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Phad Painting
Phad painting or phad (; IAST: ''Phad'', ) is a style of religious scroll painting and folk painting, practiced in Rajasthan state of India. This style of painting is traditionally done on a long piece of cloth or canvas, known as '. The narratives of the folk deities of Rajasthan, mostly of Pabuji and Devnarayan are depicted on the ''s''. The Bhopas, the priest-singers traditionally carry the painted ''s'' along with them and use these as the mobile temples of the folk deities, who are worshipped by the Rebari community of the region. The ''s'' of Pabuji are normally about in length, while the ''s'' of Devnarayan are normally about 30 feet long. Traditionally the ''s'' are painted with vegetable colors. Traditional examples of this art are Devnarayan Ki Phad and Pabuji Ki Phad. This style was revolutionized by Shree Lal Joshi and Pradip Mukherjee about forty years ago. Mukherjee's modern version of these paintings are based on the stories of ''Ramcharitmanas'', ''Gita Govinda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabuji Ka Phad 02
Pabuji is a folk-deity of Rajasthan in India. Pabuji is worshiped in historical region of Rajputana. The Narrative of Pabuji The narrative of Pabuji is sung by the Bhopa poet-singers of Nayak community is based according to the tradition on a text, the ''Pabuprakasa''. This text, according to the Bhopas consists of number of episodes of two different types, ''parvaro''s and ''sayl''s. The narrative of Pabuji is found in the ''Nainsi ri Khyat'' (17th century) under the title ''Vata Pabujiri''. Episodes of Pabuji Dhandal Rathore had four children, two sons (Buro and Pabuji) and two daughters (Sonalbai and Pemabai). When he died, both his sons set up court in their village of Kolu; but Pabuji was a god incarnate, born not from Dhandal's wife but from a celestial nymph who had promised him that when he was twelve years old she would return to him in the form of a mare for him to ride. He had four companions: Chando and Dhebo, two brothers of whom Dhebo was a colossus with an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramcharitmanas
''Ramcharitmanas'' ( deva, रामचरितमानस, rāmacaritamānasa), is an epic poem in the Awadhi language, composed by the 16th-century Indian bhakti poet Tulsidas (c. 1511–1623). It has many inspirations, the primary being the ''Ramayana'' of Valmiki. This work is also called, in popular parlance, ''Tulsi Ramayana'', ''Tulsikrit Ramayana'', ''Tulsidas Ramayana'' or simply '' Manas''. The word ''Ramcharitmanas'' literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people".Lutgendorf 1991, p. 1. Tulsidas was a great scholar of Sanskrit, but due to limited accessibility of the language, he chose to write it in the vernacular, Awadhi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Painting
Indian painting has a very long tradition and history in Indian art.Blurton, 193 The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today. India's ancient Hindu and Buddhist literature has many mentions of palaces and other buildings decorated with paintings ('' chitra''), but the paintings of the Ajanta Caves are the most significant of the few ones which survive. Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. A new style emerged in the Mughal era as a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasthani Culture
Rajasthan, the largest state in India (by area), is known for its rich cultural heritage, vibrant traditions, and historical significance. Rajasthani culture, which developed over the past millennia, is a blend of various elements, including music, dance, cuisine, festivals, art, and architecture. More than 74.9% of the population of Rajasthan is vegetarian, making it the Indian state with the highest percentage of vegetarians. Music and dance Rajasthani folk music is an integral part of the state’s cultural identity. It is characterized by its soulful melodies and traditional instruments such as the dholak, sitar, sarangi, and harmonium. Folk songs often narrate tales of heroism, love, and devotion. The Manganiyars and Langas are two prominent communities known for their musical traditions. Their performances, which include ragas and devotional songs, are an essential part of Rajasthani culture. Instruments * Sarangi: A bowed string instrument, the sarangi is known for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasthani Arts
Rajasthani may refer to: * something of, from, or related to Rajasthan, a state of India * Rajasthani languages, a group of Indic languages spoken there * Rajasthani people, the native inhabitants of the state * Rajasthani architecture, Indian architecture as practiced in the state * Rajasthani art, arts of the Indian state * Rajasthani cuisine, part of Indian cuisine * Rajasthani literature, literature written in various genres starting from 1000 AD * Rajasthani music, folk, classical and other forms of music from the Indian state * Rajasthani painting, a style of Indian miniature painting from the royal courts of the state * Cinema of Rajasthan (Rajjywood), Rajasthan Film Industry See also *Rajasthan (other) Rajasthan is a state in western India. Rajasthan may also refer to: * United State of Rajasthan, former name of Rajasthan * ''Rajasthan'' (film), 1999 Indian Tamil-language film by R. K. Selvamani *'' Annals and Antiquities of Rajasthan'', histo ... {{disambiguat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schools Of Indian Painting
A school is the educational institution (and, in the case of in-person learning, the building) designed to provide learning environments for the teaching of students, usually under the direction of teachers. Most countries have systems of formal education, which is sometimes compulsory. In these systems, students progress through a series of schools that can be built and operated by both government and private organization. The names for these schools vary by country (discussed in the '' Regional terms'' section below) but generally include primary school for young children and secondary school for teenagers who have completed primary education. An institution where higher education is taught is commonly called a university college or university. In addition to these core schools, students in a given country may also attend schools before and after primary (elementary in the U.S.) and secondary (middle school in the U.S.) education. Kindergarten or preschool provide some sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman Chalisa
The ''Hanuman Chalisa'' (Hindi: हनुमान चालीसा) (Sanskrit: हनुमान् चालीसा) (; '' Forty chaupais on Hanuman'') is a Hindu devotional hymn ('' stotra'') in praise of Hanuman, and popularly recited by millions of Hindus every day.Rambhadradas 1984pp. 1–8. Karan Singh, in Nityanand Misra 2015, p. xvi. It is an Awadhi language text attributed to Tulsidas, and is his best known text apart from the '' Ramcharitmanas''. The word 'chālīsā' is derived from 'chālīs' meaning the number 'forty' in Hindi, denoting the number of verses in the ''Hanuman Chalisa'' (excluding the couplets at the beginning and the end). Hanuman is a Hindu deity and a devotee of the Hindu god, Rama. He is one of the central characters of the ''Ramayana''. According to the Shaiva tradition, he is also an incarnation of Shiva. The ''Hanuman Chalisa'' praises the power and other qualities of Hanuman including his strength, courage, wisdom, celibacy (brahmacharya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumārasambhava
''Kumārasambhavam'' ''( ) (transl. - "The Birth of Kumāra")'' is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumāra ( Kārtikeya), the son of Shiva (Śiva) and Pārvatī (Umā). The period of composition is uncertain, although Kalidasa is thought to have lived in the 5th century. A fierce debate has raged over the question as to whether the whole of the seventeen cantos came was penned by Kalidasa. Vitthala Śastrin, who in 1866, published Cantos VIII to XVII in ''The Paņdit'', took them as genuine work of Kalidasa while scholars like Hermann Jacobi took Cantos IX to XVII as a later interpolation. Stylistic inferiority of these cantos, rarity of manuscripts, silence on the part of early commentator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Govinda
The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called p''rabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called '' ashtapadis''. The text also elaborates the eight moods of Heroine, the '' Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Every night in the Jagannatha temple, the ''Gitagovinda'' of Jayadeva is sung in the style of Odissi music, a tradition that has continued unbroken since the time of Jayadeva himself. Musicians of Kerala have adapted the ''ashtapadis'' into a musical form performed in temples called ''sopana sangeetham.'' Jayadeva's hymns are also included in the Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabuji Ki Phad
Pabuji Ki Phad is a religious scroll painting of folk deities, which is used for a musical rendition of the only surviving ancient traditional folk art form, Phad painting in the world of the epic of Pabuji, the Rathore (Rajput clan), Rathore Rajput chief. Bhopas of Pabusar are the bards and also priests who are the traditional narrators of this art form. The Phad painting, Phad is also spelt as "Par". This art form is popular in the Indian state of Rajasthan. Literally, 'Pabuji Ki Phad' translates into two versions namely, "The Screen of Pabuji'' or ''O, Read of Pabuji!. Pabuji is also known as "the Ascetic Deity of Sand Desert". The three basic features associated with this art form are: the epic story of Pabuji, the Rathore chief of Rajasthan in the 13th century, who is extolled as an incarnation of Hindu God, and worshipped by the Bhil tribals of Rajasthan; the Phad painting, Phad or ''Par'', which is a long scroll painting (or sewn) made on cloth, with the martial heroics of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Brahmic family, Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Sir Charles Trevelyan, 1st Baronet, Charles Trevelyan, William Jones (philologist), William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva International Congress of Orientalists, Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
