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Peter Und Ännchen
'' Peter und Ännchen'' (Peter and Annie) is an opera ('' singspiel'') in one act composed by Ludwig Abeille to a German libretto by Franz Carl Hiemer (1768 – 1822). The libretto was based on Charles Simon Favart and Marie Favart's text for ''Annette et Lubin'', a ''comédie mêlée d'ariettes'' with music by Adolphe Benoît Blaise, which was in turn based on Jean-François Marmontel's morality tale of the same name. In Marmontel's story two orphaned cousins, Annette and Lubin, are raised together and later fall in love. When Annette becomes pregnant, the village priest and the magistrate forbid them to marry on the grounds of incest, but the local lord eventually persuades the Pope to allow the marriage. ''Peter und Ännchen'' premiered on 29 September 1809 in the theatre of the Ludwigsburg Palace near Stuttgart. The opera was popular in Germany in its day and a version of the score for voice and piano was published by Breitkopf & Härtel. It was also performed in Paris in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the '' Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italian province of South Tyrol. It is also a co-official language of Luxembourg and Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German, Luxembourgish, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic group, such as Danish, Norwegian, and Swedish. German is the second most widely spoken Germanic language after English, which is also a West Germanic language. German is one of the major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remaind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu Hassan
''Abu Hassan'' ( J. 106) is a comic opera in one act by Carl Maria von Weber to a German libretto by , based on a story in ''One Thousand and One Nights''. It was composed between 11 August 1810 and 12 January 1811 and has set numbers with recitative and spoken dialogue. The work is a Singspiel in the then popular Turkish style. Performance history ''Abu Hassan'' was first performed at the Residenz Theater in Munich on 4 June 1811, conducted by the composer. In London, it was produced in English at Theatre Royal, Drury Lane in 1835, and in Italian at Drury Lane on 12 May 1870 (at the same time as Mozart's ''L'oca del Cairo''), the translation being made by , and the dialogue set to recitative by Luigi Arditi. ''Abu Hassan'' is not now part of the commonly performed operatic repertory, though it is sometimes staged. The overture is, however, well known and has been recorded separately many times. Roles Synopsis Abu Hassan, a favorite of the Caliph of Baghdad, is heavily in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvana (opera)
''Silvana'' ( J. 87) is an opera by Carl Maria von Weber, first performed at the Nationaltheater Frankfurt on 16 September 1810. The libretto, by , is a reworking of an earlier, unsuccessful opera by Weber, '. Weber also reused music from the same piece in ''Silvana''. It has been characterized as a somewhat unstable combination of emerging individualism with conventional techniques; however, the premiere was moderately successful, and the Berlin premiere was met with an enthusiastic reception. It is the earliest Weber opera to have survived in its complete form; older operatic works are either fragmentary or entirely lost. Weber used a melody from a discarded aria for the opera to compose the popular ''Seven Variations on a Theme from Silvana'' for clarinet and piano. He used the same melody for the theme-and-variations first movement of his Sonata No. 5 in A major (from the ' for piano and violin obbligato, J 99-104). Roles Synopsis Act 1 The opera opens to horns and a hunts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German '' Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor Und Psyche
''Amor und Psyche'' is an opera ('' singspiel'') in four acts composed by Ludwig Abeille to a German '' libretto'' by Franz Carl Hiemer (1768–1822). Based on the story of Cupid and Psyche, the opera premiered on January 18, 1800, at the Hoftheater (Herzöglichestheater) in Stuttgart. ''Amor und Psyche'' was popular in Germany in its day and a version of the score for voice and piano was published by Breitkopf & Härtel. Franz Carl Hiemer went on to write the libretto for Abeille's third opera, '' Peter und Ännchen'' (1809) as well as the libretti for Carl Maria von Weber's operas ''Silvana'' and '' Abu Hassan''. Roles *Psyche *Pythia *Amor (Cupid) * Mercury *Alecto *The King * 3 Furies The Erinyes ( ; sing. Erinys ; grc, Ἐρινύες, pl. of ), also known as the Furies, and the Eumenides, were female chthonic deities of vengeance in ancient Greek religion and mythology. A formulaic oath in the ''Iliad'' invokes the ... *3 Genii * 3 Priests Sources * Autenriet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuttgart
Stuttgart (; Swabian: ; ) is the capital and largest city of the German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the Swabian Jura and the Black Forest. Stuttgart has a population of 635,911, making it the sixth largest city in Germany. 2.8 million people live in the city's administrative region and 5.3 million people in its metropolitan area, making it the fourth largest metropolitan area in Germany. The city and metropolitan area are consistently ranked among the top 20 European metropolitan areas by GDP; Mercer listed Stuttgart as 21st on its 2015 list of cities by quality of living; innovation agency 2thinknow ranked the city 24th globally out of 442 cities in its Innovation Cities Index; and the Globalization and World Cities Research Network ranked the city as a Beta-status global city in their 2020 survey. Stuttgart was one of the host cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Abeille
Johann Christian Ludwig (Louis) Abeille (20 February 1761 in Bayreuth – 2 March 1838 in Stuttgart) was a German pianist, organist, conductor, music teacher and composer. Life His father was baronial valet and his mother was Christine Louise Abeille, both of whom were employed at the Bayreuth court. Starting at age eleven, he was educated at the Karlsschule in Stuttgart, where his teachers were Antonio Boroni, Ferdinando Mazzanti, and Johann Gottlieb Sämann. In 1782, he became a member of the musicians of the Court at the Duke of Württemberg in Stuttgart. He joined the faculty of Karl's High School (Hohe Karlsschule), a rigorous military academy, in 1786. In 1802, he became concertmaster and later organist of the Court, replacing Johann Rudolf Zumsteeg. In this position, Abeille served as Maestro di Capella to the Duke for several years. In 1815, he became court organist at the court church and director of the Stiftsmusik. He retired in 1832. Ludwig Abeille was married to H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
