1978), Marion Williams, and Jerry Lee Lewis. George Jones & The Smoky Mountain Boys also recorded it in the early 1970s (although that recording was not released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Williams
Hiram "Hank" Williams (September 17, 1923 – January 1, 1953) was an American singer, songwriter, and musician. An early pioneer of country music, he is regarded as one of the most significant and influential musicians of the 20th century. Williams recorded 55 singles that reached the top 10 of the Hot Country Songs, ''Billboard'' Country & Western Best Sellers chart, five of which were released posthumously, and 12 of which reached No.1. Born and raised in Alabama, Williams learned guitar from African-American blues musician Rufus Payne. Both Payne and Roy Acuff significantly influenced his musical style. After winning an amateur talent contest, Williams began his professional career in Montgomery in the late 1930s playing on local radio stations and at area venues such as school houses, movie theaters, and bars. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. Because his alcoholism made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jambalaya (On The Bayou)
"Jambalaya (On the Bayou)" is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. It is Williams' most recorded song. Named for a Creole and Cajun dish, jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on MGM Records was inducted into the Grammy Hall of Fame. Composition Williams began writing the song while listening to the Cajuns talk about food on the Hadacol Caravan bus. With a melody based on the Cajun song "Grand Texas", some sources, including AllMusic, claim that the song was co-written by Williams and Moon Mullican, with Williams credited as sole author and Mullican receiving ongoing royalties. Williams' biographer Colin Escott speculates that it is likely Mullican wrote at least some of the song and Hank's music publisher Fred Rose paid him surreptitiously so that he wouldn't have t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make Me A Pallet On The Floor
"Make Me a Pallet on the Floor" (also "Make Me a Pallet on your Floor", "Make Me a Pallet", or "Pallet on the Floor") is a blues/jazz/folk song. It is considered a standard. As Jelly Roll Morton explained, "A pallet is something that – you get some quilts – in other words, it's a bed that's made on a floor without any four posters on 'em." Structure The melody is 16 bars long. One writer describes the structure as "a proto-blues ..thathas little in common musically with regular blues". When played in the key of C, the typical structure is: History The composition probably originates from the end of the nineteenth century. One jazz historian states that the song "could have been sung around New Orleans in the mid-1890s." A 1906 report in the ''Indianapolis Freeman'' referred to a performance of the song by "The Texas Teaser, Bennie Jones". It appeared in sheet music in 1908 as part of " Blind Boone's Southern Rag Medley No. One: Strains from the Alleys." "The lyrics first app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammie Nixon
Hammie Nixon (January 22, 1908 – August 17, 1984) was an American blues harmonica player. Biography Nixon was born in Brownsville, Tennessee. He began his music career with jug bands in the 1920s. He is best known as a country blues harmonica player, but he also played the kazoo, guitar and jug. He played with his father-in-law, guitarist Sleepy John Estes, for half a century, first sound recording and reproduction, recording with him in 1929 for Victor Records. He also recorded with Little Buddy Doyle, Lee Green, Clayton T. Driver, Charlie Pickett and Son Bonds. During the 1920s Nixon helped to pioneer the use of the harmonica as a rhythm instrument in a band setting, rather than as a novelty solo instrument. After Estes died in 1979, Nixon played with the Beale Street Jug Band (also called the Memphis Jug Band). Nixon's last recording, ''Tappin' That Thing'' (HMG Records), was recorded shortly before his death in 1984, in Jackson, Tennessee. Albums * 1984 ''Tap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleepy John Estes
John Adam Estes (January 25, 1899 or 1900June 5, 1977), known as Sleepy John Estes, was an American guitarist, songwriter and vocalist. His music influenced such artists as , and . Life and career Estes was born in R ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop Breakin' Down
"Stop Breaking Down" or "Stop Breakin' Down Blues" is a Delta blues song recorded by Robert Johnson in 1937. An "upbeat boogie with a strong chorus line", the lyrics are partly based on Johnson's experience with certain women: The song shares elements with earlier blues songs and became popular largely through later interpretations by other artists, such as Sonny Boy Williamson I in 1945 and the Rolling Stones in 1972. Recording and composition Robert Johnson recorded "Stop Breakin' Down Blues" during his last recording session in 1937 in Dallas, Texas. The song is a solo piece with Johnson providing guitar accompaniment to his vocals. Several songs have been identified as "melodic precedents": "Caught Me Wrong Again" (Memphis Minnie, 1936), "Stop Hanging Around" (Buddy Moss, 1935), and "You Got to Move" (Memphis Minnie and Joe McCoy, 1934). Of his Dallas recordings, it is Johnson's most uptempo song, with "his exhuberant vocal driv nghome the story line". Two takes of the son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis Jug Band
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band. Beginning in 1926, African-American musicians in the Memphis area grouped around the singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of the band varied from day to day, with Shade booking gigs and arranging recording sessions. The band was as a training ground for musicians who would go on to make careers of their own. Members Among the recorded members of the Memphis Jug Band at various times were Will Shade (harmonica, guitar, washtub bass, vocals), Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvin Jackson
Melvin "Lil' Son" Jackson (August 16, 1915, Tyler, TexasMay 30, 1976, Dallas) was an American blues guitarist and singer. He was a contemporary of Lightnin' Hopkins. Biography Jackson's mother played gospel guitar, and he played early on in a gospel group, the Blue Eagle Four. He became a mechanic and served in the U.S. Army during World War II, after which he pursued a career as a blues musician. He recorded a demo and sent it to Bill Quinn, the owner of Gold Star Records, in 1946. Quinn signed him to a recording contract and released "Freedom Train Blues" in 1948, which became a nationwide hit in the U.S. Jackson recorded for Imperial Records between 1950 and 1954, both as a solo artist and with a backing band. His 1950 song "Rockin' and Rollin" was recast by later musicians as " Rock Me Baby". In 1951, Quinn shuttered the Gold Star label and sold or leased his catalogue of master recordings to other labels, with Modern Records buying 32 unreleased Jackson and Lightnin' Hopk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
