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Popular Novel In France
The popular novel—or popular literature, also known as paraliterature—refers to literary productions that reach a wide readership, which developed during the 19th century primarily due to the decrease in printing costs, the emergence of the first press groups, and literacy. This genre is originally concurrent with the Industrial Revolution and a sociology of reading, which practice could only democratize with the appearance of leisure time in a context of progressive urbanization. These terms encompass works of great variety: Detective fiction, detective, Adventure fiction, adventure, Historical fiction, historical, Regional fiction, regional, romance novels, etc. The common denominator is to present a story in a simple chronological order, with well-identified characters, archetypes, and where the plot takes precedence over Ligature (writing), stylistic considerations. Morality is sometimes imbued with good feelings, "common sense", or even Manichaeism#Figurative use, Manichaei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paraliterature
Paraliterature comprises written works dismissed as not literary fiction, literary. It includes commercial fiction, popular fiction, pulp magazine, pulp fiction, comic books and, most notably, genre fiction with works of science fiction, fantasy, Mystery fiction, mystery and others.:361 The term was originally used in French literary studies to 'designate a phenomenon characteristic of the age of mass communications - the fantastic spread of a mass literature', and as early as 1970 a special collection of critical articles on paraliterature appeared in France.:95-96 Art critic and scholar Rosalind E. Krauss, Rosalind Krauss brought the term to prominence In the United States through her text 'Poststructuralism and the "Paraliterary"' (1980). Krauss argues the paraliterary is 'the space of debate, quotation, partisanship, betrayal, reconciliation; but it is not the space of unity, coherence, or resolution that we think of as constituting the work of literature.':37 She links the par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penny Dreadful
Penny dreadfuls were cheap popular Serial (literature), serial literature produced during the 19th century in the United Kingdom. The pejorative term is roughly interchangeable with penny horrible, penny awful, and penny blood. The term typically referred to a story published in weekly parts of 8 to 16 pages, each costing one Penny (British pre-decimal coin), penny. The subject matter of these stories was typically sensational, focusing on the exploits of detectives, criminals, or supernatural entities. First published in the 1830s, penny dreadfuls featured characters such as Sweeney Todd, Dick Turpin, Varney the Vampire, and Spring-heeled Jack. The BBC called penny dreadfuls "a 19th-century British publishing phenomenon". In America in the 1840s, a similar class of consumer content developed known as City mysteries, city mysteries. By the 1850s, there were up to a hundred publishers of penny-fiction, and in the 1860s and 1870s more than a million boys' periodicals were sold per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of One Thousand And One Nights Characters
This is a list of characters in ''One Thousand and One Nights'' (also known as ''The Arabian Nights''), the classic, medieval collection of Middle-Eastern folk tales. Characters in the frame story Scheherazade Scheherazade or Shahrazad (, ''Šahrzād'', or , ) is the legendary Persian queen who is the storyteller and narrator of ''The Nights''. She is the daughter of the kingdom's vizier and the elder sister of Dunyazad. Against her father's wishes, she marries King Shahryar, who has vowed that he will execute a new bride every morning. For 1,001 nights, Scheherazade tells her husband a story, stopping at dawn with a cliffhanger. This forces the King to keep her alive for another day so that she can resume the tale at night. The name derives from the Persian ''šahr'' () and ''-zâd'' (); or from the Middle-Persian ''čehrāzād'', wherein ''čehr'' means 'lineage' and ''āzād'', 'noble' or 'exalted' (i.e. 'of noble or exalted lineage' or 'of noble appearance/origin'), Dun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Thousand And One Nights
''One Thousand and One Nights'' (, ), is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Persian, and Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are probably drawn from the Pahlavi Persian work (, ), which in turn may be translations of older Indian texts. Common to all the editions of the ''Nights'' is the framing device of the story of the ruler Shahryar being narrated the tales by his wife Scheherazade, with one tale told ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheherazade
Scheherazade () is a major character and the storyteller in the frame story, frame narrative of the Middle Eastern collection of tales known as the ''One Thousand and One Nights''. Name According to modern scholarship, the name ''Scheherazade'' derives from the Middle Persian name , which is composed of the words () and (). The earliest forms of Scheherazade's name in Arabic sources include () in al-Masudi, and in Ibn al-Nadim. The name appears as in the ''Encyclopaedia of Islam'' and as in the ''Encyclopædia Iranica''. Among standard 19th-century printed editions, the name appears as in Macnaghten's Calcutta edition (1839–1842) and in the 1862 Bulaq edition, and as in the Breslau edition (1825–1843). Muhsin Mahdi's critical edition has . The spelling ''Scheherazade'' first appeared in English-language texts in 1801, borrowed from German usage. History The oldest known text of the tale of Scheherazade is a ninth century (CE) Arabic manuscript from Cairo. Acros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Literature
Oral literature, orature, or folk literature is a genre of literature that is spoken or sung in contrast to that which is written, though much oral literature has been transcribed. There is no standard definition, as anthropologists have used varying descriptions for oral literature or folk literature. A broad conceptualization refers to it as literature characterized by oral transmission and the absence of any fixed form. It includes the stories, legends, and history passed through generations in a spoken form. Background Pre-literate societies, by definition, have no written literature, but may possess rich and varied oral traditions—such as folk epics, folk narratives (including fairy tales and fables), folk drama, proverbs and folksongs—that effectively constitute an oral literature. Even when these are collected and published by scholars such as folklorists and paremiographers, the result is still often referred to as "oral literature". The different genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalind E
Rosalind or Rosalinde may refer to: *Rosalind (given name) Astronomy *900 Rosalinde, asteroid *Rosalind (moon), moon of Uranus Literature * Rosalind (''As You Like It''), a fictional character in William Shakespeare's play ''As You Like It'' *Rosalind, the object of Colin Clout's love in Edmund Spenser's poem ''The Shepheardes Calender'' *"Rosalind", a poem by Alfred, Lord Tennyson *''Rosalind'', a play by J. M. Barrie Other *Rosalind (education platform), a platform and web project for learning bioinformatics through problem solving *Rosalind (harness horse) (foaled 1933), 1936 Hambletonian winner *Rosalind, Alberta, Canada *Rosalind Bank, a completely submerged bank in the western Caribbean Sea * (1916–1926), a British R-class destroyer See also *Rosalinda (other) Rosalinda may refer to: * Rosalinda (given name) * ''Rosalinda'' (album), a 2015 album by Marco Di Meco * ''Rosalinda'' (Mexican TV series), a Mexican telenovela starring Thalía ** ''Rosalinda'' (Phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Chartier
Roger Chartier, (; born December 9, 1945, in Lyon), is a French historian and historiographer who is part of the Annales school. He works on the history of books, publishing and reading. He teaches at the École des Hautes Études en Sciences Sociales in Paris, the Collège de France, and the University of Pennsylvania. Biography Originally from Lyon, he studied at the Ampère ''lycée'' (high school). Between 1964 and 1969, he was a student at the École normale supérieure de Saint-Cloud and, at the same time, he pursued a 3-year-degree (French ''licence'') followed by a master's degree at the Sorbonne (1966–1967). In 1969, he succeeded at his agrégation in history. He taught as an associate professor at the Lycée Louis-le-Grand in Paris between 1969 and 1970. In the same year, he became assistant in Modern History at the University of Paris I, then senior lecturer at the Ecole des Hautes Etudes en Sciences Sociales (EHESS). He became a lecturer (from 1978 to 1983) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Ragon
Michel Ragon (24 June 1924 – 14 February 2020) was a French art and literature critic and writer. His primary focus was on anarchic and libertarian literature. Biography Ragon was born into a poor family on 24 June 1924 in Marseille, but spent much of his childhood in Fontenay-le-Comte. After his father died when he was eight, Ragon moved to Nantes with his mother. Here, he discovered the works of Victor Hugo, Jean-Jacques Rousseau, Jules Verne, Andre Gide, and others. He discovered a passion for arts at the Musée d'Arts de Nantes, as well as classical music at the Théâtre Graslin. In 1943, at age 19, Ragon met the poets of the École de Rochefort, such as Jean Bouhier and René-Guy Cadou, as well as painter James Guitet. Due to his writings, he was wanted by the Gestapo, but escaped before he was to be captured. He returned to Nantes in 1944, but left for Paris the following year. It was in Paris where Ragon became a renowned modern art and literature critic. He would o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre For Contemporary Cultural Studies
The Centre for Contemporary Cultural Studies (CCCS) was a research centre at the University of Birmingham, England. It was founded in 1964 by Stuart Hall and Richard Hoggart, its first director. From 1964 to 2002, it played a critical role in developing the field of cultural studies. History The centre was the focus for what became known as the Birmingham School of Cultural Studies, or, more generally, 'British cultural studies'. After its first director, Richard Hoggart, departed in 1968, the centre was led by Stuart Hall (19691979). He was succeeded by Richard Johnson (19801987). The Birmingham CCCS approach to culture and politics evolved from a complex moment within British post-war history: the rise of the anti-Stalinist New Left; the promotion of adult education in Britain after World War II; the "Americanization" of British popular culture and the growth of mass communication in the decades after 1945; the growing multiculturalism of British society; and, the eventual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hoggart
Herbert Richard Hoggart (24 September 1918 – 10 April 2014) was an English academic whose career covered the fields of sociology, English literature and cultural studies, with emphasis on British popular culture. Early life Hoggart was born in the Potternewton area of Leeds, one of three children in an impoverished family. His father, Tom Longfellow Hoggart (1880–1922), the son of a boilermaker, was a regular infantry soldier and housepainter who died of brucellosis when Hoggart was a year old, and his mother Adeline died of a chest illness when he was eight. He grew up with his grandmother in Hunslet, and was encouraged in his education by an aunt. Emulating his elder brother, Tom, the first of the family to go to a grammar school, he gained a place at Cockburn High School which was a grammar school, after his headmaster requested that the education authority reread his scholarship examination essay. He then won a scholarship to study English at the University of Leeds, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Books
The history of books begins with the invention of writing, as well as other inventions such as paper and printing; this history continues all the way to the modern-day business of book printing. The earliest knowledge society has on the history of books actually predates what we came to call "books" in today's society, and instead begins with what are called either tablets, scrolls, or sheets of papyrus. The current format of modern novels, with separate sheets fastened together to form a pamphlet rather than a scroll, is called a codex. After this invention, hand-bound, expensive, and elaborate manuscripts began to appear in codex form. This gave way to press-printed volumes and eventually led to the mass-market printed volumes that are prevalent today. Contemporary books may even start to have less of a physical presence with the invention of the e-book. The book has also become more accessible to the disabled with the invention of Braille as well as audiobooks. The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
