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Professor Longhair
Henry Roeland Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as "instantly recognizable, combining rhumba, rumba, mambo (music), mambo, and calypso music, calypso". Music journalist Tony Russell (in his book ''The Blues: From Robert Johnson to Robert Cray'') wrote that "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans Jazz & Heritage Festival
The New Orleans Jazz & Heritage Festival (commonly called Jazz Fest or Jazzfest) is an annual celebration of local music and culture held at the Fair Grounds Race Course in New Orleans, New Orleans, Louisiana. Jazz Fest attracts thousands of visitors to New Orleans each year. The New Orleans Jazz & Heritage Festival and Foundation Inc., as it is officially named, was established in 1970 as a 501(c)(3) nonprofit organization (NPO). The Foundation is the original organizer of the New Orleans Jazz & Heritage Festival presented by Shell Oil Company, a corporate financial sponsor. The Foundation was established primarily to redistribute the funds generated by Jazz Fest into the local community. As an NPO, its mission further states that the Foundation "promotes, preserves, perpetuates and encourages the music, culture and heritage of communities in Louisiana through festivals, programs and other cultural, educational, civic and economic activities". The founders of the organization in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montreux Jazz Festival
The Montreux Jazz Festival (formerly Festival de Jazz Montreux and Festival International de Jazz Montreux) is a music festival in Switzerland, held annually in early July in Montreux on the Lake Geneva shoreline. It is the second-largest annual jazz festival in the world after Canada's Montreal International Jazz Festival. Initiator and head organizer Claude Nobs brought an array of artists to Montreux. Mathieu Jaton has organised the festival since Nobs' death in 2013. History The Montreux Jazz Festival opened was founded in 1967 by Claude Nobs, Géo Voumard and René Langel with considerable help from Ahmet and Nesuhi Ertegun of Atlantic Records. The festival was first held at Montreux Casino. The driving force is the tourism office under the direction of Raymond Jaussi. It lasted for three days and featured almost exclusively jazz artists. The highlights of this era were Charles Lloyd, Miles Davis, Keith Jarrett, Jack DeJohnette, Bill Evans, Soft Machine, Weather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newport Jazz Festival
The Newport Jazz Festival is an annual American multi-day jazz music festival held every summer in Newport, Rhode Island. Elaine Lorillard established the festival in 1954, and she and husband Louis Lorillard financed it for many years. They hired George Wein to organize the first festival and bring jazz to Rhode Island. Most of the early festivals were broadcast on Voice of America radio, and many performances were recorded and released as albums. In 1972, the Newport Jazz Festival was moved to New York City. In 1981, it became a two-site festival when it was returned to Newport while continuing in New York. From 1984 to 2008, the festival was known as the JVC Jazz Festival; in the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion. The festival is hosted in Newport at Fort Adams State Park. It is often held in the same month as the Newport Folk Festival. Festival's establishment at Newport 1950s In 1954, the first Newport Jazz Fes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl King
Earl Silas Johnson IV (February 7, 1934 – April 17, 2003), known as Earl King, was an American singer, guitarist, and songwriter, most active in music. A composer of blues standards such as " Come On" (covered by , , |
Big Chief
"Big Chief" is a song recorded by Professor Longhair.Berry/Foose/Jones, ''Up from the Cradle of Jazz''. University of Louisiana at Lafayette Press, 2009, p. 148. It was released as a single by Watch Records of New Orleans in February, 1965.Record Details-Artist:Professor Longhair-Big Chief Part 1/Part 2 (45cat) accessed on Jan. 21, 2025 The song was written by Earl King though the single credits Ulis Gaines and Wardell Quezergue as the writers. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Opinions
''Sound Opinions'' is an independent radio talk show and podcast based in Chicago. It focuses on the discussion of music genres, history, artists and albums. It airs weekly on over 150 public radio stations nationwide and is syndicated though the Public Radio Exchange. It is also available for download and streaming worldwide as a podcast. The show is hosted by Jim DeRogatis and Greg Kot and features interviews with musicians and industry figures as well as dissections of classic albums and musical movements. Kot and DeRogatis also review recent record releases and share under-the-radar albums they call "Buried Treasures." ''Sound Opinions'' is an independent production, produced by Alex Claiborne and Andrew Gill. ''Sound Opinions'' was adapted for television by WTTW in Chicago. History ''Sound Opinions'' began life as a regular feature on Ed Schwartz's overnight program on WLUP-AM in 1993 featuring then Chicago Sun Times music critic Jim DeRogatis and Bill Wyman who was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Yorker
''The New Yorker'' is an American magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. It was founded on February 21, 1925, by Harold Ross and his wife Jane Grant, a reporter for ''The New York Times''. Together with entrepreneur Raoul H. Fleischmann, they established the F-R Publishing Company and set up the magazine's first office in Manhattan. Ross remained the editor until his death in 1951, shaping the magazine's editorial tone and standards. ''The New Yorker''s fact-checking operation is widely recognized among journalists as one of its strengths. Although its reviews and events listings often focused on the Culture of New York City, cultural life of New York City, ''The New Yorker'' gained a reputation for publishing serious essays, long-form journalism, well-regarded fiction, and humor for a national and international audience, including work by writers such as Truman Capote, Vladimir Nabokov, and Alice Munro. In the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Petrusich
Amanda Petrusich (born c. 1980) is an American music journalist. She is a staff writer at ''The New Yorker'' and the author of three books: ''Pink Moon'' (2007), '' It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music'' (2008), and ''Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records'' (2014). Early life Petrusich was born circa 1980 and grew up in the New York area, the child of two public school teachers. Her paternal grandparents are Croatian immigrants. She attended the College of William & Mary, where she was co-editor-in-chief of the ''William and Mary Review'' and a reviewer for ''The Flat Hat'', the college's campus newspaper. She graduated with a B.A. in English and film studies in 2000, then earned a master's in nonfiction writing from Columbia University in 2003. Career Petrusich has written for ''The New York Times'', Pitchfork Media and '' Paste''. Petrusich has been a staff writer at Pitchfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossover Music
Crossover is a term applied to musical works or performers who appeal to different types of audiences. This can be seen, for example, when a song appears on two or more of the record charts, which track differing musical styles or genres. In some contexts, the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sacred Harp music experienced a spurt of crossover popularity as a result of its appearance in the 2003 film '' Cold Mountain'', an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go To The Mardi Gras
"Go to the Mardi Gras" or "Mardi Gras in New Orleans" is a New Orleans Mardi Gras-themed R&B song that was performed by Professor Longhair (real name Henry Roland Byrd) and recorded several times since 1949. He co-wrote the song with Theresa Terry. The song was covered by Fats Domino and released as a single in 1953. It is now considered an iconic festive song of the New Orleans Carnival season. Background Henry Roeland Byrd, Better known as Professor Longhair (or nickname "Fess"), was born in Bogalusa and moved to New Orleans with his family as an infant. He reportedly learned to play his instrument on a piano lacking several keys, which some have credited for his unusual technique. He would keep time by kicking his foot against the piano's base. He developed a unique "rhumba boogie" style that combined elements of blues, barrelhouse, and Caribbean influences. He was a pivotal link between early New Orleans piano pioneers such as Tuts Washington and later names such as F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tipitina
"Tipitina" is a song written and originally recorded by New Orleans pianist and singer Professor Longhair. His original version was recorded and released in 1953 by Atlantic Records. Although the nature of his contributions are unknown, recording engineer Cosimo Matassa is listed as the song's co-writer along with Roy Byrd, Professor Longhair's legal name. The song has been widely covered and is considered a New Orleans music standard (music), standard. The New Orleans music venue, Tipitina's, was named for the song, and Tipitina's Foundation bears the Tipitina name. Background Pianist Henry Roeland "Roy" Byrd, known as Professor Longhair, was a prominent New Orleans musician. He played syncopated music that combined blues, ragtime, zydeco, rhumba, Mambo (music), mambo and Calypso music, calypso. His singing was characterized as hoarse. His peripatetic recording career began in 1949 with "Mardi Gras In New Orleans" and "She's Got No Hair" with a group credited as "Longhair and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
