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Portrait Of The Gozzadini Family
''Portrait of the Gozzadini Family'' (''La Famiglia Gozzadini'') (never formally titled) is a 1584 oil on canvas painting by Bolognese artist Lavinia Fontana. It currently hangs in the Pinacoteca Nazionale in Bologna. Painting This Mannerist painting depicts Laudomia Gozzadini, the painting's commissioner, and her sister Ginevra in the foreground, their father Senator Ulisse Gozzadini seated with them, and their husbands Camillo and Annibale standing behind. Ulisse and Ginevra, who are linked by his hand on her arm, were deceased at the time of the painting. Between her and her late family, Laudomia's hand rests on a dog, a symbol of fidelity, perhaps symbolizing her loyalty to their memory. In the back of the portrait, another small black dog reflects the masculine wandering of the sisters' husbands. The two women are dressed in full wedding regalia, Laudomia in a bold red that sets her apart from the other more neutrally attired subjects. Camillo's sword and cross signify his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavinia Fontana, Famiglia Gozzadini, 1583, 01
In Roman mythology, Lavinia ( ; ) is the daughter of Latinus and Amata, and the last wife of Aeneas. Creation It has been proposed that the character was in part intended to represent Servilia Isaurica, Emperor Augustus's first fiancée. Story Lavinia, the only child of the king and "ripe for marriage," had been courted by many men who hoped to become the king of Latium. Turnus, ruler of the Rutuli, was the most likely of the suitors, having the favor of Queen Amata. In Vergil's account, King Latinus is warned by his father Faunus in a dream oracle that his daughter is not to marry a Latin: "Propose no Latin alliance for your daughter Son of mine; distrust the bridal chamber Now prepared. Men from abroad will come And be your sons by marriage. Blood so mingled Lifts our name starward. Children of that stock Will see all earth turned Latin at their feet, Governed by them, as far as on his rounds The Sun looks down on Ocean, East or West." Lavinia has what is perhaps her most, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its Metropolitan City of Bologna, metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest University of Bologna, university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the List of largest European cities in history, largest Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavinia Fontana
Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father Prospero Fontana who was a teacher at the School of Bologna. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first woman artist to paint female nudes, but this is a topic of controversy among art historians. Biography Lavinia Fontana was born in Bologna in 1552 to Prospero Fontana and Antonia de' Bonardis. She was baptized on August 24, 1552 at the cathedral of San Pietro. Her elder sister Emilia died in 1568 when Lavinia was sixteen. Prospero was a prominent painter of the School of Bologna at the time and served as her teacher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Nazionale Di Bologna
The National Art Gallery of Bologna (''Pinacoteca Nazionale di Bologna'') is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city. History Accademia Clementina According to 18th-century Italian art historian Luigi Crespi, it was cardinal Prospero Lambertini, who would later become Pope Benedict XIV, the one who planned a Gallery for altarpieces in the churches of the city. The gallery's first nucleus of works came from the acquisition in 1762 by monsignor Francesco Zambeccari of eight early 15th-century altarpieces, salvaged from the demolition of Saint Mary Magdalene's church. Bought for the Istituto delle Scienze, the art pieces were to be preserved by the Accademia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Christ (Portugal)
The Military Order of Christ is the former order of Knights Templar as it was reconstituted in Portugal. Before 1910 it was known as the Royal Military Order of Our Lord Jesus Christ and the Order of the Knights of Our Lord Jesus Christ. It was founded in 1319, with the protection of King Denis of Portugal, after the Templars were abolished on 22 March 1312 by the papal bull, ''Vox in excelso'', issued by Pope Clement V. King Denis refused to pursue and persecute the former knights as had occurred in most of the other sovereign states under the political influence of the Catholic Church. Heavily swayed by Philip IV of France, Pope Clement had the Knights Templar annihilated throughout France and most of Europe on charges of heresy, but Denis revived the Templars of Tomar as the Order of Christ, largely for their aid during the ''Reconquista'' and in the reconstruction of Portugal after the wars. Denis negotiated with Clement's successor, John XXII, for recognition of the new o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1584 Paintings
__NOTOC__ Events January–June * January–March – Archangelsk is founded as ''New Kholmogory'' in northern Russia, by Ivan the Terrible. * January 11 – Sir Walter Mildmay is given a royal licence to found Emmanuel College, Cambridge in England. * March 18 ( N.S. March 28) – Ivan the Terrible, ruler of Russia since 1533, dies; he is succeeded as Tsar by his son, Feodor. * May 17 – The conflict between Toyotomi Hideyoshi and Tokugawa Ieyasu culminates in the Battle of Nagakute. * June 1 – With the death of the Duc d'Anjou, the Huguenot Henry of Navarre becomes heir-presumptive to the throne of France. * June 4 – Walter Raleigh sends Philip Amadas and Arthur Barlowe to explore the Outer Banks of Virginia (now North Carolina), with a view to establishing an English colony; they locate Roanoke Island. * June 11 – Walk (modern-day Valka and Valga, towns in Latvia and Estonia respectively), receives city rights from Polish k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Portraits
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Pinacoteca Nazionale Di Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
