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Postmodern Music
Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism. As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music. Postmodernists question the tight definitions and categories of academic disciplines, which they regard simply as the remnants of modernity. The postmodernist musical attitude Postmodernism in music is not a distinct musical style, but rather refers to music of the postmodern era. Postmodernist music, on the other hand, shares characteristics with postmodernist art—that is, art that comes after and reacts against modernism (see Modernism in Music). Rebecca Day, Lecturer in Music Analysis, writes "within music criticism, postmodernism is seen to represent a conscious move away from the perceptibly damaging hegemony of binaries such as aestheticism/formalism, subj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high culture, high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", ''Dictionnaire des mots de la musique'' (Paris: Outre Mesure): 242. or a written musical tradition.Denis Arnold, "Art Music, Art Song", in ''The New Oxford Companion to Music, Volume 1: A–J'' (Oxford and New York: Oxford University Press, 1983): 111. In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular music, popular and folk music, also called "vernacular music"). List of classical and art music traditions, Many cultures have art music traditions; in the Western world, the term typically refers to Western classical music. Definition In Western literature, "Art music" is mostly used to refer to music des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization (the bending of time), and dynamization (when fixed, ordinary objects dissolve into moving, dancing structures), all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by Novello and Co. (also owned by Alfred Novello at the time). It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue – initially just eight pages – contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously published periodical devoted to western classical music. In 1947 a two volume compila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Fox (composer)
Christopher Fox (born 10 March 1955) is an English composer and writer on music. Biography He studied at the universities of Liverpool, Southampton and York, where his teachers included Hugh Wood and Jonathan Harvey. He received a PhD in composition from the University of York in 1984. From 1984 to 1994 he was a member of the composition staff at the Darmstadt New Music Summer School. He is currently Professor in Music at Brunel University, a post he took up in 2006. His music is widely performed, broadcast and recorded. He is also a prolific writer on music. In addition to concert works, Fox has collaborated with artists on gallery works, and with the poet Ian Duhig on a "musical box". An important aspect of Fox's music is its stylistic breadth—whilst his principal considerations may seem to be with systems music and adopting a systematic approach, his music also serves a political function, is deeply rooted in the post-war Darmstadt traditions of applying psycholo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Lerdahl
Alfred Whitford (Fred) Lerdahl (born March 10, 1943) is an American music theorist and composer. Best known for his work on musical grammar, Music cognition, cognition, Rhythm, rhythmic theory, and pitch space, he and the linguist Ray Jackendoff developed the Chomsky-inspired generative theory of tonal music. Lerdahl has written numerous orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: ''Time after Time'' in 2001, String Quartet No. 3 in 2010, and ''Arches (Lerdahl), Arches'' in 2011. He is a Professor Emeritus of Musical Composition at Columbia University. Life Alfred Whitford "Fred" Lerdahl was born on March 10, 1943, in Madison, Wisconsin. His maternal uncle was the astronomer Albert Whitford (astronomer), Albert Whitford. Lerdahl studied with James Ming at Lawrence University, where he earned his BMus in 1965, and with Milton Babbitt, Edward Cone, Edward T. Cone, and Earl Kim at Princeton University, where he earned his MFA in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Danuser
Hermann Danuser (born 3 October 1946) is a Swiss-German musicologist. Life Born in Frauenfeld, Danuser studied piano, oboe, musicology, philosophy and German language and literature at the Musikhochschule and the University of Zurich from 1965; he received his doctorate with a dissertation on musical prose. From 1973 he studied in Berlin with Carl Dahlhaus (musicology) and Gerhard Puchelt (piano). After working as a research assistant, he habilitated in 1982 at Technische Universität Berlin with a thesis on ''the music of the 20th century'' (published in 1984). From 1982 to 1988, Danuser taught as professor for musicology at the Hochschule für Musik, Theater und Medien Hannover, then from 1988 to 1993 as professor for musicology at the Albert-Ludwigs-University Freiburg. From 1993 until his retirement in 2014, he held the chair for Historical Musicology at the Institute for Musicology and Media Studies of the Humboldt University of Berlin. Danuser also coordinates research a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Baltimore Sun
''The Baltimore Sun'' is the largest general-circulation daily newspaper based in the U.S. state of Maryland and provides coverage of local, regional, national, and international news. Founded in 1837, the newspaper was owned by Tribune Publishing until May 2021, when it was acquired by Alden Global Capital, which operates its media properties through Digital First Media. David D. Smith, the executive chairman of Sinclair Broadcast Group, closed a deal to buy the paper on January 15, 2024. History 19th century ''The Sun'' was founded on May 17, 1837, by Arunah Shepherdson Abell and two associates, William Moseley Swain from Rhode Island, and Azariah H. Simmons from Philadelphia, where they had started and published the '' Public Ledger'' the year before. Abell became a journalist with the ''Providence Patriot'' and later worked with newspapers in New York City and Boston.Van Doren, Charles and Robert McKendry, ed., ''Webster's American Biographies''. (Springfield, Massa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Butler (literary Scholar)
(Ian) Christopher Butler (1940 – 18 March 2020) was an English literature academic. An expert on modernism Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and soc ..., he was Professor of English Language and Literature at Christ Church, Oxford, Christ Church, University of Oxford, Oxford.The Death of Professor Christopher Butler Faculty of English, University of Oxford, 19 March 2020. Accessed 19 December 2020. He died at the John Radcliffe Hospital in Oxford on 18 March 2020. Selected works * ''Number Symbolism''. London: Routledge & K. Paul, 1970. * (ed. ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critical Quarterly
''Critical Quarterly'' is a peer-reviewed academic journal in the humanities published by Wiley. The editor-in-chief is Colin MacCabe. The journal notably published the Black Papers on education starting in 1969. History Early years ''Critical Quarterly'' was established in 1958 by its first editors Brian Cox (C. B. Cox) and A. E. Dyson. Cox's intellectual formation was in the Department of English Literature at the University of Cambridge, then dominated by the figure of F. R. Leavis. The latter's legacy was a notable feature of ''Critical Quarterly'' early years, when it published work by a new generation of scholars including Raymond Williams, David Lodge, and Frank Kermode. In some respects the journal sought to modify Leavis's project; in particular Cox and Dyson felt that Leavis and his acolytes tended unfairly to ignore contemporary writing, partly because of their unshakeable belief in the "myth of a culture in decline".Alan Sinfield, ''Society and Literature, 1945-1970 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottó Károlyi
Ottó Károlyi (26 March 1934 – 30 November 2015) was a musicologist of Hungarian background, born in Paris who lived and worked for most of his career in the United Kingdom. He studied in Budapest, Vienna, and London, taking a diploma at Trinity College of Music and a degree at the University of London. He became a teacher at schools, adult education establishments, conservatories and universities, as well as a musicologist, broadcaster and author on musical subjects. In the mid-1990s he was Senior Lecturer of Music at the University of Stirling, Scotland Scotland is a Countries of the United Kingdom, country that is part of the United Kingdom. It contains nearly one-third of the United Kingdom's land area, consisting of the northern part of the island of Great Britain and more than 790 adjac ..., where he founded the Music department and remained employed even after the department's closure. Personal life Károlyi married Heather Goodare in 1957; they had a son, born in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoconservative Postmodernism
In music, neoconservative postmodernism is "a sort of 'postmodernism of reaction'", which values "textual unity and organicism as totalizing musical structures" like "latter-day modernists". Neoconservative modernism...critically engages modernism, but rejects it out of hand. Neoconservative composers employ premodern styles in an attempt to bring a new type of coherence to the 'heterogeneous present' and re-establish the dominance of Western musical practice. Jann Pasler notes the musical characteristics that are indicative of a neoconservative postmodernism: "In music, we all know about the nostalgia that has gripped composers in recent years, resulting in neo-romantic works ... the sudden popularity of writing operas and symphonies again, of construing one's ideas in tonal terms. ...Many of those returning to romantic sentiment, narrative curve, or simple melody wish to entice audiences back to the concert hall. To the extent that these developments are a true "about face," they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century Classical Music
21st-century Western classical music is art music in the contemporary classical tradition that has been produced since the year 2000. A loose and ongoing period, 21st-century classical music is defined entirely by the calendar and does not refer to a musical style in the sense of Baroque or Romantic music. Many elements of the previous century have been retained, including postmodernism, polystylism, and eclecticism, which seek to incorporate elements of all styles of music irrespective of whether these are "classical" or not—these efforts represent a slackening differentiation between the various musical genres. Important influences include rock, pop, jazz, and the dance traditions associated with these. The combination of classical music and multimedia is another notable practice in the 21st century; the Internet and its related technology are important resources in this respect. Attitudes towards female composers are also changing. Artificial intelligence is also bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
