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Passing Mother's Grave
''Passing Mother's Grave'' (), also known as ''Passing the Churchyard'', is an oil painting on canvas made in 1856 by Jozef Israëls, a Dutch realist artist and a representative of the Hague School of painters. The subject of the painting is a widowed fisherman walking past his deceased wife's grave with his two children. In the early stages of his career, Israëls primarily painted portraits, genre scenes, and historical subjects. ''Passing Mother's Grave'' marked one of his initial forays into Realism by depicting peasant life and set the stage for the artist's lasting fascination with the theme of fishermen. This painting quickly became one of his most renowned works; it gained popularity and was widely reproduced in print reproductions including several painted copies executed by the artist himself. The painting's depiction of the working class has been compared with ''The Stone Breakers'', an 1849 painting by the French realist painter Gustave Courbet. The art historian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jozef Israëls
Jozef Israëls (; 27 January 1824 – 12 August 1911) was a Dutch Painting, painter. He was a leading member of the group of landscape painters referred to as the Hague School and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century." Early life He was born in Groningen (city), Groningen to Jewish parents. His father, Hartog Abraham Israëls, was a money changer and intended for Jozef to be a businessman. His mother was Mathilda Salomon née Polack, and she hoped that Jozef would become a rabbi. When he was eleven years old, he attended Minerva Academy in Groningen and he began to study painting. Jozef Israëls at the Netherlands Institute for Art History He subsequently continued his studies in Amsterdam, studying at the Royal Academy for Fine Arts, which later became the Rijksakademie, State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academie Minerva
Academie Minerva is a Dutch art academy. The academy was founded in 1798 in Groningen as a school for arts, architecture, construction engineering, and seamanship.Dijk, F. van (1998) ''Leraren van de Academie Minerva. Een keuze uit twee eeuwen kunstonderwijs in Groningen'' Groningen: Benjamin & Partners Today it is a school for fine art and design and part of the Hanze University Groningen. It offers three main fields: Fine Art, Design and Teacher of Fine Art and Design. The Leeuwarden based Academy for Pop Culture is also part of the Academie Minerva. This study has two directions, popular music and design. History In 1797 six citizens from Groningen took the initiative to found a school in Drawing, Construction and Shipping. The first lessons took place in January 1798 in a building made available by the city. Gerardus de San was hired as the headteacher of the drawing department. In October 1798 the lessons in construction and nautical sciences started. In 1820 the assoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Poetry
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Neoclassical ideas of the 18th century, and lasted approximately from 1800 to 1850.Romanticism . Academic.brooklyn.cuny.edu. Retrieved 2012-05-17. Romantic poets rebelled against the style of poetry from the eighteenth century which was based around epics, odes, satires, elegies, epistles and songs. English In early-19th-century England, the poet defined his and |
Genre Painting
Genre painting (or petit genre) is the painting of genre art, which depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düsseldorf
Düsseldorf is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state after Cologne and the List of cities in Germany with more than 100,000 inhabitants, seventh-largest city in Germany, with a 2022 population of 629,047. The Düssel, from which the city and the borough of Düsseltal take their name, divides into four separate branches within the city, each with its own mouth into the Rhine (Lower Rhine). Most of Düsseldorf lies on the right bank of the Rhine, and the city has grown together with Neuss, Ratingen, Meerbusch, Erkrath and Monheim am Rhein. Düsseldorf is the central city of the metropolitan region Rhine-Ruhr, the List of EU metropolitan regions by GDP#2021 ranking of top four German metropolitan regions, second biggest metropolitan region by GDP in the European Union, that stretches from Bonn via Cologne and Düsseldorf to the Ruhr (from Duisburg via Essen to Dortmund). The ''-dorf'' suffix mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Delaroche
Hippolyte-Paul Delaroche (; Paris, 17 July 1797 – Paris, 4 November 1856) was a French painter who achieved his greater successes painting historical scenes. He became famous in Europe for his melodramatic depictions that often portrayed subjects from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet. Delar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Vernet
Émile Jean-Horace Vernet (; 30 June 178917 January 1863) more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subjects. Biography Early career Vernet was born to Carle Vernet, another famous painter, who was himself a son of Claude Joseph Vernet. He was born in the Paris Louvre, while his parents were staying there during the French Revolution. Vernet quickly developed a disdain for the high-minded seriousness of academic French art work which was distinguished by art influenced by Classicism, and decided to paint subjects taken mostly from contemporary life. During his early career, when Napoleon Bonaparte was in power, he began depicting the French soldier in a more familiar, vernacular manner rather than in an idealized, Davidian fashion; he was just twenty when he exhibited the ''Taking of an Entrenched Camp'' Some other of his paintings that represent French soldiers in a more direct, less idealizing style, include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Pradier
James Pradier (born Jean-Jacques Pradier, ; 23 May 1790 – 4 June 1852) was a Genevan-born French sculptor best known for his work in the neoclassical style. Life and work Born in Geneva (then the Republic of Geneva), Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814 to 1818 at the Villa Medici. Pradier made his debut at the Salon of 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the ''Académie des beaux-arts'' and a professor at the École des Beaux-Arts Unlike many of his contemporaries, Pradier oversaw the finishing of his sculptures himself. He was a friend of the Romantic poets Alfred de Musset, Victor Hugo, Théophile Gautier, and the young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts architecture, Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest is the in Paris, now located on the city's Rive Gauche, left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement of Paris, 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists and architects in Europe. Fine art, Beaux-Arts style was modeled on classical "Classical antiquity, antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rijksakademie Van Beeldende Kunsten
The Rijksakademie van beeldende kunsten (State Academy of Fine Arts) was founded in 1870 in Amsterdam. It is a classical academy, a place where philosophers, academics and artists meet to test and exchange ideas and knowledge. The school supports visual artists with a two-year curriculum. The Rijksakademie van beeldende kunsten was the home of Amsterdam Impressionism, part of the international impressionist movement, and is known as the School of Allebé by art historians; August Allebé became the school's director in 1880. In French, the school was called "l'Académie Royale des Beaux Arts d'Amsterdam". Among its pioneers here were George Breitner, Jan Toorop, Piet Mondrian, Jacques Witjens and Willem Arnoldus Witsen. Other artists connected with the academy were Hendrik Petrus Berlage, Willem Wiegmans, Constant Nieuwenhuijs, Karel Appel, Corneille, Ger Lataster, Willem Hofhuizen, and Jaap Min. The school provides an education academically comparable with a university. Ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Willem Pieneman
Jan Willem Pieneman (; 4 November 1779 – 8 April 1853) was a Dutch painter. Biography Jan Willem Pieneman was born on 4 November 1779 in Abcoude in the Dutch Republic (present-day Netherlands). Initially, he worked as a salesman, but also took courses at the Amsterdam '' Stadstekenacademie''.Jan Willem Pieneman in the In 1805 he was appointed as drawing instructor at the artillery and engineering training centre in . He was particularly noted for his paintings depicting events from the history of the |
