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Prelude In F-sharp Minor (Rachmaninoff)
The Prelude in F-sharp minor, Op. 23, No. 1 is a composition by Sergei Rachmaninoff completed and premiered in 1903.''Id.'' It is one of Rachmaninoff op. 23, ten preludes composed by Rachmaninoff in 1901 and 1903. Structure The prelude is ternary form, ternary and Homophony, homophonic in nature. The "A" section (measures 1–13) introduces the first theme, section "B" (13–30) introduces a new set of variations, and measures 30–41 mark an altered return to the original "A" theme. Each of the larger ternary sections contains its set of "micro-variations" marked by changes in note values, dynamics, and rhythm. For instance, the "A" theme, introduced in measures 1 and 2, is varied in measure 8. Measure 2 Measure 8 The Prelude proceeds from F-sharp minor to the relative major (A major) in measure 13, and returns to the tonic (music), tonic in measure 30. A "hidden" chromatic sequence in the "A" section occurs in the bass line on the second beat of measure 1 and the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude Op
Prelude may refer to: Music *Prelude (music), a musical form *Prelude (band), an English-based folk band *Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs *Prelude (EP), ''Prelude'' (EP), a 2017 EP by April *Prelude (Jack McDuff album), ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff *Prelude (The Moody Blues album), ''Prelude'' (The Moody Blues album), 1987 album by The Moody Blues *Prelude (Deodato album), ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato *"Prelude", a song by Pete Townshend from ''All the Best Cowboys Have Chinese Eyes'' *"Prelude", a song by Flobots from ''Flobots Present... Platypus'' *"Prelude", a song by Killswitch Engage from Killswitch Engage (2000 album), ''Killswitch Engage'' (2000 album) *''Preludes: Rare and Unreleased Recordings'', an album by Warren Zevon *"Prelude" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Norris
Geoffrey Norris (born 1947) is an English musicologist and music critic. His scholarship focuses on Russian composers; in particularly, Norris is a leading scholar on the life and music of Sergei Rachmaninoff, about whom he has written in numerous articles and a 1976 book-length study. He was chief classical music critic of ''The Daily Telegraph'' from 1995 to 2009. Life and career Geoffrey Norris was born in London, England in 1947. An enthusiast of Russian culture since his youth, Norris attended the University of Durham and where his undergraduate dissertation concerned The Five, a leading group of 19th-century Russian composers. Original froMiamiPianoFest He continued his studies of Russian music at the |
Rachmaninoff Op
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninoff Op 23 No
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: : : Music in F-sharp minor Very few symphonies are written in this key, Haydn's '' Farewell Symphony'' being one famous example. George Frederick Bristow and Dora Pejačević also wrote symphonies in this key. The few concerti written in this key are usually written for the composer himself to play, including Rachmaninoff's Piano Concerto No. 1, Scriabin's Piano Concerto, Wieniawski's Violin Concerto No. 1, Vieuxtemps's Violin Concerto No. 2, and Koussevitzky's Double Bass Concerto. In addition to the ''Farewel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational conventio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes By Sergei Rachmaninoff
Prelude may refer to: Music *Prelude (music), a musical form * Prelude (band), an English-based folk band * Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs * ''Prelude'' (EP), a 2017 EP by April * ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff * ''Prelude'' (The Moody Blues album), 1987 album by The Moody Blues * ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato *"Prelude", a song by Pete Townshend from ''All the Best Cowboys Have Chinese Eyes'' *"Prelude", a song by Flobots from '' Flobots Present... Platypus'' *"Prelude", a song by Killswitch Engage from ''Killswitch Engage'' (2000 album) *'' Preludes: Rare and Unreleased Recordings'', an album by Warren Zevon *"Prelude", a song by the Sword from '' Used Future'' *"Prelude", a song by Hieroglyphics from '' Full Circle'' *''Prelude'', an EP by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
