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Popping
Popping is a street dance adapted out of the earlier Boogaloo (funk dance), boogaloo cultural movement in Oakland, California. As boogaloo spread, it would be referred to as "robottin'" in Richmond, California; strutting movements in San Francisco, California, San Francisco and San Jose, California, San Jose; and the Strikin' dances of the Oak Park, Sacramento, California, Oak Park community in Sacramento, California, Sacramento, which were popular through the mid-1960s to the 1970s.Guzman-Sanchez, T. (2012) Underground Dance Masters: Final History of a Forgotten Era. Praeger. Popping would be eventually adapted from earlier boogaloo (freestyle dance) movements in Fresno, California, in the late 1970s by way of California high school gatherings of track and meet events: the West Coast Relays. The dance is rooted in the rhythms of live Funk, funk music, and is based on the technique of boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk, or can be ...
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Boogaloo (funk Dance)
Boogaloo is a Freestyle dance, freestyle, improvisational street dance, closely related to popping dance and turfing. It's best known for the dance move known as Robot (dance), the Robot; it is also related to the later electric boogaloo (dance), electric boogaloo dance.Guzman-Sanchez, T. (2012) "Oakland Funk Boogaloo to Popping". Underground Dance Masters: Final History of a Forgotten Era. Boogaloo dancers use illusions, restriction of muscles, stops, Robot (dance), robotic movements, and wiggling to create a soulful, passionate, animated form of street dance. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard".Fuhrer, M. (2014) American Dance: The Complete Illustrated History. Voyaguer Press. Social dance Chicago Record Hops The Boogaloo was initially a social dance within the African American community in Chicago; it also appealed to white teenagers. Between 1965 and 1966, it was described as “a total new look c ...
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Hip-hop Dance
Hip hop dance is a range of street dance styles primarily performed to hip-hop, hip hop music or that have evolved as part of hip-hop culture, hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films ''Breakin''', ''Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. The commercialization of hip-hop dance continued into the 19 ...
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Robot (dance)
The robot, also called mannequin or dancing machine, is a street dance style—often confused with popping—that suggests the stilted movements of a dancing robot or mannequin. Roboting gained fame in the 1970s after Michael Jackson used the dance when he performed " Dancing Machine" with his brothers.Mansour, DavidFrom Abba to Zoom: A Pop Culture Encyclopedia of the Late 20th Century p. 403 (2005) ("The Robot was a mimelike dance, popularized by The Jackson 5 and their Top Ten hit "Dancing Machine" (1974)") Description The robot became popular in the 1980s, but goes back to the 1970s, when it was used theatrically in miming. It is a dance in which the dancer moves their limbs in a way that imitates the movements of a robot. Movements of the robot are ''normally'' started and finished with a dimestop (a very abrupt stop), to give the impression of motors starting and stopping, but poppers have also been known to do the robot with a pop to the beat. As long as the illusion of b ...
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Locking (dance)
Locking is a style of funk dance. The name is based on the concept of ''locking'' movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical. Locking was originally danced to traditional funk music, such as that produced or performed by James Brown. Funk music is still commonly favored by locking dancers and used by many competitions such as the locking divisions of Juste Debout and Summer Dance Forever. Locking movements create a strong contrast towards the many fast moves that are otherwise performed quite continuously, ...
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Electric Boogaloos
The Electric Boogaloos are a street dance crew responsible for the spread of popping and electric boogaloo. The name "Boogaloo" came from a song called " Do a Boogaloo" by James Brown, which was also adapted as a Boogaloo street dance done from Oakland, CA. They were founded by Boogaloo Sam in Fresno, California in 1977. Their original name was the Electronic Boogaloo Lockers but "Lockers" was dropped the following year. On January 25, 2012, The Electric Boogaloos were honored with a Lifetime Achievement Award at the 13th anniversary show of The Carnival: Choreographer's Ball, for their role in popularizing dance styles such as popping and electric boogie, presented by choreographer and dancer Toni Basil. Members Boogaloo Sam, also known as Sam Solomon grew up in Fresno, California. He was inspired to innovate a new dance style after learning from the Bay City Boogaloos and meeting Tick'n Will and Darnell McDowell - the Ace Tre Lockers - they danced a form of Boogaloo from Oakla ...
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Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ...
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Turfing
Turfing (or turf dancing) is a form of street dance that originated in Oakland, California, United States, characterized by rhythmic movement combined with waving, floor moves, gliding, flexing and cortortioning. It was developed by youth from West Oakland and organized by dancer Jeriel Bey, who coined the name "turf dancing," or "Turfin" and named his Organization The Architeckz™. Bey named the dance form as an acronym for "Taking Up Room on the Floor." The style was originally known by the terms "having fun with it" or "hitting it", but these names didn't seem marketable. However, another claim for the nomenclature considers the acronym as a backronym and that ''turf dancing'' originated as a way to describe dances that different "turfs" (locations or territories) from Oakland performed to represent where they were from (the same as "blocks" or "sets"). The dance form had its earliest influences in the Boogaloo movement of the mid-1960s, but it developed into a distinctive ...
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Integrated Styles And Techniques
Integration may refer to: Biology *Multisensory integration *Path integration * Pre-integration complex, viral genetic material used to insert a viral genome into a host genome *DNA integration, by means of site-specific recombinase technology, performed by a specific class of recombinase enzymes ("integrases") Economics and law *Economic integration, trade unification between different states *Horizontal integration and vertical integration, in microeconomics and strategic management, styles of ownership and control *Regional integration, in which states cooperate through regional institutions and rules *Integration clause, a declaration that a contract is the final and complete understanding of the parties *A step in the process of money laundering *Integrated farming, a farm management system *Integration (tax), a feature of corporate and personal income tax in some countries * Territorial integration of independent or dependent territories into a state Engineering *Data ...
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Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, Locking (dance), locking, house dance, waacking, voguing, etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social dance, social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African Americans who created the style were generally not accepted into dance studios because of their race. A significan ...
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Liquid And Digits
Liquid and digits is a type of Gesture, gestural, interpretive dance, interpretive, rave dance, rave and urban dance, urban street dance that sometimes involve aspects of mime artist, pantomime. The term invokes the word ''liquid'' to describe the fluid-like motion of the dancer's body and appendages and ''digits'' to refer to illusions constructed with the dancer's fingers. Liquid dancing has many moves in common with popping (dance), popping and waving (dance), waving. ("Waving" is a style of dance where the dancer tries to make it appear that waves are rolling through their body.) The exact origins of the dances are uncertain, although they came out of either popping, raves, or both sometime from the 1970s to 1990s. The dance is typically done to a variety of electronic dance music genres from trance music, trance to drum and bass to glitch hop, depending on the dancer's musical taste. References External linksLiquid & Digitz Dance Repository A collection of liquid and digits ...
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Dayton (band)
Dayton was a post-disco funk band, formed in Dayton, Ohio by Chris Jones (trumpet, keyboards, vocals) from the band Sun and Shawn Sandridge (guitar, vocals) from Over Night Low. Derrick Armstrong (vocals), Kevin Hurt (drums, percussion), Jenny Douglas (vocals) and Rachel Beavers (vocals) completed the line up. Former Sun member Dean Hummons played the keyboards on the first two Dayton albums. Biography The group signed to Liberty Records in 1980 and released their self-titled debut album which included the track "Eyes on You". Dayton toured with Ashford & Simpson, Quincy Jones and Stephanie Mills. They recorded a second Liberty album, ''Cutie Pie'', in 1981. Guest musicians included James "Diamond" Williams, Keith Harrison, Clarence "Chet" Willis, Billy Beck, Wes Boatman and Vincent Andrews. The group switched to Capitol Records in 1982 and delivered the successful album ''Hot Fun''. This record included "Krackity-Krack" with a guest appearance by Bootsy Collins and their hit ...
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