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Prostitution In Bangladesh
Prostitution is legal in Bangladesh but regulated by law. According to the law, only adult women can engage in professional sex work by making a declaration in court, although among the hundreds of thousands of sex workers in Bangladesh, a large number are children. Generally, three types of sex workers are seen in Bangladesh: hotel-based, floating in parks and gardens, and brothel-based. Although several brothels were demolished in the 20th and 21st centuries, in 2020 there were 14 registered brothels in Bangladesh. While professional female sex work is legal, professional male sex work is illegal, though it exists in various places. According to research, there are 200,000 sex workers in Bangladesh, among whom 10,000 to 29,000 are underage. Naming In Bangladesh, sex workers are also referred to in dictionaries as ''dehoposharini'', ''nagorbodhu'', ''beshya'', ''rokhkita'', ''khanki'', ''jarini'', ''punshcholi'', ''atitwari'', ''gonika'', ''kulta'', ''baronbonita'', ''kumbhodas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bede People
Bede (feminine: Bedeni) or Bedey, also known as Mon-tong, is an Indo-Aryan peoples, Indo-Aryan nomadic ethnic group of Bangladesh. The Bede traditionally live, travel, and earn their living on the river, which has given them the name of "Water Gypsy" or "River Gypsy". Bedes are similar to Romani people, European gypsies. They travel in groups and never stay in one place for more than a couple of months. The Bedes are a marginalized group. Historically the Bedes were unable to vote as they did not own land, nor could they apply for banks loan or microcredit for the same reason. This situation persisted until 2008, when they were finally granted the right to vote. Etymology The Bedes are also known by names such as Badiya, Baidya, or Boiddani, which originate from the term ''Baidya'' (meaning healer or physician). Historically, the Bedes have been involved in various forms of traditional medicine, including herbal remedies and spiritual healing practices. The Bedes are descenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mujra
Mujra is a dance performance that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for entertainment. Background and history It combines elements of the Indian classical Kathak dance with Hindustani classical music including thumris and ghazals. It also includes poems from other Mughal periods like the emperors from Akbar to Bahadur Shah Zafar's ruling periods. Mujra was traditionally performed at mehfils and in special houses called . During Mughal rule in the subcontinent, in places such as Delhi, Lucknow, Jaipur, the tradition of performing mujra was a family art and often passed down from mother to daughter. These courtesans or tawaifs had some power and prestige due to their access to the elite class and some of them came to be known as authorities on culture. Some noble families would send their sons to them to learn etiquette and the art o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehfil
Mehfil or ''mahfil'' (Urdu: محفل), alternatively known as Bazm (Urdu: بزم) is a formal venue where indoor recreational activities such as poetry ( mushaira), singing, music, and dance are entertained in parts of the Indian subcontinent. It is part of Ganga-Jamuni tehzeeb culture. Historically, ''mehfil''s were presented in the homes or palaces of Muslim royalty or noblemen, who acted as these artists' patrons. Mehfils are also an integral part of the Hyderabadi Muslim community, and used as a way of unity among them, all around the world. Today they are generally held in the homes of especially avid music lovers or the lovers of poetry-recitation gatherings. ''Ghazals'' are a common genre performed at ''mehfil''s. Ghazal recitation gatherings are called 'Mehfil-e-Mushaira' in the Urdu language. Etymology The word ''mehfil'' derives from the Arabic word ''mehfil'' (), which means a (festive) "gathering to entertain (or praise someone)." '' Tafsir-ul-Quran Mahfil'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyen Sen
Satyen Sen (; 28 March 1907 - 5 January 1981) was a Bengali revolutionary, writer, and cultural activist who played a vital role in the Indian independence movement and later in post-independence progressive movements. A member of Jugantar party and later the Communist movement, he spent years in prison and embraced Marxism–Leninism. Sen was a founder of the cultural organisation Udichi and a key figure in the progressive writers' movement. He contributed significantly to literature, workers' mobilisation, and the Bangladesh Liberation War. His work reflected a lifelong commitment to justice, equality, and the upliftment of ordinary people through culture and activism. Early life Satyen was born in Tangibari, Munshigonj. His father was Darinimohan Sen and his cousin brother is Amartya Sen. He passed the entrance examination in 1924. He went to Kolkata and got involved in leftist movement. Later on he joined Jugantor (a political party). He then passed F.A. and B.A. exams. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
''Kathak'' is one of the eight major forms of Classical Indian dance, Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their Facial expression, facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
''Ghazal'' is a form of amatory poem or ode, originating in Arabic poetry that often deals with topics of spiritual and romantic love. It may be understood as a poetic expression of both the pain of loss, or separation from the beloved, and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. It spread into the Indian subcontinent in the 12th century due to the influence of Sufi mystics and the courts of the new Ghurid Sultanate, Islamic Sultanate, and is now most prominently a form of poetry of many languages of South Asia and Languages of Turkey, Turkey. A poem of ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ghazal has proved capable of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tappa
Tappa is a form of Indian semi-classical vocal music. Its specialty is a rolling pace based on fast, subtle and knotty construction. Its tunes are melodious and sweet, and depict the emotional outbursts of a lover. Tappe (plural) were sung mostly by songstresses, known as baigees, in royal courts. History Tappa originated from the folk songs of the camel riders in Punjab region, Punjab. The tappa style of music was refined and introduced to the imperial court of the Mughal Emperor Muhammad Shah, and later by Mian Ghulam Nabi Shori or Shori Mian, a court singer of Asaf-Ud-Dowlah, Nawab of Awadh. In Bengal, Nidhu Babu, Ramnidhi Gupta, Shibangshu De ( known as real powerhouse of "Tappa") & Kalidas Chattopadhyay composed Bengali tappa and they are called Nidhu Babu's Tappa. Tappa ''gayaki'' took new shape and over decades became ''puratani'', a semi-classical form of Bengali songs. Tappa, as a significant genre in Bengali musical styles, reached levels of excellence in lyrics and ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music. Thumari being a popular form o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khyal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity. Etymology () is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language, Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingass� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islam Khan I
Shaikh Alauddin Chisti (1570–1613; popularly known as Islam Khan Chisti) was a Mughal general and the Subahdar of Bihar and later Bengal. He transferred the capital of Bengal from Rajmahal to Sonargaon and founded the city of Jahangirnagar. He was awarded the titular name of Islam Khan by Mughal emperor Jahangir. Early life Islam Khan was a playmate of Jahangir in childhood. Khan and Jahangir were foster cousins; Khan's paternal aunt, whose father was Salim Chisti, had been the foster mother of Jahangir. Qutubuddin Koka was Khan's first cousin also. He was first appointed as the Subahdar of Bihar. Subahdar of Bengal Islam Khan was appointed the Subahdar of Bengal in 1608. His major task was to subdue the rebellious Rajas, Bara-Bhuiyans, Zamindars and Afghan chiefs. He arrived in Dhaka in mid-1610. He fought with Musa Khan, the leader of Bara-Bhuiyans and by the end of 1611 he was subdued. Islam Khan also defeated Raja Pratapaditya of Jessore, Raja Ramchandra Basu of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Bengal
East Bengal (; ''Purbô Bangla/Purbôbongo'') was the eastern province of the Dominion of Pakistan, which covered the territory of modern-day Bangladesh. It consisted of the eastern portion of the Bengal region, and existed from 1947 until 1955, when it was renamed as East Pakistan. East Bengal had a coastline along the Bay of Bengal to the south, and bordered India to the north, west, and east and shared a small border with Burma (presently known as Myanmar) to the southeast. It was situated near, but did not share a border with Nepal, Tibet, the Kingdom of Bhutan and the Kingdom of Sikkim. Its capital was Dacca, now known as Dhaka. The Partition of India, which Partition of Bengal (1947), divided Bengal along religious lines, established the borders of the Muslim-majority area of East Bengal. The province existed during the reign of two monarchs, George VI and Elizabeth II; and three Governor General of Pakistan, governors-general, Muhammad Ali Jinnah, Khawaja Nazimuddin and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
