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Pandanallur Style
The Pandanallur style is a style of Bharatanatyam Indian dance. It is mainly attributed to Dance Guru Meenakshi sundaram Pillai (1869–1964), a dance guru who lived in the village of Pandanallur, in the Thanjavur district in the south Indian state of Tamil Nadu. Style The Pandanallur style developed a reputation for the emphasis on linear geometry that can be found in the ''adavu'' technique, and for its intensity and understatement in ''abhinaya''. The Pandanallur style is renowned for its choreography, which include such highly regarded pieces as the Nine or Ten Tanjore Quartet ''pada-varnams''. These works featured choreography by Pillai, who named the dramatic choreography "hands," and was also responsible for the ''adavu'' choreography for the ''swara'' passages. Part of their heritage is the valuable jatiswarams (in ''ragams Vasantha, Saveri, Chakravakam, Kalyani, Bhairavi''), which incorporate abstract ''adavu'' choreography. Pandanallur style gives a lot of impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
''Bharatanatyam'' is a Indian classical dance form that came from Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of precursors of ''Bharatanatyam'' from the Natya Shastra dated around (500 BCE) and in the ancient Tamil epic ''Silappatikaram'' dated around (171 CE), while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE. Sadiraattam, which was renamed Bharatanatyam in 1932, is the oldest classical dance tradition in India. ''Bharatanatyam'' contains different types of ''bani''. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (Carnatic)
Bhairavi is a ''janya'' rāgam in Carnatic music (musical scale of South Indian classical music). Though it is a ''sampoorna'' rāgam (scale having all 7 notes), it has two different ''dhaivathams'' in its scale making it a Bhashanga Ragam, and hence is not classified as a ''melakarta'' rāgam (parent scale). This is one of the ancient rāgams, said to have been prevalent about 1500 years ago. There are numerous compositions in this rāgam.https://www.manishvyas.ch/healing-ragas#:~:text=Bhairavi%20relates%20to%20the%20Mahavidya,very%20wide%20scope%20for%20improvisation. Though a Raga called Bhairavi also exists in Hindusthani music, it is very different from the Carnatic version. Hindustani's Bhairavi, in terms of its aroha and avaroha alone, corresponds to Carnatic music's Thodi. It is considered a ''janya'' of the 20th ''melakarta Natabhairavi''. Its ' structure is as follows (see ''swaras'' of Carnatic music for details on below notation and terms): *: *: The other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Dance Genres Of India
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 *Classical Indian dance, various codified art forms whose theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meenakshi Chitharanjan
Meenakshi Chitharanjan, an Indian classical dancer, teacher and choreographer, is known as an exponent of the Pandanallur style of the classical dance form of Bharatanatyam. She is the founder of ''Kaladiksha'', an institution promoting Bharatanatyam and striving to preserve the Pandanallur style, Pandanallur tradition. A disciple of the father-son duo of Chokkalingam Pillai and Subbaraya Pillai, she is a recipient of several honours including Kalaimamani Award of the Government of Tamil Nadu and the ''Natya Kala Sarathi'' of ''Sri Parthasarathy Swami Sabha''. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2008, for her contributions to classical dance. Biography Meenakshi Chitharanjan was born in Chennai, in the south Indian state of Tamil Nadu to P. Sabanayagam, a government official, as the youngest and only girl child among his five children. Her mother, Savithri, sent the girl to Pandanallur Chockalingam Pillai, a renowned Bhar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alarmel Valli
Alarmel Valli (born 14 September 1956) is an Indian classical dancer and Bharatanatyam- Pandanallur choreographer. She founded The Dipasikha Dance Foundation in Chennai in 1984, where she teaches Bharatanatyam. In 1991, Alarmel Valli was the second youngest dancer to be conferred the Padma Shri from the Government of India, after Vyjayanthimala. She was awarded the Sangeet Natak Akademi Award in 2001 by India's National Academy for Music, Dance and Drama, followed by the Padma Bhushan award from the Government of India in 2004 and Chevalier of Arts and Letters award from the Government of France, also in 2004. Career She made her stage debut at 9 ½ at The Indian Institute of Fine Arts, Madras, and was conferred the Natya Kala Bhushan award. She won her laurels on the international scene when she was barely 16 at the International Dance Festival of the prestigious Sarah Bernhardt Théâtre de la Ville in Paris and has performed in landmark theatres and festivals ever sinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indrani Rehman
Indrani Rahman (19 September 1930, Chennai – 5 February 1999, New York City) was an Indian classical dancer of Bharata Natyam, Kuchipudi, Kathakali, Odissi and the country's first beauty pageant titleholder. she popularised in the west and later settled in New York in 1976. In 1952, she won the Miss India pageant and then represented India in 1st ever Miss Universe 1952. Later, she joined her mother Ragini Devi's company. She popularised the Indian classical dance form, Odissi during her international tours. Indrani had received the Padma Shri in 1969 and the Sangeet Natak Akademi Award in the performing arts and also the Taraknath Das Award. Background and family Indrani Rahman was born in Chennai (then Madras), the daughter of Ramalal Balram Bajpai (1880–1962), sometime president of the Indo-American League, by his wife Ragini Devi (née Esther Luella Sherman). Her father, Ramalal Bajpai, was a Maharashtrian from Nagpur, a chemist who went to the US for higher education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mrinalini Sarabhai
Mrinalini Vikram Sarabhai (11 May 1918 – 21 January 2016) was an Indian classical dancer, choreographer and instructor. She was the founder and director of the Darpana Academy of Performing Arts, an institute for imparting training in dance, drama, music and puppetry, in the city of Ahmedabad. She received Padma Bhushan in 1992 and Padma Shri in 1965. She also received many other citations in recognition of her contribution to art. Biography Early life and education Mrinalini was born to a Tamil Brahmin father and Malayali Nair mother in present-day Kerala on 11 May 1918. Her father was Subbarama Swaminathan, a distinguished lawyer with degrees from Harvard and London Universities, who practised criminal law at Madras High Court and was later made Principal of the Madras Law College. Her mother was her father's Sambandham partner (and later wife) A.V. Ammukutty, better known as Ammu Swaminathan, a social worker, an independence activist, and later a parliamentarian. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deccan Herald
''Deccan Herald'' is an Indian English-language daily newspaper published from the Indian state of Karnataka. It was founded by businessman K. N. Guruswamy and launched on 17 June 1948. It is published by The Printers Mysore, a privately held company owned by the Nettakallappa family, heirs of Guruswamy. It has seven editions printed from Bengaluru, Hubballi, Davanagere, Hosapete, Mysuru, Mangaluru, and Kalaburagi. History and background ''Deccan Herald'' was launched on 17 June 1948. Its founder, K. N. Guruswamy, in search of a suitable location for a news publishing business, purchased a bar and restaurant called Funnel's, that was owned by an Irish couple, in March 1948. Despite having no experience in the newspaper industry, Guruswamy, along with his close aides and well wishers, decided to launch two newspapers from Bangalore since there was no such title at the time. Veteran journalist Pothan Joseph served as its founding editor, which gave it a strong footing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Gopal (dancer)
Bissano Ram Gopal OBE (20 November 1912 – 12 October 2003) was an Indian dancer and choreographer who performed mostly as a soloist and toured extensively throughout his lengthy career. A modernist, he blended the classical Indian dance with balletic choreography, and along with Uday Shankar was among the first to showcase Indian classical dance in the West starting in the 1930s, Polish critic Tadeusz Zelenski called him "the Nijinsky of India". As a choreographer, he is most known for his productions, ''Legend of the Taj Mahal'', ''Dance of the Setting Sun'' and ''Dances of India''. He is also noted for "Radha-Krishna", his collaboration with British ballerina Dame Alicia Markova, in 1960. Early life and training Gopal was born in Bangalore, India. He was named Bissano, being born on 20 November (Bees = 20 in Hindi). He had a Burmese mother and a Rajput father who was a barrister. They lived in a mansion called Torquay Castle. His grandmother was a well known dancer. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanjavur Quartet
''Thanjavur Quartet'' were four brothers, Chinnayya, Ponnayya (1804-1864),https://www.karnatik.com/co1375.shtml Sivanandam and Vadivelu, who lived during the early 19th century and contributed to the development of Bharatanatyam and Carnatic music. They excelled in the art of Bharatanatyam. The brothers were employed in the courts of the Maratha King Serfoji II at Thanjavur initially, and then moved to Travancore to the court of Swathi Thirunal. The Tanjore brothers gave the actual form of the recent day repertoire of Bharatanatyam - The Margam. The eldest of all the four brothers, Chinnayya moved to the Royal Court of Mysore during the rule of Krishnaraja Wadiyar III and composed many songs in praise of him. While his famous Thillana in Kapi Raga and Adi Tala is in praise of the Mysore King Sri Chamarajendra Wadiyar X and is one the most popular compositions. Ponnaiah Pillai, the second eldest of the four brothers, should not be confused with his namesake descendent who was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechakalyani
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It is the prati madhyama equivalent of the raga Sankarabharanam (raga), Sankarabharanam. It was called Kalyan but is now more popularly called Yaman (raga), Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi Katapayadi sankhya, sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
