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Professional Audio
Professional audio, abbreviated as pro audio, refers to both an activity and a category of high-quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment. Professional audio can include, but is not limited to broadcast radio, audio mastering in a recording studio, television studio, and sound reinforcement such as a live concert, DJ performances, audio sampling, public address system set up, sound reinforcement in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment ...
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Movie Theatre
A movie theater (American English) or cinema (English in the Commonwealth of Nations, Commonwealth English), also known as a movie house, cinema hall, picture house, picture theater, the movies, the pictures, or simply theater, is a business that contains auditoriums for viewing films for public entertainment. Most are commercial operations catering to the general public, who attend by purchasing Ticket (admission), tickets. The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. Since the 2010s, the majority of movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel. A great variety of films are shown at cinemas, ranging from animated films to Blockbuster (entertainment), blockbuste ...
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Studio Monitor
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term ''monitor'' implies that the speaker is designed to produce relatively flat (linear) phase response, phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" and "transparent" are synonyms), and there will be no relative absolute phase, phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a ' ...
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Digital Audio Recorder
In digital recording, an audio or video signal is converted into a stream of discrete numbers representing the changes over time in air pressure for audio, or chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog audio or video forms so that they can be heard or seen. In a properly matched analog-to-digital converter (ADC) and digital-to-analog converter (DAC) pair, the analog signal is accurately reconstructed, within the constraints of the Nyquist–Shannon sampling theorem, which dictates the sampling rate and quantization error dependent on the audio or video bit depth. Because the signal is stored digitally, assuming proper error detection and correction, the recording is not degraded by copying, storage or interference. Timeline *October 3, 1938: British telephone engineer Alec Harley Reeves files at the French Patent Offic ...
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Audio Mixer
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nightc ...
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European Broadcasting Union
The European Broadcasting Union (EBU; , UER) is an alliance of Public broadcasting, public service media organisations in countries within the European Broadcasting Area (EBA) or who are member states of the Council of Europe, members of the Council of Europe. , it is made up of 123 member organisations from 56 countries, and 31 associate members from a further 20 countries. It was established in 1950, and has its administrative headquarters in Geneva. The EBU owns and operates the Eurovision (network), Eurovision and Euroradio telecommunications networks on which major television and radio broadcasts are distributed live to its members. It also operates the daily Eurovision news exchange in which members share breaking news footage. In 2017, the EBU launched the Eurovision Social Newswire, an eyewitness and video verification service. Led by Head of Social Newsgathering, Derek Bowler, the service provides members of the EBU with verified and cleared-for-use newsworthy eyewitn ...
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Audio Engineering Society
The Audio Engineering Society (AES) is a professional body for engineers, scientists, other individuals with an interest or involvement in the professional audio industry. The membership largely comprises engineers developing devices or products for audio, and persons working in audio content production. It also includes acousticians, audiologists, academics, and those in other disciplines related to audio. The AES is the only worldwide professional society devoted exclusively to audio technology. Established in 1948, the Society develops, reviews and publishes engineering standards for the audio and related media industries, and produces the AES Conventions, which are held twice a year alternating between Europe and the US. The AES and individual regional or national ''sections'' also hold ''AES Conferences'' on different topics during the year. History The idea of a society dedicated solely to audio engineering had been discussed for some time before the first meeting, but ...
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International Telecommunication Union
The International Telecommunication Union (ITU)In the other common languages of the ITU: * * is a list of specialized agencies of the United Nations, specialized agency of the United Nations responsible for many matters related to information and communications technology, information and communication technologies. It was established on 17 May 1865 as the International Telegraph Union, the first formal and permanent international organization. The organization significantly predates the UN, making it the oldest UN agency. Doreen Bogdan-Martin is the Secretary-General of ITU, the first woman to serve as its head. The ITU was initially aimed at helping connect Telegraphy, telegraphic networks between countries, with its mandate consistently broadening with the advent of new communications technologies; it adopted its current name in 1932 to reflect its expanded responsibilities over radio and the telephone. On 15 November 1947, the ITU entered into an agreement with the newly cr ...
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Airchain
In broadcast engineering for radio or television, the airchain or transmission chain (UK) (sometimes air chain (US) or just chain (UK)) is the path or route an audio or video signal takes on its way through a radio station or television station. The airchain begins with cameras, microphones, CD players, turntables, telephone hybrids, video tape recorders, satellite and other remote feeds, and other input devices in the studio and control room. These feed into a mixing console, possibly via a router. The output then goes to an audio processor, and finally to the transmitter, feedline, and antenna. Often, there is a studio-transmitter link via radio or broadband dedicated circuit (usually T1 or E1 line). The airchain may be all- analogue, all-digital, or most likely some hybrid of the two. All-analog airchains typically use cables terminated in XLR connectors between each device. All-digital airchains also often use XLR connectors, except carrying AES/EBU digital aud ...
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Multitrack Recording
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete ''tracks'' on the same reel-to-reel tape was developed. A ''track'' was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or Synchronization, synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, ...
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Microphone
A microphone, colloquially called a mic (), or mike, is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers and other electronic devices, such as mobile phones, for recording sounds, speech recognition, Voice over IP, VoIP, and other purposes, such as Ultrasonic transducer, ultrasonic sensors or knock sensors. Several types of microphone are used today, which employ different methods to convert the air pressure variations of a sound wave to an electrical signal. The most common are the dynamic microphone, which uses a coil of wire suspended in a magnetic field; the condenser microphone, which uses the vibrating Diaphragm (acoustics), diaphragm as a capacitor ...
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Audio Engineers
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer…" Sound engineering is increasingly viewed as a creative profession and art form, where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and designs, deve ...
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