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Parthenia (music)
''Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls'' was, as the title states, the first printed collection of music for keyboard in England. 'Virginals' was a generic word at the time that covered all plucked keyboard instruments – the harpsichord, muselaar and virginals, but most of the pieces are also suited for the clavichord and chamber organ. Though the date is uncertain, it was probably published around 1612. The 21 pieces included are ascribed to William Byrd, John Bull, and Orlando Gibbons, in three sections. The title ''Parthenia'' comes from the Greek ''parthenos'' meaning "maiden" or "virgin." The music is written for the Virginals, the etymology of which is unknown, but may either refer to the young girls who are often shown playing it, or from the Latin ''virga'', which means "stick" or "wand", possibly referring to part of the mechanism that plucks a string in the harpsichord family of instruments. The "Maydenhead" r ...
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Parthenia
Parthenia may refer to: *Parthenia (music) ''Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls'' was, as the title states, the first printed collection of music for keyboard in England. 'Virginals' was a generic word at the time that covered all ..., the first printed collection of music for keyboard in England * Parthenia (Mauretania), a town and bishopric in the Roman province of Mauretania Sitifensis * Parthenia (Paphlagonia), a town of ancient Paphlagonia *, a United States Navy patrol vessel in commission from 1917 to 1919 or 1920 * Parthenia (horse), a horse of the Greek mythological figure Marmax that was buried with him alongside his other horse Eripha **Parthenia river, a river mentioned in Greek mythology of Marmax with the river named after his similarly-named horse Parthenia * ''Parthenia'', an obsolete name for '' Euparthenia'', a genus of molluscs {{disambig, geo ...
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Frederick V, Elector Palatine
Frederick may refer to: People * Frederick (given name), the name Given name Nobility = Anhalt-Harzgerode = * Frederick, Prince of Anhalt-Harzgerode (1613–1670) = Austria = * Frederick I, Duke of Austria (Babenberg), Duke of Austria from 1195 to 1198 * Frederick II, Duke of Austria (1219–1246), last Duke of Austria from the Babenberg dynasty * Frederick the Fair (Frederick I of Austria (Habsburg), 1286–1330), Duke of Austria and King of the Romans = Baden = * Frederick I, Grand Duke of Baden (1826–1907), Grand Duke of Baden * Frederick II, Grand Duke of Baden (1857–1928), Grand Duke of Baden = Bohemia = * Frederick, Duke of Bohemia (died 1189), Duke of Olomouc and Bohemia = Britain = * Frederick, Prince of Wales (1707–1751), eldest son of King George II of Great Britain = Brandenburg/Prussia = * Frederick I, Elector of Brandenburg (1371–1440), also known as Frederick VI, Burgrave of Nuremberg * Frederick II, Elector of Brandenburg (1413–1470), Ma ...
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Clement Matchett's Virginal Book
Clement Matchett's Virginal Book is a musical manuscript from the late renaissance compiled by a young Norfolk man in 1612. Although a small anthology, it is notable not only for the quality of its music but also for the precise fingering indications that reveal the contemporary treatment of phrasing and articulation. Moreover, the manuscript is unusual in that each piece bears the exact date of its copying. The manuscript The manuscript consists of a small oblong quarto measuring some 15 by 19 centimetres. It is in excellent condition and retains its original binding formed from several sheets of rough paper folded, pasted and stitched to a strip of vellum to form the spine. The manuscript contains 32 leaves bearing two pairs of hand-ruled six-line staves on which are twelve short pieces written in a neat hand. On the first of the two front flyleaves is the inscription: ''Clement Matchett 1613'', with a table of contents on the verso. The second flyleaf bears a Guidonian h ...
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Susanne Van Soldt Manuscript
The Susanne van Soldt Manuscript is a keyboard anthology dated 1599 consisting of 33 pieces copied by or for a young Flemish or Dutch girl living in London. Its importance lies mostly in the fact that it is the only known source of early Dutch keyboard music prior to Sweelinck. The author According to the conventional account, by Alan Curtis and others, Susanne van Soldt was the daughter of Hans van Soldt (born circa 1555), a wealthy Protestant merchant from Antwerp. Hans probably took refuge in London after the sack of Antwerp by the Spanish in 1576, and Susanne was born there and baptized at the Dutch Church at Austin Friars on 20 May 1586. Sometime after 1605 Hans and his family left London for Amsterdam, where he appears as a shareholder of the Dutch East India Company in 1609. No trace of Susanne has been found, but a sister or cousin of hers, baptized in London in 1588, was living in Amsterdam in the early 17th century. This has been criticised for ignoring relevant docume ...
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My Ladye Nevells Booke
''My Ladye Nevells Booke'' (British Library MS Mus. 1591) is a music manuscript containing keyboard pieces by the English composer William Byrd, and, together with the '' Fitzwilliam Virginal Book'', one of the most important collections of Renaissance keyboard music. Description ''My Ladye Nevells Booke'' consists of 42 pieces for keyboard by William Byrd, widely considered one of the greatest English composers of his time. Although the music was copied by John Baldwin, a singing man from St George's Chapel, Windsor Castle, who was also paid for copying music at the chapel in the 1580s, the pieces seem to have been selected, organised and even edited and corrected by Byrd himself. A heavy, oblong folio volume, it retains its original elaborately tooled Morocco binding, stamped with the title, on top of a nineteenth century repair. The illuminated coat of arms of the Neville family is on the title page, with the initials "H.N." in the lower left-hand corner. There are 192 leav ...
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The Dublin Virginal Manuscript
The Dublin Virginal Manuscript is an important anthology of keyboard music kept in the library of Trinity College Dublin, where it has been since the 17th century under the present shelf-list TCD Ms D.3.29. History The Manuscript was probably purchased by Archbishop James Ussher, who from 1603 was sent to England on frequent voyages to buy books "to furnish the Library of the University of Dublin". The name "Dublin Virginal Manuscript" is modern, and there is no mention of any specific instrument for which the music was intended. Description The manuscript, consisting of 72 pages, is contained in a small oblong volume 5.5 x 7.4 inches. At some time it was bound together with the '' Dallis Lute Book'' (of perhaps 1583), but the two volumes are in different hands and the collection of keyboard pieces forms a separate and independent manuscript. The manuscript is undated and its 30 pieces are without titles apart from one, ascribed to a "Mastyre Taylere". All but four of the pieces ...
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The Mulliner Book
The Mulliner Book (British Library Add MS 30513) is a historically important musical commonplace book compiled probably between about 1545 and 1570, by Thomas Mulliner, about whom practically nothing is known, except that he figures in 1563 as ''modulator organorum'' (organist) of Corpus Christi College, Oxford. He is believed to have previously resided in London, where John Heywood inscribed the title page of the manuscript ''Sum liber thomas mullineri / iohanne heywoode teste.'' ('I am Thomas Mulliner's book, with John Heywood as witness.'). A later annotation on the same page states that: ''T. Mulliner was Master of St Pauls school'', but this has so far proved unsupportable. The provenance of the MS is unknown before it appears in the library of John Stafford Smith in 1776. After passing through the hands of Edward Francis Rimbault the MS was given to the British Museum in 1877 by William Hayman Cummings. Contents Of the 121 keyboard pieces over half are based on Catholic li ...
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Viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ...
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Parthenia Inviolata, Or Mayden-Musicke For The Virginalls And Bass-Viol
''Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol'' is the second book of keyboard music printed in England, containing twenty pieces scored for virginal and bass viol.Brennecke, Ernest, Jr. "'Parthenia Inviolata': The Second Book of Keyboard Music Printed in England." ''The Musical Times'' 75.1098 (1934): 701–706. It was apparently published as a companion work to ''Parthenia'', published c. 1612, which contained 21 attributed pieces for virginal. The title extends the pun of the original work, as "inviolata" means both "unviolated" and "set for viol." Like ''Parthenia'', no date is given, but Edward Francis Rimbault estimated 1614.
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Galliard
The ''galliard'' (; ; ) was a form of Renaissance dance and Renaissance music, music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance form The ''galliard'' is not an improvised dance, but rather, it consists of choreographed patterns of steps, which occupy one or more measures of music. In one measure, a galliard typically has five steps; in French such a basic step is called a ''cinq pas'' and in Italy, ''cinque passi''. This is sometimes written in English sources as ''sinkapace''. These steps are: right, left, right, left, cadence. The galliard is an athletic dance, characterised by leaps, jumps, hops and other similar figures. The main feature that defines a galliard step is a large jump, after which the dancer lands with one leg ahead of the other. This jump is called a ''cadence,'' and the final landing is called the ''posture.'' The cadence is typically preceded by three quick ...
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Pavana (music)
The ''pavane'' ( ; , ''padovana''; ) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time. Origin of term The word ''pavane'' is most probably derived from Italian 'danza''''padovana'', meaning " ancetypical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock''. Although the dance is often associate ...
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E (musical Note)
E is the third Musical note, note and the fifth semitone of the C major scale, and mi in Solfège#Fixed do solfège, fixed-do solfège. It has enharmonic equivalents of F♭ [(F-flat) which is by definition a diatonic semitone above E] and D (D-double sharp), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 hertz, Hz, the frequency of Middle E (E4) is approximately 329.628 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales in the key of E. * E major: E F G A B C D E * E minor, E natural minor: E F G A B C D E * E Minor scale#Harmonic minor scale, harmonic minor: E F G A B C D E * E Minor scale#Melodic minor scale, melodic minor ascending: E F G A B C D E * E melodic minor descending: E D C B A G F E E major modes (diatonic scales). * E Ionian mode, Ionian: E F G A B C D E * E Dorian mode, Dorian: E F G A B C D E * E Phrygian mode, Phrygian: E F G A B C D E * E ...
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