|
Parshvanatha Temple, Khajuraho
Parshvanatha temple (IAST: Pārśvanātha Mandir) is a 10th-century Jain temple at Khajuraho in Madhya Pradesh, India. It is now dedicated to Parshvanatha, although it was probably built as an Adinatha shrine during the Chandela period. Despite the temple's Jain affiliation, its exterior walls feature Vaishnavaite themes. The entrance has an inscription with a most-perfect magic square. It is part of a UNESCO World Heritage Site along with other temples in the Khajuraho Group of Monuments. History The temple is believed to have been constructed by a prominent Jain family between 950 and 970 CE, during the reign of the Chandela king Dhanga. A 954 CE (1011 VS) inscription on the left door jamb of the temple records gifts and endowments of gardens by one Pahila. The gardens are named Pahila-vatika, Chandra-vatika, Laghuchandra-vatika, Shankara-vatika, Panchaitala-vatika, Amra-vatika and Dhanga-vadi. The inscription describes Pahila as a devotee of Jinanatha and states that he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khajuraho
Khajuraho () is a city, near Chhatarpur in Chhatarpur district of the Indian state of Madhya Pradesh. One of the most popular tourist destinations in India, Khajuraho has the country's largest group of medieval Hindu and Jain temples, famous for their erotic sculptures. The Khajuraho Group of Monuments has been listed as a UNESCO World Heritage Site since 1986 and is considered one of the "seven wonders" of India. The town's name, anciently "Kharjuravahaka", is derived from the Sanskrit word ''kharjur'' meaning " date palm". History The region was historically part of many kingdoms and empires. The earliest known power to have had Khajuraho in its territory were the Vatsa. Their successors in the region included the Mauryans, Sungas, Kushans, Nagas of Padmavati, the Vakataka dynasty, the Guptas, the Pushyabhuti dynasty, and the Gurjara-Praithara dynasty. It was specifically during the Gupta period that architecture and art began to flourish in this region, although t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamb
A jamb (from French ''jambe'', "leg"), in architecture, is the side-post or lining of a doorway or other aperture. The jambs of a window outside the frame are called “reveals.” Small shafts to doors and windows with caps and bases are known as “jamb-shafts”; when in the inside arris of the jamb of a window, they are sometimes called "scoinsons." A doorjamb, door jamb (also sometimes doorpost) is the vertical portion of the door frame onto which a door is secured. The jamb bears the weight of the door through its hinges, and most types of door latches and deadbolts extend into a recess in the doorjamb when engaged, making the accuracy of the plumb (i.e. true vertical) and strength of the doorjambs vitally important to the overall operational durability and security of the door. The word ''jamb'' is also used to describe a wing of a building, perhaps just in Scottish architecture. John Adam added a 'jamb' to the old Leith Customs house in the Citadel of Leith in 1754 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surasundari
In Indian art, a surasundari (literally "celestial beauty") is a young maiden characterizing feminine beauty and graceful sensuality. Buddhist and Jain shrines have featured sensual figures in form of yakshis and other spirits since 2nd century BCE. However, the surasundari motif gained prominence in Indian temple architecture only around the beginning of the 9th century CE. ''Shilpa-Prakasha'', a 9th-century Tantric architectural treatise, declares a monument without a surasundari as inferior and fruitless. The 15th century text ''Kshirarnava'' states that the surasundaris should be depicted looking down (''adho-drishti''), not looking at someone. In temple sculptures, the surasundaris are often depicted as attendants of gods and goddesses. They also manifest as dancing apsaras. A salabhanjika or tree nymph is another variation of a surasundari. Other forms of a surasundari include: The presence of surasundaris in religious shrines is interpreted in several ways. A spiritua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arihant (Jainism)
''Arihant'' ( pka, arihant, italic=yes, sa, अरिहन्त, lit=conqueror) is a jiva (soul) who has conquered inner passions such as attachment, anger, pride and greed. Having destroyed four inimical karmas, they realize pure self. ''Arihants'' are also called ''kevalins'' ( omniscient beings) as they possess '' kevala jnana'' (pure infinite knowledge). An ''arihant'' is also called a ''jina'' ("victor"). At the end of their life, ''arihants'' destroy remaining ''karmas'' and attain ''moksha'' (liberation) and become ''siddhas''. ''Arihantas'' have a body while ''siddhas'' are bodiless pure spirit. The Ṇamōkāra mantra, the fundamental prayer dedicated to '' Pañca-Parameṣṭhi'' (five supreme beings), begins with ''Ṇamō arihantāṇaṁ'', "obeisance to the arihants". ''Kevalins'' - omniscient beings - are said to be of two kinds # ''Tirthankara kevalī'': 24 human spiritual guides who after attaining omniscience teach the path to salvation. # ''Sāmānya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garuda
Garuda (Sanskrit: ; Pāli: ; Vedic Sanskrit: गरुळ Garuḷa) is a Hindu demigod and divine creature mentioned in the Hindu, Buddhist and Jain faiths. He is primarily depicted as the mount (''vahana'') of the Hindu god Vishnu. Garuda is also the half-brother of the Devas, Daityas, Danavas and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas. Garuda is described as the king of the birds and a kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia of India, Indonesia and Thailand. The Indonesian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakreshvari
In Jain cosmology, Chakeshvari or ''Apraticakra'' is the guardian goddess or Yakshini (attendant deity) of Rishabhanatha. She is the tutelary deity of the Sarawagi Jain community. Iconography The color of the goddess is golden. Her Vehicle is the Garuda. She has eight arms. As seen in photos , she is depicted with carrying two Chakras in upper two arms, carrying Trishula/ Vajra , bow, arrow, noose, Elephant goad and last arm as Varadamudra. Mata Shri Chakreshwari Devi Jain Tirth In Punjab, at village Attewali there is a famous temple of Goddess Chakreshvari, named Mata Shri Chakreshwari Devi Jain Tirth. This ancient temple is believed to be around 1000 years old and is situated in village Attewali in Sirhind town on Sirhind-Chandigarh Road. The legend has that during the times of Raja Prithviraj Chauhan, a large number of pilgrims from Rajasthan were going in bullock carts to the ancient Jain Temple of Kangra (H. P.) (still present Kangra Fort) to seek the blessings of Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by '' Merriam-Webster'' definition, a lintel is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vidyadhara
Vidyadhara(s) (Sanskrit , literally "wisdom-holders") are a group of supernatural beings in Indian religions who possess magical powers. In Hinduism, they also attend Shiva, who lives in the Himalayas. They are considered ''Upadeva''s, or demi-gods. In Hinduism In Hindu epics In the Hindu epics, Vidyādharas are described as essentially spirits of the air. They are described as doing different activities in the epics like gazing at human prowess with astonishment, strewing flowers watching a combat, rejoicing with music and laughter, crowned with wreaths and fleeing with their wives from danger. They possess great magical powers like the ability to diminish their size. They are endowed with epithets describing them as "doers of good and devoted to joy". They also live in Gandhamandhana mountain and other Himalayan mountains with Kinnaras. They are also described residing on Mount Krauncha, on Citrakuta where Rama saw Vidyadhara women playing, in the hills of Malabar and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antarala
Antarala (Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ...: अन्तराल, lit. ''intermediate space'') is a small antechamber or foyer between the garbhagriha (shrine) and the mandapa, more typical of north Indian temples. Antarala are commonly seen in Chalukyan Style temples in which the 'Vimana' and the 'Mandapa' are connected through the 'Antarala'. Notes Hindu temple architecture {{India-hindu-temple-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Temples Of Khajuraho
Thare a part of the UNESCO World Heritage Site of Khajuraho.Khajuraho Group of Monuments UNESCO World Heritage Site They are located in Chhatarpur district, , , about 175 kilometres southeast of the city of . History During the rule ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaeological Survey Of India
The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexander Cunningham who also became its first Director-General. History ASI was founded in 1861 by Alexander Cunningham who also became its first Director-General. The first systematic research into the subcontinent's history was conducted by the Asiatic Society, which was founded by the British Indologist William Jones on 15 January 1784. Based in Calcutta, the society promoted the study of ancient Sanskrit and Persian texts and published an annual journal titled ''Asiatic Researches''. Notable among its early members was Charles Wilkins who published the first English translation of the '' Bhagavad Gita'' in 1785 with the patronage of the then Governor-General of Bengal, Warren Hastings. However, the most important of the society's achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
