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Oscar Peterson And Clark Terry
''Oscar Peterson and Clark Terry'' is a 1975 album by Oscar Peterson and Clark Terry. Track listing # " (I'd Like to Get You on a) Slow Boat to China" (Frank Loesser) – 4:24 # " But Beautiful" (Sonny Burke, Jimmy Van Heusen) – 4:44 # "Shaw 'Nuff" ( Ray Brown, Gil Fuller, Dizzy Gillespie) – 4:29 # "Satin Doll" (Duke Ellington, Johnny Mercer, Billy Strayhorn) – 7:13 # "Chops" (Oscar Peterson, Clark Terry) – 4:48 # "Makin' Whoopee" (Walter Donaldson, Gus Kahn) – 5:56 # "No Flugel Blues" (Peterson, Terry) – 5:38 # "Mack the Knife" (Marc Blitzstein, Bertolt Brecht, Kurt Weill) – 4:34 Personnel * Oscar Peterson – piano * Clark Terry – trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ... References {{Authority control 1975 collaborative albums Osca ...
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Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. As a virtuoso who is considered to be one of the greatest Jazz piano, jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the The Recording Academy, Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing". Peterson worked in duos with Samuel Jones (musician), Sam Jones, Niels-Henning Ørsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock. He considered the trio with Ray Brown (musician), Ray Brown and Herb Ellis "the most stimulating" and productive setting for public performances and studio recordings. In the early 1950 ...
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Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Early life Ray Brown was born on October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons as a child. After noticing how many pianists attended his high school, he thought of taking up the trombone, but his father was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass instead. A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. Brown's high school music teacher believed that he was a diligent student, as he took the bass home with him on weekends. Brown, however, was already using the school bass in gigs; when this was discovered, the bass had to be returned and Brown's father bought him one. B ...
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Kurt Weill
Kurt Julian Weill (; ; March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
'' Gebrauchsmusik''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943.


Family and childhood

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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ...
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Marc Blitzstein
Marcus Samuel Blitzstein (March 2, 1905January 22, 1964), was an American composer, lyricist, and Libretto, librettist. He won national attention in 1937 when his pro-Trade union, union musical ''The Cradle Will Rock'', directed by Orson Welles, was shut down by the Works Progress Administration. He is known for ''The Cradle Will Rock'' and for his off-Broadway translation/adaptation of ''The Threepenny Opera'' by Bertolt Brecht and Kurt Weill. His works also include the opera ''Regina (Blitzstein), Regina'', an adaptation of Lillian Hellman's play ''The Little Foxes''; the Broadway theatre, Broadway musical theater, musical ''Juno (musical), Juno'', based on Seán O'Casey's play ''Juno and the Paycock''; and ''No for an Answer''. He completed translation/adaptations of Brecht's and Weill's musical play ''Rise and Fall of the City of Mahagonny'' and of Brecht's play ''Mother Courage and Her Children'' with music by Paul Dessau. Blitzstein also composed music for films, such as ''Su ...
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Mack The Knife
"Mack the Knife" or "The Ballad of Mack the Knife" () is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama ''The Threepenny Opera'' (). The song tells of a knife-wielding criminal of the London underworld named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955 with translated lyrics by Marc Blitzstein. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys at the 2nd Annual Grammy Awards. Ella Fitzgerald also received a Grammy for her performance of the song in 1961. The original German lyrics and music of the song entered the public domain in the United States in 2024. ''The Threepenny Opera'' A '' Moritat'' is a medieval version of the murder ballad performed by strolling minstrels. In ''The Threepenny Opera'', the singer with his ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including " Pretty Baby", " Ain't We Got Fun?", " Carolina in the Morning", " Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", " Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", " Dream a Little Dream of Me" and " You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Iren ...
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Walter Donaldson (songwriter)
Walter Donaldson (February 15, 1893 – July 15, 1947) was a prolific American popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. Although Walter Donaldson's company ...
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Makin' Whoopee
"Makin' Whoopee" is a song first popularized by Eddie Cantor in the 1928 musical ''Whoopee!''. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. The song has been called a "dire warning", largely to men, about the "trap" of marriage. A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape." "Makin' Whoopee" begins with the celebration of a wedding, honeymoon and marital bliss, but moves on to babies and responsibilities, and ultimately on to affairs and possible divorce, ending with a judge's advice. The original lyrics and music of the song entered the public domain in the United States in 2024. Other versions *1928 Bing ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge (song), Chelsea Bridge", "A Flower Is a Lovesome Thing", and "Lush Life (jazz song), Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family then moved to the Homewood (Pittsburgh), Homewood neighborhood of Pittsburgh, Pennsylvania. His mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken rages. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano and listening to records on her Victrol ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Wallichs Music City, Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music and was a popular singer who recorded his own as well as others' songs from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", "Days of Wine and Roses (song), Days of Wine and Roses", "Autumn Leaves (1945 song), Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway theatre, Broadway shows. He received nineteen Academy Awards, Oscar nominations, and won four Academy Award for Best Original Song, Best Original Song Oscars. Early life Mercer was born in 1909, in Savannah, Georgia, where one o ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become Standard (music), standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan (1937 song), Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty five-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writ ...
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