Portrait Of Cornelis Van Der Geest
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Portrait Of Cornelis Van Der Geest
The ''Portrait of Cornelis van der Geest'' is a panel painting by Anthony van Dyck from about 1620. The original panel and painting were expanded by other artists. X-rays of the painting revealed the additions. Between 1620 and 1796, the provenance of the painting was not documented. The painting was also cleaned and skinned. In 1796 the painting was thought to be an image of Flemish diplomat Gaspar Gevartius. In 1864, the painting was purchased by the National Gallery in London as a work attributed to Flemish artist Peter Paul Rubens. The National Gallery later determined that it was a painting of Cornelis van der Geest by van Dyck. Background Around 1620, when the portrait was executed, van Dyck was 21 years old, and the subject of the painting, Cornelis van der Geest, was 65. It is one of van Dyck's earliest works but is considered a masterpiece. Van der Geest, a wealthy spice merchant from Antwerp, was an avid art collector and commissioned the painting. He was a prominen ...
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Anthony Van Dyck
Sir Anthony van Dyck (; ; 22 March 1599 – 9 December 1641) was a Flemish Baroque painting, Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy silk merchant in Antwerp, Anthony painted from an early age. He was successful as an independent painter in his late teens and became a master in the Guild of Saint Luke, Antwerp Guild on 18 October 1617.Davies, Justin. 'A new date for Anthony van Dyck's free mastership'. ''The Burlington Magazine'' 165 (February 2023), pp. 162–165. By this time, he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' se ...
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1620 Paintings
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ''MCID ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality Personality is any person's collection of interrelated behavioral, cognitive, and emotional patterns that comprise a person’s unique adjustment to life. These interrelated patterns are relatively stable, but can change over long time per ..., and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from ...
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List Of Paintings By Anthony Van Dyck
The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641). Portraits (1613–1632) Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I of England, James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders. Portraits (1632–1641) From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I of England, Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France. Mythological paintings Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and ...
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Lionel Cust
Sir Lionel Henry Cust (25 January 1859 – 12 October 1929) was a British art historian, courtier and museum director. He was director of the National Portrait Gallery from 1895 to 1909 and co-edited ''The Burlington Magazine'' from 1909 to 1919. He was the father of Lionel George Archer Cust. Early life and family Cust was born in London in January 1859, the son of Sir Reginald Cust (1828–1912), a lawyer, and his wife Lady Elizabeth Bligh, daughter of the 5th Earl of Darnley.CUST, Sir Lionel Henry', Who Was Who, A & C Black, an imprint of Bloomsbury Publishing plc, 1920–2008; online edn, Oxford University Press, Dec 2007 He was educated at Eton College and Trinity College, Cambridge. In 1895, Cust married Sybil Lyttelton, daughter of George Lyttelton, 4th Baron Lyttelton and Sybella Clive. Her father's family were prominent politicians. Career In 1884 he joined the British Museum's Department of Prints and Drawings, at the suggestion of the Keeper Sidney Colvin. Unusua ...
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Oil On Wood
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular Support (art), support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum (used for miniature (illuminated manuscript), miniatures in illuminated manuscripts). Wood panels were also used for mounting vellum paintings. History Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC Pitsa panels, painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was ...
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