Portrait Of Cornelis Van Der Geest
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Portrait Of Cornelis Van Der Geest
The ''Portrait of Cornelis van der Geest'' is a panel painting by Anthony van Dyck from about 1620. The original panel and painting were expanded by other artists. X-rays of the painting revealed the additions. Between 1620 and 1796, the provenance of the painting was not documented. The painting was also cleaned and skinned. In 1796 the painting was thought to be an image of Flemish diplomat Gaspar Gevartius. In 1864, the painting was purchased by the National Gallery in London as a work attributed to Flemish artist Peter Paul Rubens. The National Gallery later determined that it was a painting of Cornelis van der Geest by van Dyck. Background Around 1620, when the portrait was executed, van Dyck was 21 years old, and the subject of the painting, Cornelis van der Geest, was 65. It is one of van Dyck's earliest works but is considered a masterpiece. Van der Geest, a wealthy spice merchant from Antwerp, was an avid art collector and commissioned the painting. He was a prominen ...
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Anthony Van Dyck
Sir Anthony van Dyck (; ; 22 March 1599 – 9 December 1641) was a Flemish Baroque painting, Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy silk merchant in Antwerp, Anthony painted from an early age. He was successful as an independent painter in his late teens and became a master in the Guild of Saint Luke, Antwerp Guild on 18 October 1617.Davies, Justin. 'A new date for Anthony van Dyck's free mastership'. ''The Burlington Magazine'' 165 (February 2023), pp. 162–165. By this time, he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' se ...
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1620 Paintings
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ''MCID ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality Personality is any person's collection of interrelated behavioral, cognitive, and emotional patterns that comprise a person’s unique adjustment to life. These interrelated patterns are relatively stable, but can change over long time per ..., and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from ...
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List Of Paintings By Anthony Van Dyck
The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641). Portraits (1613–1632) Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I of England, James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders. Portraits (1632–1641) From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I of England, Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France. Mythological paintings Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and ...
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Lionel Cust
Sir Lionel Henry Cust (25 January 1859 – 12 October 1929) was a British art historian, courtier and museum director. He was director of the National Portrait Gallery from 1895 to 1909 and co-edited ''The Burlington Magazine'' from 1909 to 1919. He was the father of Lionel George Archer Cust. Early life and family Cust was born in London in January 1859, the son of Sir Reginald Cust (1828–1912), a lawyer, and his wife Lady Elizabeth Bligh, daughter of the 5th Earl of Darnley.CUST, Sir Lionel Henry', Who Was Who, A & C Black, an imprint of Bloomsbury Publishing plc, 1920–2008; online edn, Oxford University Press, Dec 2007 He was educated at Eton College and Trinity College, Cambridge. In 1895, Cust married Sybil Lyttelton, daughter of George Lyttelton, 4th Baron Lyttelton and Sybella Clive. Her father's family were prominent politicians. Career In 1884 he joined the British Museum's Department of Prints and Drawings, at the suggestion of the Keeper Sidney Colvin. Unusua ...
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Oil On Wood
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular Support (art), support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum (used for miniature (illuminated manuscript), miniatures in illuminated manuscripts). Wood panels were also used for mounting vellum paintings. History Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC Pitsa panels, painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was ...
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National Museum Of American History
The National Museum of American History: Kenneth E. Behring Center is a historical museum in Washington, D.C. It collects, preserves, and displays the heritage of the United States in the areas of social, political, cultural, scientific, and military history. Among the items on display is the original Star-Spangled Banner (flag), Star-Spangled Banner. The museum is part of the Smithsonian Institution and located on the National Mall at 14th Street (Washington, D.C.), 14th Street and Constitution Avenue NW in Washington, D.C. In 2023, the museum received 2.1 million visitors, ranking the List of most-visited museums in the United States, eighth-most visited museum in the U.S. History The museum opened in 1964 as the Museum of History and Technology. It was one of the last structures designed by the renowned architectural firm McKim Mead & White. In 1980, the museum was renamed the National Museum of American History to represent its mission of the collection, care, study, and i ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Before this, several artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade ...
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George Thomas Doo
George Thomas Doo (6 January 1800 – 13 November 1886) was a British engraver. Life Doo was born near Christ Church in Southwark, London. His teacher was Charles Heath. He went to Paris in 1825. There he studied in the Suisse ''atelier'', and also attended a school run by Antoine-Jean Gros, according to Thompson Cooper; the ''Oxford Dictionary of National Biography'' suggests his study under Charles-Alexandre Suisse might have been later. He acquired the techniques of drawing from the life, and passed them on to pupils in England. He took on William Duffield as a non-paying pupil, and William Thomas Roden was an apprentice. Another pupil was Thomas Leeming Grundy. In 1836 Doo was made ''Engraver in Ordinary'' to William IV, and later to Queen Victoria. At this period he worked for Francis Moon. Doo became a Fellow of the Royal Society in 1851. He was made a Royal Academician in 1857. Doo died in Sutton, Surrey. Works In 1824 he published his first plate, after a por ...
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Gevartius
John Gaspar Gevartius or Jan Caspar Gevaerts (1593–1666) was the jurisconsult of Antwerp and in his lifetime a famous philologist. He was a personal friend of Peter Paul Rubens. Life Gaspar was born in Turnhout on 6 August 1593, the son of Johannes Gevaerts (1553–1613) and Cornelia Aerssens, whose father had been mayor of Bergen op Zoom. He was educated by the Jesuits, going on to study the Liberal Arts at Louvain University. He was briefly in the service of Benjamin Aubery du Maurier, French Ambassador in The Hague, where he became friends with Daniel Heinsius, writing an epithalamium on his marriage. In 1617 he moved to Paris, entering the household of Henri de Mesmes. In 1621 he was granted a law degree by the University of Douai. After 1621 he became an important functionary of the city government of Antwerp. He wrote works on poetry and sciences, one of which treats of Marcus Aurelius. His reputation was known by the Archduchess Isabella Clara Eugenia and Emperor Fe ...
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