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Peking O
''Tago Mago'' is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on United Artists Records. It was the band's first full studio album to feature vocalist Damo Suzuki after the departure of Malcolm Mooney the year prior, though Suzuki had been featured on most tracks on the 1970 compilation album ''Soundtracks''. It was recorded at the in the Schloss Nörvenich, a medieval castle near Cologne. ''Tago Mago'' features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and ''musique concrète'' tape editing techniques. The album has been described as Can's best and most extreme record in sound and structure. The album has received widespread critical acclaim and is cited as an influence by various artists. Ned Raggett of ''AllMusic'' called it "not merely one of the best Krautrock albums of all time, but one of the best albums ever, period." Background After Malcolm Mooney left Can in Dece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylized in all caps) were a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including American Malcolm Mooney (1968–70) and Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene. The founding members of Can came from backgrounds in avant-garde music and jazz. They blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days (album), Future Days'' (1973). Can also had commercial success with singles such as "Spoon (Can song), Spoon" (1971) and "I Want More (Can song), I Want More" (1976) reaching national single (music), singles charts. Their work has influenced rock, post-punk, and ambient music, ambient acts. History 1960s Can was formed in Cologne, Germany, in 1968 by H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spectator
''The Spectator'' is a weekly British political and cultural news magazine. It was first published in July 1828, making it the oldest surviving magazine in the world. ''The Spectator'' is politically conservative, and its principal subject areas are politics and culture. Alongside columns and features on current affairs, the magazine also contains arts pages on books, music, opera, film, and TV reviews. It had an average circulation of 107,812 as of December 2023, excluding Australia. Editorship of the magazine has often been a step on the ladder to high office in the Conservative Party in the United Kingdom. Past editors include Boris Johnson (1999–2005) and other former cabinet members Ian Gilmour (1954–1959), Iain Macleod (1963–1965), and Nigel Lawson (1966–1970). The former Conservative MP Michael Gove took over from Fraser Nelson as editor on 4 October 2024. Today, the magazine is a print-digital hybrid. In 2020, ''The Spectator'' became the longest-live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duncan Fallowell
Duncan Fallowell FRSL (born 26 September 1948) is an English novelist, travel writer, memoirist, journalist and critic. Early life Fallowell was born on 26 September 1948 in London, son of Thomas Edgar Fallowell, of Finchampstead, near Wokingham, Berkshire, and La Croix-Valmer, France, and Celia, née Waller. His father, marketing director for a wire manufacturing company, founded the family business Arrow Wire Products in 1965. He had been an officer in the RAF during World War II. The family moved to Somerset and Essex, before settling in Berkshire. While at St Paul's School, London, Fallowell established a friendship with John Betjeman, and through him, links to literary London. In 1967, he went to Magdalen College, Oxford (BA and MA in Modern History). At the university, he was a pupil of Karl Leyser, Hugh Trevor-Roper, and Howard Colvin. He was also part of a group experimenting with psychedelic drugs. While an undergraduate he became a friend of April Ashley, whose bio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North Rhine-Westphalia
North Rhine-Westphalia or North-Rhine/Westphalia, commonly shortened to NRW, is a States of Germany, state () in Old states of Germany, Western Germany. With more than 18 million inhabitants, it is the List of German states by population, most populous state in Germany. Apart from the city-states (Berlin, Hamburg and Bremen), it is also the List of German states by population density, most densely populated state in Germany. Covering an area of , it is the List of German states by area, fourth-largest German state by size. North Rhine-Westphalia features 30 of the 81 German municipalities with over 100,000 inhabitants, including Cologne (over 1 million), the state capital Düsseldorf (630,000), Dortmund and Essen (about 590,000 inhabitants each) and other cities predominantly located in the Rhine-Ruhr metropolitan area, the largest urban area in Germany and the fourth-largest on the European continent. The location of the Rhine-Ruhr at the heart of the European Blue Banana make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nörvenich
Nörvenich is a municipality in the district of Düren in the state of North Rhine-Westphalia, Germany. It is located about east of Düren Düren (; Ripuarian language, Ripuarian: Düre) is a town in North Rhine-Westphalia, Germany, between Aachen and Cologne, on the river Rur (river), Rur. History Roman era The area of Düren was part of Gallia Belgica, more specifically the ter .... See also * Nörvenich Air Base References Düren (district) {{Düren-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blow Up (club)
The Blow Up (1967–1972) was a nightclub in Munich and Germany's first large-scale discotheque. During its existence, the nightclub was the favorite topic of magazines and daily newspapers because of countless happenings, drug stories and its psychedelic light projections. The Pathé News, British Pathé described the club as being "the hottest and most expensive happening center in West Germany. It's wild, it's way-out, it's with it, it's got everything." History and description The nightclub was founded in 1967 by the Samy brothers in a former cinema that had been erected in 1926 in Munich's Schwabing district and named after Michelangelo Antonioni's 1966 film ''Blowup, Blow Up''. The brothers Temur and Anusch Samy (called "The kings of the flower power era in Schwabing"), who were of Iranian descent and the first concept- and event gastronomers in Germany, founded a business empire including several nightclubs, pubs, restaurants, underground bars, a brewery, a shopping ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Sound Forever (magazine)
''Perfect Sound Forever'' (established 1995) is one of the longest-running online-only music magazines. Along with Michael Goldberg (editor), Michael Goldberg's ''Addicted to Noise'' (est. 1994), it is one of the first publications to post recurring, feature-length music journalism online. PSF's origins trace back to New York freelance writer Jason Gross, who began a now-defunct website called Furious Green Thoughts (from the noted Colorless green ideas sleep furiously, Noam Chomsky quote). The site was first hosted by the pre-Earthlink ISP The Pipeline, Pipeline, and included articles covering politics, music and fiction. The name Perfect Sound Forever originated in an early 1980s ad campaign about the first generation of CDs, promising the highest fidelity possible, and that the discs would outlive their owners. The same term was used as the title of a Pavement (band), Pavement Perfect Sound Forever (EP), EP released in 1991. In 1995, Furious Green Thoughts was splintered into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Performance
Street performance or busking is the act of performing in public places for gratuities. In many countries, the rewards are generally in the form of money but other gratuities such as food, drink or gifts may be given. Street performance is practiced all over the world and dates back to antiquity. People engaging in this practice are called street performers or buskers, although ''busker'' is generally not used in American English. Performances are anything that people find entertaining, including acrobatics, animal tricks, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, fire skills, flea circus, fortune-telling, juggling, magic, mime, living statue, musical performance, one man band, puppeteering, snake charming, storytelling or reciting poetry or prose, street art such as sketching and painting, street theatre, sword swallowing, ventriloquism, weightlifting and washboarding. Buskers may be solo performers or small groups. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaki Liebezeit
Jaki Liebezeit (born Hans Liebezeit; 26 May 1938 – 22 January 2017) was a German drummer, best known as a founding member of experimental rock band Can. He was called "one of the few drummers to convincingly meld the funky and the cerebral". Biography Early life Hans Liebezeit was born in the village of Ostrau south of Dresden, Germany. His mother, Elisabeth, was from Lower Saxony. His father, Karl Moritz Johannes Liebezeit, was the music teacher at the village school, specialising in accordion and violin, and taught both instruments to Hans, who treasured his father's accordion for the rest of his life. His father was forced to stop teaching music during the Nazi period, and died in mysterious circumstances on 18 August 1943. Hans' early life was one of extreme poverty, with no running water at home, surviving on vegetables grown in the garden, and having to walk several kilometres to school daily. As the Soviets began to occupy East Germany, he became a refugee when his mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holger Czukay
Holger Schüring (24 March 1938 – 5 September 2017), known professionally as Holger Czukay (), was a German musician who co-founded the krautrock group Can. Described as "successfully bridg ngthe gap between pop and the avant-garde", Czukay also created early important examples of ambient music, explored "world music" well before the term was coined, and was a pioneer of sampling. Biography Early life Czukay was born as Holger Schüring on 24 March 1938 in the Free City of Danzig (present-day Gdańsk, Poland). According to Holger, his grandfather told the Third Reich officials that their family "must be Aryan", and came up with a family tree supporting the claim. The family also changed their Polish last name "Czukay" to Schüring, a Dutch name. In early 1945, after World War II, his family was expelled from Poland. They booked tickets for a passage on the ship MV ''Wilhelm Gustloff'', which was due to depart on 13 January 1945, but at the last moment his grandmother change ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
