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Pythagorean Interval
In musical tuning theory, a Pythagorean interval is a musical interval with a Interval ratio, frequency ratio equal to a Exponentiation, power of two divided by a power of three, or vice versa.Benson, Donald C. (2003). ''A Smoother Pebble: Mathematical Explorations'', p.56. . "The frequency ratio of every Pythagorean interval is a ratio between a power of two and a power of three...confirming the Pythagorean requirements that all intervals be associated with ratios of whole numbers." For instance, the perfect fifth with ratio 3/2 (equivalent to 31/ 21) and the perfect fourth with ratio 4/3 (equivalent to 22/ 31) are Pythagorean intervals. All the intervals between the notes of a scale are Pythagorean if they are tuned using the Pythagorean tuning system. However, some Pythagorean intervals are also used in other tuning systems. For instance, the above-mentioned Pythagorean perfect fifth and fourth are also used in just intonation. Interval table Notice that the terms ''ditone' ...
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Perfect Fifth On C
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Augmented Unison
In modern Western tonality, tonal music theory an augmented unison or augmented prime is the interval (music), interval between two notes on the same staff position, or denoted by the same note letter, whose alterations cause them, in ordinary equal temperament, to be one semitone apart. In other words, it is a unison where one note has been altered by a half-step, such as B and B or C and C. The interval is often described as a chromatic semitone. The term, in its French form ''unisson superflu'', appears to have been coined by Jean-Philippe Rameau in 1722, who also called this interval a minor semitone (''semiton mineur'').Gene Henry Anderson, "Musical Terminology in J.-P. Rameau's ''Traité de l'harmonie'': A Study and Glossary Based on an Index". PhD diss. (Iowa City: University of Iowa, 1981): 196. Historically, this interval, like the tritone, is described as being "mi contra fa", and therefore is the "diabolus in musica" (the Devil in music). In 12 equal temperament, 12-tone ...
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Diminished Sixth
In classical music from Western culture, a diminished sixth () is an Interval (music), interval produced by Diminution, narrowing a minor sixth by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . Specific example of an d6 not given but general example of minor intervals described. For example, the interval from A to F is a minor sixth, eight semitones wide, and both the intervals from A to F, and from A to F are diminished sixths, spanning seven semitones. Being diminished, it is considered a consonance and dissonance, dissonant interval,Benward & Saker (2003), p.92. despite being equivalent to an interval known for its consonance. Its Inversion (interval), inversion is the augmented third, and its Enharmonic equivalency, enharmonic equivalent is the perfect fifth. "Wolf fifth" A severely Consonance and dissonance, dissonant diminished sixth is observed when a fixed-pitch instrument limited to twelve notes per octave is tuned us ...
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Augmented Fourth
Augment or augmentation may refer to: Language *Augment (Indo-European), a syllable added to the beginning of the word in certain Indo-European languages * Augment (Bantu languages), a morpheme that is prefixed to the noun class prefix of nouns in certain Bantu languages *Augment, a name sometimes given to the verbal ''ō-'' prefix in Nahuatl grammar Technology * Augmentation (obstetrics), the process by which the first and/or second stages of an already established labour is accelerated or potentiated by deliberate and artificial means * Augmentation (pharmacology), the combination of two or more drugs to achieve better treatment results *Augmented reality, a live view of a physical, real-world environment whose elements are ''augmented'' by computer-generated sensory input * Augmented cognition, a research field that aims at creating revolutionary human-computer interactions * Augment (Tymshare), a hypertext system derived from Douglas Engelbart's oN-Line System, renamed "Augm ...
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Diminished Fifth
Diminished may refer to: *Diminution In Western culture, Western music and music theory, diminution (from Medieval Latin ''diminutio'', alteration of Latin ''deminutio'', decrease) has four distinct meanings. Diminution may be a form of embellishment (music), embellishment in whic ... in music * "Diminished" (R.E.M. song), from the 1998 album ''Up'' *''Diminished'', a 2024 album by twlv {{disambiguation ...
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Augmented Third
In classical music from Western culture, an augmented third () is an interval of five semitones. It may be produced by widening a major third by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . For instance, the interval from C to E is a major third, four semitones wide, and both the intervals from C to E, and from C to E are augmented thirds, spanning five semitones. Being augmented, it is considered a dissonant interval.Benward & Saker (2003), p.92. Its inversion is the diminished sixth, and its enharmonic equivalent is the perfect fourth A fourth is a interval (music), musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending int .... The just augmented third, E, is 456.99 cents or 125:96. The Pythagorean augmented third, E, is 521.51 cents or 177147:131072, eleven just p ...
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Major Third
In music theory, a third is a Interval (music), musical interval encompassing three staff positions (see Interval (music)#Number, Interval number for more details), and the major third () is a third spanning four Semitone, half steps or two Whole step, whole steps. Along with the minor third, the major third is one of two commonly occurring thirds. It is described as ''major'' because it is the larger interval of the two: The major third spans four semitones, whereas the minor third only spans three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished third, Diminished and augmented thirds are shown on the musical staff the same number of lines and spaces apart, but contain a different number of semitones in pitch (two and five). Harmonic and non-harmonic thirds The major third may be derived from the harmonic series (music), harmonic series as the interval be ...
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Ditone
In music, a ditone (, from , "of two tones") is the interval of a major third. The size of a ditone varies according to the sizes of the two tones of which it is compounded. The largest is the Pythagorean ditone, with a ratio of 81:64, also called a comma-redundant major third; the smallest is the interval with a ratio of 100:81, also called a comma-deficient major third. Pythagorean tuning The Pythagorean ditone is the major third in Pythagorean tuning, which has an interval ratio of 81:64, which is 407.82 cents. The Pythagorean ditone is evenly divisible by two major tones (9/8 or 203.91 cents) and is wider than a just major third (5/4, 386.31 cents) by a syntonic comma (81/80, 21.51 cents). Because it is a comma wider than a "perfect" major third of 5:4, it is called a "comma-redundant" interval. "The major third that appears commonly in the ythagoreansystem (C–E, D–F, etc.) is more properly known as the Pythagorean ditone and consists of two major and two minor semi ...
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Diminished Fourth
In classical music from Western culture, a diminished fourth () is an Interval (music), interval produced by Diminution, narrowing a perfect fourth by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . Specific example of an d4 not given but general example of perfect intervals described. For example, the interval from C to F is a perfect fourth, five semitones wide, and both the intervals from C to F, and from C to F are diminished fourths, spanning four semitones. Being diminished, it is considered a consonance and dissonance, dissonant interval. A diminished fourth is enharmonically equivalent to a major third; that is, it spans the same number of semitones, and they are physically the same pitch in twelve-tone equal temperament. For example, B–D is a major third; but if the same pitches are spelled B and E, as occurs in the C harmonic minor scale, the interval is instead a diminished fourth. In other tunings, however, they are no ...
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Augmented Second
In Western classical music, an augmented second is an interval created by widening a major second by a chromatic semitone, spanning three semitones and enharmonically equivalent to a minor third in 12-tone equal temperament.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . Specific example of an A2 not given but general example of major intervals described. For instance, the interval from C to D is a major second, two semitones wide, and the interval from C to D is an augmented second, spanning three semitones. Usage Augmented seconds occur in many scales, including the various modes of the harmonic minor and double harmonic scales. In harmonic minor, the augmented second occurs between the sixth and seventh scale degrees. For example, in the scale of A harmonic minor, the notes F and G form the interval of an augmented second. This distinguishing feature of harmonic minor scales occurs as a consequence of the seventh scale degree having been chrom ...
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Minor Third
In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished third, Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip (music), skip melodically. Notable examples of ascending minor thirds include the opening two notes of "Greensleeves" and of "Light My Fire". The minor third may be derived from the Harmonic series (music), harmonic series as the interva ...
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Semiditone
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of "Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is commonly ...
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