Polykleitos The Younger
Polykleitos the Younger (; fl. ) was an Ancient Greek sculptor of athletes. His greatest achievements, however, were as an architect. Polykleitos the Younger was the architect of the Theatre and Tholos at Epidaurus. Started around 360 BC, the Tholos exhibited elaborate detailing, especially on the Corinthian capitals of its interior columns. These columns would influence most later designs for that order. He was the son of the Classical Greek sculptor Polykleitos Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century B ..., the Elder. Later in his life, Polykleitos built many other works of art, most of his work on athletes. See also * Armed Aphrodite, Roman copy of one of his works References 4th-century BC Greek sculptors Ancient Argives {{Greece-architect-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Epidavros
Epidaurus () was a small city (''polis'') in ancient Greece, on the Argolid Peninsula at the Saronic Gulf. Two modern towns bear the name Epidavros: ''Palaia Epidavros'' and ''Nea Epidavros''. Since 2010 they belong to the new municipality of Epidaurus, part of the regional unit of Argolis. The seat of the municipality is the town Lygourio. The nearby sanctuary of Asclepius and ancient theatre were inscribed on the UNESCO World Heritage List in 1988 because of their exemplary architecture and importance in the development and spread of healing sanctuaries and cults across the ancient Greek and Roman worlds. Name and etymology The name "Epidaurus" is of Greek origin. It was named after the hero Epidauros, son of Apollo. According to Strabo, the city was originally named Ἐπίκαρος (Epíkaros) under the Carians, (Aristotle claimed that Caria, as a naval empire, occupied Epidaurus and Hermione) before taking the name Ἐπίταυρος (Epítauros) when the city was taken b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ancient Greek Sculptor
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical (480–323 BC) and Hellenistic thereafter. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Since they pictured their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles shows only slight differences in treatment from a sculpture of that year's Olympic boxing champion. The statue (originally single, but by the Hellenistic period often in group ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sportsperson
An athlete is most commonly a person who competes in one or more sports involving physical strength, speed, power, or endurance. Sometimes, the word "athlete" is used to refer specifically to sport of athletics competitors, i.e. including track and field and marathon runners but excluding e.g. swimmers, footballers or basketball players. However, in other contexts (mainly in the United States) it is used to refer to all athletics (physical culture) participants of any sport. For the latter definition, the word sportsperson or the gendered sportsman or sportswoman are also used. A third definition is also sometimes used, meaning anyone who is physically fit regardless of whether they compete in a sport. Athletes may be professionals or amateurs. Most professional athletes have particularly well-developed physiques obtained by extensive physical training and strict exercise, accompanied by a strict dietary regimen. Definitions The word "athlete" is a romanization of the , ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Architect
An architect is a person who plans, designs, and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin , which derives from the Greek (''-'', chief + , builder), i.e., chief builder. The professional requirements for architects vary from location to location. An architect's decisions affect public safety, and thus the architect must undergo specialised training consisting of advanced education and a ''practicum'' (or internship) for practical experience to earn a Occupational licensing, license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction though the formal study of architecture in academic institutions has played a pivotal role in the development of the p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ancient Theatre Of Epidaurus
The Ancient Theatre of Epidaurus is a Theater (structure), theatre in the Greek city of Epidaurus, located on the southeast end of the Temple of Asclepius, Epidaurus, sanctuary dedicated to the ancient Greek God of medicine, Asclepius. It is built on the west side of Cynortion Mountain, near modern Lygourio, and belongs to the Epidaurus, Epidaurus Municipality. Constructed in the late 4th century BC, it is considered to be the most perfect ancient Greek theatre with regard to acoustics and aesthetics. Because of its exceptional architecture and aesthetics, the theatre was inscribed on the UNESCO World Heritage List in 1988 along with the Temple of Asclepius. History According to Pausanias (geographer), Pausanias, the ancient theatre was constructed at the end of the 4th century BC, circa 340-300 BCE, by the architect Polykleitos the Younger. Pausanias praises the theatre for its symmetry and beauty. At a maximum capacity of 13,000 to 14,000 spectators, the theatre hosted music, s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Epidaurus
Epidaurus () was a small city (''polis'') in ancient Greece, on the Argolid Peninsula at the Saronic Gulf. Two modern towns bear the name Epidavros: ''Palaia Epidavros'' and ''Nea Epidavros''. Since 2010 they belong to the new municipality of Epidaurus, part of the regional unit of Argolis. The seat of the municipality is the town Lygourio. The nearby Temple of Asclepius, Epidaurus, sanctuary of Asclepius and Ancient Theatre of Epidaurus, ancient theatre were inscribed on the UNESCO World Heritage List in 1988 because of their exemplary architecture and importance in the development and spread of healing sanctuaries and cults across the ancient Greek and Roman worlds. Name and etymology The name "Epidaurus" is of Greek language, Greek origin. It was named after the hero Epidaurus (mythology), Epidauros, son of Apollo. According to Strabo, the city was originally named Ἐπίκαρος (Epíkaros) under the Carians, (Aristotle claimed that Caria, as a naval empire, occupied Epidau ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Polykleitos
Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise, the ''Canon of Polykleitos'' (a canon of body proportions), which set out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but many marble works, mostly Roman, are believed to be later copies. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' (, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ''Polyclitus''. He is called Sicyonius (lit. "The Sicyonia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Armed Aphrodite (NAMA 262)
Armed Aphrodite () is a first-century AD Roman marble sculpture depicting Aphrodite Areia, or the war-like aspect of the Greek goddess Aphrodite, who was more commonly worshipped as a goddess of beauty and love. It is modelled after a lost Greek original of the fourth century BC made by Polykleitos the Younger, and is now kept in the National Archaeological Museum of Athens in Greece with accession number 262. History The statue was found in ancient Epidaurus, in the sanctuary of Asclepius the year 1886 during excavation works, along with several other sculptures in the site. The statue was eventually transferred to the capital Athens, where it has been displayed ever since in the National Archaeological Museum of Athens. The original Greek sculpture, a work of Polykleitos the Younger, would have been produced around the fourth century BC. Description The goddess stands upright supporting her weight on her right leg, her left one relaxed, with her head turned left and tilted ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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4th-century BC Greek Sculptors
The 4th century was the time period from 301 CE (represented by the Roman numerals CCCI) to 400 CE (CD) in accordance with the Julian calendar. In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two-emperor system originally established by Diocletian in the previous century fel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |