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Portrait Of Art Farmer
''Portrait of Art Farmer'' is an album by trumpeter Art Farmer featuring performances recorded in 1958 and released on the Contemporary label. Tracks 1, 2, 5, 6 and 7 were recorded on April 19, 1958, the remainder on May 1, 1958. "Back in the Cage" is a 12-bar blues with a theme that is not stated until Farmer's second entry. "Stablemates" is a 36-bar number in ABA form, with each A section lasting 14 bars; it contains several ii-V-I progressions. "The Very Thought of You" and "By Myself" are played by Farmer with a cup mute. "And Now..." is an up-tempo composition by Farmer over the chord changes from 'I Got Rhythm'. The ballad "Too Late Now" has a brassier trumpet performance from Farmer, as opposed to his breathier playing on the other tracks. "Earth" is a blues, played in a simple, swinging style. Personnel *Art Farmer – trumpet *Hank Jones – piano *Addison Farmer – bass *Roy Haynes – drums A drum kit (also called a drum set, trap set, or simply drums) is a col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Dietz
Howard Dietz (September 8, 1896 – July 30, 1983) was an American publicist, lyricist, and librettist, best remembered for his songwriting collaboration with Arthur Schwartz. Biography Dietz was born in New York City. He attended Columbia College and then studied journalism at Columbia University. He also served as publicist/director of advertising for Goldwyn Pictures and later MGM and is often credited with creating Leo the Lion, its lion mascot, and choosing their slogan ''Ars Gratia Artis''. In 1942, he was made MGM's Vice President in Charge of Publicity. He held that position until his retirement in 1957. He began a long association with composer Arthur Schwartz, when they teamed up for the Broadway revue '' The Little Show'' in 1929. They would continue to work on and off over the next 30 or so years. Dietz served in the US Navy in World War I and became editor of their magazine, ''Navy Life''. During World War II, he assisted the U.S. Treasury Department with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Jones
Henry Jones Jr. (July 31, 1918 – May 16, 2010) was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award. He was also honored in 2003 with the American Society of Composers, Authors, and Publishers (ASCAP) Jazz Living Legend Award. In 2008, he was awarded the National Medal of Arts. On April 13, 2009, the University of Hartford presented Jones with an honorary Doctorate of Music for his musical accomplishments. Jones recorded more than 60 albums under his own name, and countless others as a sideman, including Cannonball Adderley's celebrated album '' Somethin' Else''. On May 19, 1962, he played piano as actress Marilyn Monroe sang her famous "Happy Birthday, Mr. President" song to then U.S. president John F. Kennedy. Biography Born in Vicksburg, Mississippi, Henry "Hank" Jones moved to Pontiac, Michiga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got Rhythm
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the " rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)". Composition The song came from the musical ''Girl Crazy'', which also includes two other hit songs, "Embraceable You" and " But Not for Me", and has been sung by many jazz singers since. It was originally written as a slow song for ''Treasure Girl'' (1928) and found another, faster setting in ''Girl Crazy''. Ethel Merman sang the song in the original Broadway production and Broadway lore holds that George Gershwin, after seeing her opening reviews, warned her never to take a singing lesson. The four-note opening riff bears a striking resemblance to the opening melody of the third movement of William Grant Still's ''Symphony No. 1,'' "Afr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm Changes
Rhythm changes are a common 32-bar chord progression in jazz, originating as the chord progression for George Gershwin's " I Got Rhythm". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III7–VI7–II7–V7, a progression which is sometimes given passing chords. This pattern, "one of the most common vehicles for improvisation," forms the basis of countless (usually uptempo) jazz compositions and was popular with swing-era and bebop musicians. For example, it is the basis of Duke Ellington's " Cotton Tail""Duke Ellington the Man and His Music", p.20. Luvenia A. George. ''Music Educators Journal'', Vol. 85, No. 6 (May, 1999), pp. 15–21. Published by: MENC: The National Association for Music Education. as well as Charlie Christian's "Seven Come Eleven,"Yaffe, David (2005). As well found in Olav Jullums comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cup Mute
A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound. Mutes on brass instruments are typically inserted into the flared end of the instrument (bell). They can also be held in front of or clipped onto the bell. Of brass mutes, the "straight mute" is the most common and is frequently used in classical and jazz music, but a wide variety are available. On string instruments of the violin family, mutes are usually attached to the bridge, the piece of wood that supports the strings. Palm muting a guitar involves placing the side of the hand across the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-bar Blues
The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". Background The blues originated from a combination of work songs, spirituals, and early southern country music. The music was passed down through oral tradition. It was first written down by W. C. Handy, an African American composer and band leader. Its popularity led to the creation of "race records" and the popularity of blues singers like Bessie Smith and Ma Rainy. The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", " Can't Help Lovin' Dat Man", " A Fine Romance", " Smoke Gets in Your Eyes", " The Song Is You", " All the Things You Are", " The Way You Look Tonight" and " Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', ''South Pacific'', '' The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote '' Show Boat''), V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Folks Who Live On The Hill
"The Folks Who Live on the Hill" is a 1937 popular song composed by Jerome Kern, with lyrics by Oscar Hammerstein II. It was introduced by Irene Dunne in the 1937 film '' High, Wide, and Handsome'' and was recorded that year by Bing Crosby for Decca (#1462, mx DLA940A, Los Angeles 9/20/37). Guy Lombardo enjoyed chart success with the song in 1937. It has become particularly associated with Peggy Lee, who sang it on her 1957 album '' The Man I Love''. Lee's version was arranged by Nelson Riddle and conducted by Frank Sinatra. Other notable recordings * Jo Stafford - '' Jo + Jazz'' (1960) * Johnny Mathis - '' Johnny's Mood'' (1960) * Gloria Lynne - ''Gloria, Marty & Strings'' (1963) * Sammy Davis Jr. - ''Sammy Davis Jr. Sings and Laurindo Almeida Plays'' (1966) * Johnny Hartman - ''Today'' (1972) * Chris Anderson - '' Love Locked Out'' (1990) * Tony Bennett - '' Astoria: Portrait of the Artist'' (1990) * Nina Simone - '' A Single Woman'' (1993) * Diana Krall - '' Only Trust You ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
