Philip J. Bone
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Philip J. Bone
Philip James Bone (29 January 1873 – 17 June 1964) was an English mandolinist and guitar player in the late 19th and early 20th centuries. Life Bone was born and died in Luton. He studied guitar and mandolin with G. B. Marchiso at Trinity College of Music, London. Making fast progress, he was chosen to perform Beethoven's Sonata and Adagio for mandolin and piano at a college recital. He was also the founder and conductor of the Luton Mandolin Orchestra, "probably the first British mandolin orchestra to play on the mainland of Europe", conducted in Paris in 1909. In 1951, he became president of the British Federation of Banjoists, Mandolinists and Guitarists.Summerfield (2002). While his day-to-day work was as a teacher and music dealer, he is remembered today as the author of the book ''The Guitar and Mandolin: Biographies of Celebrated Players and Composers for These Instruments'', published by Schott and Augener (London, 1914). He was also a Medallist, Fellow of the Royal S ...
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Philip J
Philip, also Phillip, is a male name derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has many alternative spellings. One derivation often used as a surname is Phillips. The original Greek spelling includes two Ps as seen in Philippides and Philippos, which is possible due to the Greek endings following the two Ps. To end a word with such a double consonant—in Greek or in English—would, however, be incorrect. It has many diminutive (or even hypocoristic) forms including Phil, Philly, Phillie, Lip, and Pip. There are also feminine forms such as Philippine and Philippa. Philip in other languages * Afrikaans: Filip * Albanian: Filip * Amharic: ፊሊጶስ (Filip'os) * Arabic: فيلبس (Fīlibus), فيليبوس ( ...
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Pietro Armanini
Pietro Armanini was an Italian mandolin virtuoso who was born in 1844 and died on 8 September 1895 in Bordeaux, France. As a professor at La Scala, he was one of the most famous exponents of the Milanese mandolin and the first to bring his instrument professionally before the English public. One of his life's ambitions was to make the mandolin popular, and he made continental music tours for that purpose. His last performance was in London in 1895. Armanini's success in England was mixed; the journals of the time stated that his cadenzas and improvisations were little short of marvellous. However, it also called him a "maestro of the very highest order"—"an artist without an equal as an executant, he had no rival, and probably will have no successor, his scale passages, part playing, pizzicato, double stopping with left hand, and marvellous rapidity proclaimed him the Paganini of the mandolin." In 1895 he retired from public life and lived at Bordeaux. He was stricken by a ...
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Mandore
Mandore is a suburb and historical town located 9 km north of Jodhpur city in the Jodhpur district of the north-western Indian state of Rajasthan. History Mandore is an ancient town, and was the seat of the Gurjar Pratiharas of Mandavyapura, who ruled the region in the 6th century CE. Even after the disintegration of the Gurjara-Pratihara empire, a gurjar family continued to rule at Mandore. This family formed an alliance with the Rathore chief Chunda of Mandore, Rao Chunda (r. c. 1383-1424) to defend its chiefdom against the Tughluq dynasty of the Delhi Sultanate. Rao Chunda married a Pratihara princess of Mandore, and received the Mandore Fort in dowry; the Fort served as his family's capital until 1459 CE, when Jodha of Mandore, Rao Jodha shifted it to the newly-founded city of Jodhpur. Rao Ranmal Rathore secured the throne of Mandore in 1427. In addition to ruling Mandore, Ranmal also became the administrator of Mewar to assist Maharana Mokal Singh, Mokal (father of ...
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Pierre Brunet (musician)
Pierre Brunet was a French musician who lived in Paris during the middle of the sixteenth century, a teacher of the mandola in that city. He is the author of a ''Tablature de Mandore'', which was published by Adrien le Roy, Paris, in 1578. Mandore is the ancient name of an instrument similar to the mandola — the tenor instrument of the mandolin A mandolin (, ; literally "small mandola") is a Chordophone, stringed musical instrument in the lute family and is generally Plucked string instrument, plucked with a plectrum, pick. It most commonly has four Course (music), courses of doubled St ... family — the mandore or mandola being of earlier origin than the mandolin. His was the first book published for the mandore, but is now lost. References {{DEFAULTSORT:Brunet, Pierre French classical mandolinists 16th-century French musicians ...
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Robert Bremner
Robert Bremner or Brymer ( c. 1713–1789) was a Scottish music publisher. Evidence suggests that he may have been born on 9 September 1713 in Edinburgh to John Brymer and Margaret Urie, and had a younger brother named James, but little else is known about his early life.Alburger. Bremner established his printing enterprise in Edinburgh in mid-1754 "at the Golden Harp, opposite the head of Blackfriars Wynd".Brown and Stratton 59. Business was brisk from the start, and by the next year, he was publishing music on behalf of the Edinburgh Musical Society. Bremner later became an agent for the Society, traveling to London and Dublin to search for singers and musicians to feature at its concerts. In 1756, he printed his own ''The Rudiments of Music'', commissioned by the Edinburgh town council as an instruction book for spreading the ideas of the "Monymusk Revival", which was revolutionizing psalm-singing in the Church of Scotland at the time.Johnson. The third edition of his treatis ...
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Giuseppe Branzoli
Giuseppe Branzoli (1835 in Cento – 21 January 1909, in Rome) was a violinist, mandolinist, composer, author, educator at the Liceo Musicale di St. Cecilia in Rome, and the founder of the periodical ''IL mandolin Romano''. His compositions were for violin, mandolin, flute and cello, as well as church music. He taught at Cento and Bologna and played first violin at the Theatre of Apollo Orchestra in Rome. Also played in the Theatre of Massimo in Rome. After his son died and he used music as a way to "stifle and conquer his grief". He taught as a professor of stringed instruments at the college level and worked as a conductor of the Philharmonic Society. He also helped found the Liceo Musicale di St. Cecilia in Rome and taught as a professor of harmony there and worked as a librarian. Compositions He composed for the mandolin band. He also did operas, ''Torquato Tasso'' and ''Sorrento'' which were successful. Wrote an elegy for orchestra, ''A tear over the tome of Meyerbeer''. ...
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Bartolomeo Bortolazzi
Bartolomeo Bortolazzi (born Toscolano-Maderno 1772; died 1846) was a performing musician, composer, author, and virtuoso of both the guitar and the mandolin. He was credited by music historian Philip J. Bone as helping to pull the mandolin out of decline. Early life Bortolazzi was born to musical parents, and when quite a child studied the mandolin. At a very early age, he made concert tours through northern Italy, meeting with considerable success. In the year 1800, he visited England where he was well received, remaining there two years and surprising the English audiences with his instrument. Career At the beginning of the year 1801 Bortolazzi commenced the study of the guitar, and so great was his natural ability that the next year he was performing and teaching this instrument also, to the elite of London society. Whilst residing in London he composed many works for voices and guitar, and piano and guitar, dedicating one of the latter compositions to his pupil, the Duchess ...
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Luigi Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and '' galante'' style even while he matured somewhat apart from the major classical musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 ( G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini's output also includes several guitar quintets. The final movement of the Guitar Quintet No. 4 in D (G 448) is a fandango, a lively Spanish dance. Biography Boccherini was born into a musical family in Lucca, Italy in 1743. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote libretti for Ant ...
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Carl Blum
Carl Wilhelm August Blum (1786 – 2 July 1844) was a German singer, librettist, stage actor, director, guitarist and opera and song composer. Philip J. Bone wrote that Blum was "a universal genius, uniting in one person the poet, the dramatist, composer, singer and performer." He was composer to the Court of the King of Prussia. He has been confused with or named incorrectly in literature as Karl Ludwig Blum.Der Name Karl Ludwig Blum findet sich z. B. in Meyers Konversations-Lexikon in der Auflage von 1888 (), im Tonkünstlerlexikon von Frank-Altmann (Paul Frank und Wilhelm Altmann: ''Kurzgefaßtes Tonkünstler-Lexikon. Für Musiker und Freunde der Musik'' (Regensburg, 1936), 15th ed. 1983, p. 61) und in der ADB (), dort ist allerdings im modernen Index der Online-Version die falsche Zuschreibung vermerkt. Gelegentlich nannte er sich wohl auch selbst so. Dies führt, auch in den Bibliothekskatalogen, zu wiederholten Verwechslungen mit dem Historiker Karl Ludwig Blum. History an ...
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Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ...
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Giuseppe Bellenghi
Giuseppe Bellenghi (1847 in Bologna – 17 October 1902 in Florence) was a virtuoso violoncellist and mandolinist, and composer. He was remembered in 1914 as "a devoted champion of the mandolin." Bellinghi studied violoncello under "several well-known Italian masters," including Teodulo and Jefte Sbolci. He gained a reputation as a cello virtuoso in Florence, and worked in important concerts in Bologna and Florence, and as first violoncellist in the theatres. He taught the violoncello as well, and cellist Elvira Paoli was one of his students. While teaching violoncello, Bellenghi "became enamored of the mandolin," which was in fashion at the time with the aristocracy and nobility in Italy. He worked to spread its popularity further. He began to perform in concerts as a mandolinist between 1880 and 1900. Bellenghi organized concerts in Florence and Bologna, where "celebrated mandolinists, Riccardo Rovinazzi, Giuseppe Silvestri, and Caroline Grimaldi took part." He was also one ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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