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Preludes, Op. 32 (Rachmaninoff)
Thirteen Preludes (, ''Trinadtsat' prelyudiy''), Op. 32, is a set of thirteen preludes for solo piano, composed by Sergei Rachmaninoff in 1910. It complements his earlier Prelude in C minor, Op. 3/2, and 10 Preludes, Op. 23, to complete the full set of 24 Preludes in all 24 major and minor keys. Pieces Opus 32 contains 13 preludes: *No. 1 in C major (Allegro vivace) *No. 2 in B minor (Allegretto) *No. 3 in E major (Allegro vivace) *No. 4 in E minor (Allegro con brio) *No. 5 in G major (Moderato) *No. 6 in F minor (Allegro appassionato) *No. 7 in F major (Moderato) *No. 8 in A minor (Vivo) *No. 9 in A major (Allegro moderato) *No. 10 in B minor (Lento) *No. 11 in B major (Allegretto) *No. 12 in G minor (Allegro) *No. 13 in D major (Grave – Allegro) Prelude No. 10 Prelude in B minor, Op. 32, No. 10, was written in 1910 along with the other twelve pieces. Rachmaninoff was inspired by Arnold Böcklin's painting " Die Heimkehr" ("The Homecoming" or "The Return"). Rachmani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, B, C, D, E, F, and G. Its key signature has no flats or sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of A minor are: * Tonic – A minor * Supertonic – B diminished * Mediant – C major * Subdominant – D minor * Dominant – E minor * Submediant – F major * Subtonic – G major Well-known compositions in A minor *Johann Sebastian Bach ** English Suite No. 2, BWV 807 ** Sonata No. 2 in A minor, BWV 1003 ** Partita in A minor, BWV 1013 ** Violin Concerto in A minor, BWV 1041 ** Allein zu dir, Herr Jesu Christ, BWV 33 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Written In All Major And/or Minor Keys
There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale. These sets typically consist of 24 pieces, one for each of the major and minor keys (sets that comprise all the enharmonic variants include 30 pieces). Examples include Johann Sebastian Bach's ''The Well-Tempered Clavier'' and Frédéric Chopin's 24 Preludes, Op. 28. Such sets are often organized as preludes and fugues or designated as preludes or études. Some composers have restricted their sets to cover only the 12 major keys or the 12 minor keys; or only the flat keys (Franz Liszt's ''Transcendental Études'') or the sharp keys (Sergei Lyapunov's Op. 11 set). In yet another type, a single piece may progressively modulate through a set of tonalities, as occurs in Ludwig van Beethoven's Two Preludes through all twelve major keys, Op. 39. The bulk of works of this type have been written for piano solo, but there also exist sets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isle Of The Dead (Rachmaninoff)
''Isle of the Dead'' (Russian: Остров мёртвых), Opus number, Op. 29, is a symphonic poem composed by Sergei Rachmaninoff, written in the key of A minor. The piece was inspired by a black and white reproduction of Arnold Böcklin's painting ''Isle of the Dead (painting), Isle of the Dead'', which he saw in Paris in 1907. He composed the work from January to March of 1909, but later made numerous revisions, including cuts. History For two years, Rachmaninoff looked for inspiration for a symphonic poem, and in November 1906, he wrote to his friend Nikita Morozov, seeking ideas for a subject for such a work, but was uninspired by his suggestions. Then, in Paris in May 1907, he saw a black and white reproduction of Arnold Böcklin's painting ''Isle of the Dead (painting), Isle of the Dead'', and, inspired by the painting, he used it as the basis for his symphonic poem, on the suggestion of his friend Nikolai Struve. He composed the piece from January to March of 1909, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benno Moiseiwitsch
Benno Moiseiwitsch (22 February 18909 April 1963) was a Russian and British pianist. Biography Moiseiwitsch was born to Jewish parents in Odessa, Kherson Governorate, Russian Empire, and began his studies at age seven with Dmitry Klimov at the Odessa Music Academy. He won the Anton Rubinstein Prize when he was just nine years old. He studied with Theodor Leschetizky in Vienna from 1904 to 1908, then joined his own family in England, making his English debut at Reading in 1908, his London debut the following year. While in Dublin during the war he met another Leschetizky student, Mabel Lander, and they began plans to establish a piano school together in London that would use the Leschetizky method. But the plans had to be abandoned due to Moiseiwitsch's increasingly heavy international concert schedule. He toured the United States (first in 1919), Australia, India, Japan, and South America. Moiseiwitsch was invited by Director Josef Hofmann to teach at the Curtis Institute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Heimkehr
''The Homecoming'', (German: ''Die Heimkehr'') also known as ''The Return'' or ''Returning Home'', is a painting created in 1887 by the Swiss Symbolist artist Arnold Böcklin (1827–1901). It is currently held in a private collection. Description and analysis The painting depicts a man sitting on the edge of a square pool of water, facing away from the angle of viewing. His back is reflected in the water. He looks forward towards a house, which sits in a shadow cast by a group of trees. In 1886, Böcklin moved from Florence to Zürich, meaning he was back in his homeland Switzerland for the first time since his youth. ''The Homecoming'' could be interpreted as representing his own "homecoming" to Switzerland. Rachmaninoff's Prelude No. 10 in B minor, Op. 32 The Russian composer Sergei Rachmaninoff was inspired by ''The Homecoming'' when he wrote his Prelude No. 10 in B minor, Op. 32. Valentin Antipov believed that the title ''The Return'' was relevant to the narrative of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Böcklin
Arnold Böcklin (16 October 182716 January 1901) was a Swiss Symbolism (arts), Symbolist Painting, painter. His five versions of the ''Isle of the Dead (painting), Isle of the Dead'' inspired works by several late-Romantic composers. Biography Arnold Böcklin was born in Basel. His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk trade. His mother, Ursula Lippe, was a native of the same city. Arnold studied at the Kunstakademie Düsseldorf, Düsseldorf academy under Johann Wilhelm Schirmer, Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish painting, Flemish and Dutch art, Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes. After serving his time in the army, Böcklin s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Flat Major
D-flat major is a major scale based on D, consisting of the pitches D, E, F, G, A, B and C. Its key signature has five flats. The D-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D-flat harmonic major and melodic major scales are: Its relative minor is B-flat minor. Its parallel minor, D-flat minor, is usually replaced by C-sharp minor, since D-flat minor features a B ( B-double-flat) in its key signature making it less convenient to use. C-sharp major, the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and to some extent, with the keys of G-flat major and F-sharp minor). For example, in his Prelude No. 15 in D-flat major ("Raindrop"), Frédéric Chopin switches from D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Sharp Minor
G-sharp minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has five sharps.Tapper, Thomas. First Year Musical Theory (rudiments of Music)'. United States, A. P. Schmidt, 1912. Its relative major is B major. Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major has an F in its key signature, making it less convenient to use. A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor). The G-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-sharp harmonic minor and melodic minor scales are: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Major
B major is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major. The B major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic major and melodic major scales are: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his '' St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Scale degree chords The scale degree chords of B minor are: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
