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Protogeometric Art
The Protogeometric style (or Proto-Geometric) is a style of Ancient Greek pottery led by Athens and produced, in Attica and Central Greece, between roughly 1025 and 900 BCE,Van Damme, Trevor, and Lis Bartłomiej, (29 October 2024)"The origin of the Protogeometric style in northern Greece and its relevance for the absolute chronology of the Early Iron Age" in: Antiquity, 2024, Vol. 98, No. 401, pp. 1271-1289, Table 1: "Early Protogeometric in Central Greece and Attica, 1025 cal BC." during the Greek Dark Ages. It was succeeded by the Early Geometric period. Earlier studies considered the beginning of this style around 1050 BCE. History After the collapse of the Mycenaean- Minoan Palace culture and the ensuing Greek Dark Ages, the Protogeometric style emerged around the late 11th century BCE, as the first expression of a reviving civilization. Following on from the development of a faster potter's wheel, vases of this period are markedly more technically accomplished than earl ...
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Protogeometric Amphora BM A1124
The Protogeometric style (or Proto-Geometric) is a style of Pottery of ancient Greece, Ancient Greek pottery led by Athens and produced, in Attica and Central Greece (geographic region), Central Greece, between roughly 1025 and 900 BCE,Van Damme, Trevor, and Lis Bartłomiej, (29 October 2024)"The origin of the Protogeometric style in northern Greece and its relevance for the absolute chronology of the Early Iron Age" in: Antiquity, 2024, Vol. 98, No. 401, pp. 1271-1289, Table 1: "Early Protogeometric in Central Greece and Attica, 1025 cal BC." during the Greek Dark Ages. It was succeeded by the Early Geometric art, Geometric period. Earlier studies considered the beginning of this style around 1050 BCE. History After the collapse of the Mycenaean Greece, Mycenaean-Minoan civilization, Minoan Palace culture and the ensuing Greek Dark Ages, the Protogeometric style emerged around the late 11th century BCE, as the first expression of a reviving civilization. Following on from the d ...
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Lefkandi
Lefkandi () is a coastal village on the island of Euboea, Greece. Archaeological finds attest to a settlement on the promontory locally known as Xeropolis, while several associated cemeteries have been identified nearby. The settlement site is located on a promontory overlooking the Euripus Strait, Euripos Strait, with small bays forming natural harbours east and west of the site. The cemeteries are located on the hillslopes northwest of the settlement; the plots identified so far are known as the East Cemetery, Skoubris, Palia Perivolia, Toumba, in addition to further smaller groups of burials. The site is located between the island's two main cities in antiquity, Chalkis and Eretria. Excavation here is conducted under the direction of the British School at Athens and is ongoing as of 2007 (previous campaigns in 1964–1968, 1981–1984). Occupation at Lefkandi can be traced back to the Early Bronze Age, and continued throughout the Bronze and Iron Ages, to end at the beginning of ...
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Ancient Greek Vase-painting Styles
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500, ending with the expansion of Islam in late antiquity. The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was exponentially increasing due to the Neolithic Revolution, which was in full progr ...
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10th-century BC Works
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ...
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11th-century BC Works
The 11th century is the period from 1001 (represented by the Roman numerals MI) through 1100 (MC) in accordance with the Julian calendar, and the 1st century of the 2nd millennium. In the history of Europe, this period is considered the early part of the High Middle Ages. There was, after a brief ascendancy, a sudden decline of Byzantine power and a rise of Norman domination over much of Europe, along with the prominent role in Europe of notably influential popes. Christendom experienced a formal schism in this century which had been developing over previous centuries between the Latin West and Byzantine East, causing a split in its two largest denominations to this day: Roman Catholicism and Eastern Orthodoxy. In Song dynasty China and the classical Islamic world, this century marked the high point for both classical Chinese civilization, science and technology, and classical Islamic science, philosophy, technology and literature. Rival political factions at the Song dyna ...
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10th Century BC In Greece
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ...
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11th Century BC In Greece
In music theory, an eleventh is a compound interval consisting of an octave plus a fourth. A perfect eleventh spans 17 and the augmented eleventh 18 semitones, or 10 steps in a diatonic scale. Since there are only seven degrees in a diatonic scale, the eleventh degree is the same as the subdominant (IV). The eleventh is considered highly dissonant with the major third. An eleventh chord is the stacking of five thirds in the span of an eleventh. In common practice tonality, it usually had subdominant function as minor eleventh chord on the second degree (supertonic) of the major scale. See also *Eleventh chord *Extended chord In music, extended chords are certain Chord (music), chords (built from third (chord), thirds) or triad (music), triads with notes ''extended'', or added, beyond the seventh (chord), seventh. Ninth chord, Ninth, Eleventh chord, eleventh, and T ... References Chord factors Fourths (music) Compound intervals {{music-theory-stub ...
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American Journal Of Archaeology
The ''American Journal of Archaeology'' (AJA), the peer-reviewed journal of the Archaeological Institute of America, has been published since 1897 (continuing the ''American Journal of Archaeology and of the History of the Fine Arts'' founded by the institute in 1885). The publication was co-founded in 1885 by Princeton University professors Arthur Frothingham and Allan Marquand. Frothingham became the first editor, serving until 1896. The journal primarily features articles about the art and archaeology of Europe and the Mediterranean world, including the Near East and Egypt, from prehistoric to Late Antique times. It also publishes book reviews, museum exhibition reviews, and necrologies. It is published in January, April, July, and October each year in print and electronic editions. The journal's current editor-in-chief is Jane B. Carter. The journal's first woman editor-in-chief was Mary Hamilton Swindler. From 1940 to 1950 the journal published articles by Michael Vent ...
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Robert Manuel Cook
Robert Manuel Cook (4 July 1909 – 10 August 2000) was a classical scholar and classical archaeologist from England with expertise in Greek painted vases. He was Laurence Professor of Classical Archaeology at the University of Cambridge, the author of several academic texts and was elected a Fellow of the British Academy in 1974, having been made a Fellow of the German Archaeological Institute in 1953. Biography Robert Cook was born in Sheffield on 4 July 1909, the son of a clergyman and his wife, the Reverend Charles Robert and Mary Manuel Cook. After a period of home schooling and then boarding school, Cook was educated at Marlborough College between 1923 and 1929, then went up to Clare College, Cambridge, where he graduated with a double first in Classics. He was awarded a Walston scholarship in 1932 and spent the next two years undertaking research in the British School at Athens. In 1946, after pre-war lecturing positions at the University of Manchester and wartime ...
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Archaic Greece
Archaic Greece was the period in History of Greece, Greek history lasting from to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical Greece, Classical period. In the archaic period, the Greeks settled across the Mediterranean Sea and the Black Sea: by the end of the period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognizable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the ''Polis, poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical period. The archaic period saw developments in Greek ...
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Mycenaean Pottery
Mycenaean pottery is the pottery tradition associated with the Mycenaean Greece, Mycenaean period in Ancient Greece. It encompassed a variety of styles and forms including the stirrup jar. The term "Mycenaean" comes from the site Mycenae, and was first applied by Heinrich Schliemann. Chronology The Mycenaean era corresponds to the period known as ''Late Helladic'', often abbreviated ''LH'', in the standard relative chronology for mainland Greece. This period is divided into sub-periods using Roman numerals (e.g. LH I, LH II, LH III) which are further divided into sub-sub-periods using capital letters (e.g. LH IIIA, LH IIIB, LH IIIC). This divisions are useful because archaeologists typically use changes in pottery styles as an indication of broader changes in culture. Many writers compare prehistory to a stage on which different ceramic characters appear and play a role. In absolute dating, the Mycenaean period corresponds to c. 1600 - 1000 BC. An alternative periodization di ...
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Sub-Mycenaean Pottery
Submycenaean pottery is a style of Ancient Greek pottery that is transitional between the preceding Mycenaean pottery and the subsequent styles of Greek vase painting, particularly the Protogeometric style. The vases from this period date between 1030 and 1000 BC. Discovery and Research Submycenaean pottery is not extensively researched due to the limited number of discovered sites. The style was first identified in 1939 by Wilhelm Kraiker and Karl Kübler, based on finds from the Kerameikos and Pompeion cemeteries in Athens and Salamis. The existence of the style was initially disputed among archaeologists until later discoveries in Mycenae confirmed distinct Late Mycenaean and Submycenaean strata. Context and Distribution Submycenaean pottery occurs primarily in contexts such as inhumations and stone-built cist graves. The distribution of finds suggests a settlement pattern consisting of hamlets and villages. In addition to Athens and Salamis, Submycenaean potte ...
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