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Porta Santo Spirito
Porta Santo Spirito is one of the gates of the Leonine walls in Rome (Italy). It rises on the back side of the Hospital of the same name, in Via dei Penitenzieri, close to the crossing with Piazza della Rovere. History It is one of the most ancient gates in the wall surrounding the Vatican, as it is contemporary to the building of the walls of Pope Leo IV, around 850. Although it was the only direct connection between St. Peter's Basilica and the area of Trastevere (through Porta Settimiana), as well as the access to Via Aurelia ''nova'', it was opened at first as a secondary passage. Its former name was ''Posterula Saxonum'' ( Postern of the Saxons). In effect, in 727 King Ine of Wessex, after having abdicated, moved to Rome, where he founded a ''Schola Saxonum'' (whose purpose was to provide a Catholic instruction to English clergy and nobles), together with a church and a graveyard. Saxon presence in the area is attested until the end of 12th century, when King Lohn La ...
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ...
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Italian Language
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian language, Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Languages of Italy, Italy, Languages of San Marino, San Marino, Languages of Switzerland, Switzerland (Ticino and the Grisons), and Languages of Vatican City, Vatican City; it has official Minority language, minority status in Minority languages of Croatia, Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Teresa, Espírito Santo, Santa Tereza, Encantado, Rio Grande do Sul, Encantado, and Venda Nova do Imigrante in Languages of Brazil#Language co-officialization, Brazil. Italian is also spoken by large Italian diaspora, immigrant and expatriate communities in the Americas and Austral ...
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Janiculum Walls
The Janiculum walls (Italian: Mura gianicolensi) are a stretch of defensive walls erected in 1643 by Pope Urban VIII as a completion of the Leonine wall (defending the Vatican Hill) and for a better protection of the area of Rome rising on the right bank of the Tiber. History The need for a fortification, preventing access to Rome through its south-west side, derived from a conflict between two noble Roman families, the Barberini (the house of the Pontiff) and the Farnese, due to economic interests and to the policy of expansion of the former against the latter. The ''casus belli'', cleverly arranged by Urban VIII himself, was the failure to pay to Barberinis the economic rents of the Duchy of Castro and Ronciglione (now in the province of Viterbo), governed by Odoardo I Farnese, the Duke of Parma and Piacenza and supported by Venice, the France of Richelieu and the Grand Duchy of Tuscany. In the summer of 1641 the Pope himself, leading an army of 15,000 men with artill ...
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Bastion
A bastion is a structure projecting outward from the curtain wall of a fortification, most commonly angular in shape and positioned at the corners of the fort. The fully developed bastion consists of two faces and two flanks, with fire from the flanks being able to protect the curtain wall and the adjacent bastions. Compared with the medieval fortified towers they replaced, bastion fortifications offered a greater degree of passive resistance and more scope for ranged defence in the age of gunpowder artillery. As military architecture, the bastion is one element in the style of fortification dominant from the mid 16th to mid 19th centuries. Evolution By the middle of the 15th century, artillery pieces had become powerful enough to make the traditional medieval round tower and curtain wall obsolete. This was exemplified by the campaigns of Charles VII of France who reduced the towns and castles held by the English during the latter stages of the Hundred Years War, and by th ...
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Niche (architecture)
In architecture, a niche (Canadian English, CanE, or ) is a recess or cavity constructed in the thickness of a wall for the reception of decorative objects such as statues, busts, urns, and vases. In Classical architecture examples are an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. In the first century B.C, there was no exact mention of niches, but rather a zotheca or small room. These rooms closely resemble alcoves similar to a niche but slightly larger. Different sizes and sculpture methods suggest the term niche was understood. Greeks and Romans especially, used niches for important family tombs. Etymology The word derives from the Latin (), via the French . The Italian ''Contrade of Siena#Nicchio (Seashell), nicchio'' () may also be involved in the origin of the word, as the traditional decoration for the top of a niche is a scallop shell, hence also the alternative term of semi-dome, "conch" for a semi-dome, usually ...
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Porta Pia
Porta Pia was one of the northern gates in the Aurelian Walls of Rome, Italy. One of Pope Pius IV's civic improvements to the city, it is named after him. Situated at the end of a new street, the Via Pia, it was designed by Michelangelo to replace the Porta Nomentana situated several hundred meters southwards, which was closed up at the same time. Construction began in 1561 and ended in 1565, after the artist's death. A 1561 bronze commemorative medal by shows an early plan by Michelangelo, very different from his final design. The façade on the outside of the city was completed in 1869 under the Neo-Classicist design by Virginio Vespignani. History A replacement was needed because of the new urban area, which could no longer provide access through the ancient Porta Nomentana for the Via Nomentana. According to Vasari, Michelangelo presented three different designs to the Pope, which were beautiful but too extravagant, and the Pope (perhaps not very convinced by certain d ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' () is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on art", and "the first important book on

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Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ...
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Artillery
Artillery consists of ranged weapons that launch Ammunition, munitions far beyond the range and power of infantry firearms. Early artillery development focused on the ability to breach defensive walls and fortifications during sieges, and led to heavy, fairly immobile siege engines. As technology improved, lighter, more mobile field artillery cannons were developed for battlefield use. This development continues today; modern self-propelled artillery vehicles are highly mobile weapons of great versatility generally providing the largest share of an army's total firepower. Originally, the word "artillery" referred to any group of soldiers primarily armed with some form of manufactured weapon or armour. Since the introduction of gunpowder and cannon, "artillery" has largely meant cannon, and in contemporary usage, usually refers to Shell (projectile), shell-firing Field gun, guns, howitzers, and Mortar (weapon), mortars (collectively called ''barrel artillery'', ''cannon artil ...
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Poliorcetica
A poliorceticon (, also transliterated ''poliorketikon'', ''poliorketika'' in the plural) is any member of the genre of Byzantine literature dealing with manuals on siege warfare, which is formally known as poliorcetics. As with much Byzantine literature, the ''poliorcetica'' tend to be compendia of earlier guides illustrated with Biblical and Classical anecdotes. The extent to which they might be up-to-date or representative of actual experiences in the field is sometimes questionable and greatly depends upon the author. Composed as they were during the era immediately antecedent to the arrival of heavy artillery, the ''poliorcetica'' tend to focus less upon large machines and more upon techniques for bringing men close to fortifications, as well as on ways of undermining these once attacking forces are positioned. These Byzantine manuals also tend to give a good amount of insight on morale and advice on psychological defense employable by those being besieged, either to avoid be ...
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Saracen
upright 1.5, Late 15th-century German woodcut depicting Saracens ''Saracen'' ( ) was a term used both in Greek and Latin writings between the 5th and 15th centuries to refer to the people who lived in and near what was designated by the Romans as Arabia Petraea and Arabia Deserta. The term's meaning evolved during its history of usage. During the Early Middle Ages, the term came to be associated with the tribes of Arabia. The oldest known source mentioning "Saracens" in relation to Islam dates back to the 7th century, in the Greek-language Christian tract '' Doctrina Jacobi''. Among other major events, the tract discusses the Muslim conquest of the Levant, which occurred after the rise of the Rashidun Caliphate following the death of the Islamic prophet Muhammad. The Roman Catholic Church and European Christian leaders used the term during the Middle Ages to refer to Muslims. By the 12th century, "Saracen" developed various overlapping definitions, generally conflatin ...
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Antonio Da Sangallo The Younger
Antonio da Sangallo the Younger (12 April 14843 August 1546), also known as Antonio Cordiani, was an Italian architect active during the Renaissance, mainly in Rome and the Papal States. One of his most popular projects that he worked on designing is St. Peter’s basilica in the Vatican City. He was also an engineer who worked on restoring several buildings. His success was greatly due to his contracts with renowned artists during his time. Sangallo died in Terni, Italy, and was buried in St. Peter’s Basilica. Early life and apprenticeship Sangallo was born Antonio Cordiani in Florence, the son of Bartolomeo Piccioni. His grandfather Francesco Giamberti was a woodworker, and his uncles Giuliano and Antonio da Sangallo were noted architects of the time. Despite his family ties, Cordiani spent his early life in poverty, resulting from the political and religious turmoil of the fifteenth century. At around age twenty, in 1503, young Cordiani followed his uncles to Rome in ...
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