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Prehistoric Art In Scotland
Prehistoric art in Scotland is visual art created or found within the modern borders of Scotland, before the departure of the Romans from southern and central Britain in the early fifth century CE, which is usually seen as the beginning of the early historic or Medieval era. There is no clear definition of prehistoric art among scholars and objects that may involve creativity often lack a context that would allow them to be understood. The earliest examples of portable art from what is now Scotland are highly decorated carved stone balls from the Neolithic period, which share patterns with Irish and Scottish stone carvings. Other items from this period include elaborate carved maceheads and figurines from Links of Noltland, including the Westray Wife, which is the earliest known depiction of a human face from Scotland. From the Bronze Age there are examples of carvings, including the first representations of objects, and cup and ring marks. Representations of an axe and a boat a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of ScotlandDSCF6355
A museum is an institution dedicated to displaying or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and they usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many draw large numbers of visitors from outside of their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of the earliest known museum in ancient times, museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. Etymology The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Tène Culture
The La Tène culture (; ) was a Iron Age Europe, European Iron Age culture. It developed and flourished during the late Iron Age (from about 450 BC to the Roman Republic, Roman conquest in the 1st century BC), succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscan civilization, Etruscans, and the Culture of Golasecca, Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences. La Tène culture's territorial extent corresponded to what is now Prehistory of France#The Iron Age, France, History of Belgium#Celtic and Roman periods, Belgium, Early history of Switzerland#Iron Age, Switzerland, History of Austria#Iron Age, Austria, History of England#Later Prehistory, England, History of Germany#Iron Age, Southern Germany, the History of the Czech lands#Iron Age, Czech Republic, Prehistoric Italy#Iron Age, Northern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totemic
A totem (from or ''doodem'') is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. While the word ''totem'' itself is an anglicisation of the Ojibwe term (and both the word and beliefs associated with it are part of the Ojibwe language and culture), belief in tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Contemporary neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary spirit or spirit guide. Ojibwe ''doodemen'' The Anishinaab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Quests
A vision quest is a rite of passage in some Native American cultures. Individual Indigenous cultures have their own names for their rites of passage. "Vision quest" is an English-language umbrella term, and may not always be accurate or used by the cultures in question. Among Native American cultures who have this type of rite, it usually consists of a series of ceremonies led by elders and supported by the young person’s community. The process includes a complete fast for four days and nights, alone at a sacred site in nature which is chosen by elders for this purpose. Some communities have used the same sites for many generations. During this time, the young person prays and cries out to the spirits that they may have a vision, one that will help them find their purpose in life, their role in a community, and how they may best serve the People. Dreams or visions may involve natural symbolism – such as animals or forces of nature – that require interpretation by elde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Initiation Ceremony
Initiation is a rite of passage marking entrance or acceptance into a group or society. It could also be a formal admission to adulthood in a community or one of its formal components. In an extended sense, it can also signify a transformation in which the initiate is 'reborn' into a new role. Examples of initiation ceremonies might include Christian baptism or confirmation, Jewish bar or bat mitzvah, acceptance into a fraternal organization, secret society or religious order, or graduation from school or recruit training. A person taking the initiation ceremony in traditional rites, such as those depicted in these pictures, is called an ''initiate''. Characteristics William Ian Miller notes the role of ritual humiliation in comic ordering and testing. Mircea Eliade discussed initiation as a principal religious act by classical or traditional societies. He defined initiation as "a basic change in existential condition", which liberates man from profane time and history. "I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Art
In archaeology, rock arts are human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are: * cave paintings, * petroglyphs, which are carved or scratched into the rock surface, * sculpted rock reliefs, and * geoglyphs, which are formed on the ground. The oldest known rock art dates from the Upper Palaeolithic period, having been found in Europe, Australia, Asia, and Africa. Anthropologists studying these artworks believe that they likely had magico-religious significance. The archaeological sub-discipline of rock art studies first developed in the late-19th century among Francophone schola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Renfrew
Andrew Colin Renfrew, Baron Renfrew of Kaimsthorn, (25 July 1937 – 24 November 2024) was a British archaeologist, paleolinguist and Conservative peer noted for his work on radiocarbon dating, the prehistory of languages, archaeogenetics, neuroarchaeology, and the prevention of looting at archaeological sites. Renfrew was also the Disney Professor of Archaeology at the University of Cambridge and Director of the McDonald Institute for Archaeological Research, and was a Senior Fellow of the McDonald Institute for Archaeological Research. Early life and education Renfrew was educated at St Albans School, Hertfordshire (where one of the houses is named after him) and from 1956 to 1958 did National Service in the Royal Air Force. He then went up to St John's College, Cambridge, where he first read Natural Sciences, and then Archaeology and Anthropology, graduating in 1962. He was elected president of Cambridge Union in 1961 and was a member of the University of Cambridg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Mellars
Sir Paul Anthony Mellars (29 October 1939 – 7 May 2022) was a British archaeologist and professor of prehistory and human evolution at the University of Cambridge. Early life and academic career Paul Mellars was born in 1939 in the village of Swallownest near Sheffield. His father, Herbert Mellars, was a miner and a member of the Plymouth Brethren. From the village school, he progressed to Woodhouse, a County Council Grammar School founded in 1909 in the West Riding of Yorkshire, which his mother Elaine (née Batty) had also attended. (Woodhouse has subsequently been incorporated into the newly built Aston Academy in Swallownest.) Mellars obtained his MA, PhD and ScD degrees at the University of Cambridge, where he was a student at Fitzwilliam College. He married his wife Anny in 1969, having first met in an archaeological field trip in the Dordogne in 1964. After his PhD, Mellars taught for ten years in the Archaeology Department at Sheffield University before returning t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Marshack
Alexander Marshack (April 4, 1918 – December 20, 2004) was an American independent scholar and Paleolithic archaeologist. He was born in The Bronx and earned a bachelor's degree in journalism from City College of New York, and worked for many years for ''Life'' magazine. Archaeology career Despite lacking a PhD, Marshack became a research associate at the Peabody Museum of Archaeology and Ethnology at Harvard University in 1963 with the support of Hallam L. Movius, giving him access to state and university archaeological collections that he would not otherwise have been able to view. He rose to public prominence after the publication of ''The Roots of Civilization'' in 1972, where he proposed the controversial theory that notches and lines carved on certain Upper Paleolithic bone plaques were in fact notation systems, specifically lunar calendars notating the passage of time. Using microscopic analysis, Marshack suggested that seemingly random or meaningless notches on bone we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prehistoric Art
In the history of art, prehistoric art is all art produced in preliterate, Prehistory, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world. The earliest human artifacts showing evidence of workmanship with an artistic purpose are the subject of some debate. It is clear that such workmanship existed 40,000 years ago in the Upper Paleolithic era, although it is quite possible that it began earlier. In September 2018, scientists reported the discovery of the earliest known drawing by ''Homo sapiens'', which is estimated to be 73,000 years old, much earlier than the 43,000 year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Cup And Ring Stone, Kelvingrove Museum, Glasgow - DSC06245
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500, ending with the expansion of Islam in late antiquity. The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was exponentially increasing due to the Neolithic Revolution, which was in full progr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cramond Lioness
The Cramond Lioness is a Roman-era sculpture recovered in 1997 from the mouth of the River Almond at Cramond in Edinburgh, Scotland. The sculpture, one of the most important Roman finds in Scotland for decades, was discovered by ferryman Robert Graham. It depicts a bound male prisoner being killed by a lioness. The upper torso and head of the prisoner are shown, with the giant lioness behind him, sinking her teeth into his skull. It is a large sculpture carved from a single block of stone. It is 1.52 metres long, 0.46 m wide, and 0.55 m high. A separate plinth was found nearby bearing carvings of two snakes. The work is interpreted as a Roman sculpture possibly imported to Scotland, or possibly carved ''in situ'', to serve as part of the tomb of a Roman military commander or dignitary, and connected to the Cramond Roman Fort next to which it was found. The location of such a tomb, and how the sculpture reached its location in the river, are unknown. The sculpture is housed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
