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Oneiric (film Theory)
In film theory, the term oneiric ( , adjective; "pertaining to dreams") refers to the depiction of dream-like states or to the use of the metaphor of a dream or the dream-state in the analysis of a film. The term comes from the Greek Óneiros, the personification of dreams. History Early film theorists such as Ricciotto Canudo (1879–1923) and Jean Epstein (1897–1953) argued that films had a dreamlike quality. Raymond Bellour and Guy Rosolato have made psychoanalytical analogies between films and the dream state, claiming films as having a "latent" content that can be psychoanalyzed as if it were a dream. Lydia Marinelli states that before the 1930s, psychoanalysts "primarily attempted to apply the interpretative schemata found in Sigmund Freud's '' Interpretation of Dreams'' to films." Author Douglas Fowler surmises that "images arising from dreams are the well spring of all our efforts to give enduring form and meaning to the urgencies within," seeing this as the reaso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's '' Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L'i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Parajanov
Sergei Iosifovich Parajanov (January 9, 1924 – July 20, 1990) was a Soviet film director and screenwriter. He is regarded by film critics, film historians and filmmakers to be one of the greatest filmmakers of all time. Parajanov was born to Armenian parents in Georgian Soviet Socialist Republic, Georgia. He studied in Russia at Moscow's Gerasimov Institute of Cinematography under the tutelage of Ukrainian filmmakers Igor Savchenko and Alexander Dovzhenko, Oleksandr Dovzhenko, and began his career as professional film director in 1954. Parajanov became increasingly disenchanted of his films as well as the state sanctioned art style of socialist realism, prominent throughout the Soviet Union. His film ''Shadows of Forgotten Ancestors'', his first major work which diverged from socialist realism, and gave him international acclaim. He would later disown and proclaim his films made before 1965 as "garbage." Parajanov subsequently directed ''The Color of Pomegranates,'' which was m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaromil Jireš
Jaromil Jireš (10 December 1935 – 24 October 2001) was a director associated with the Czechoslovak New Wave movement. Work His 1963 film '' The Cry'' was entered into the 1964 Cannes Film Festival. It is often described as the first film of the Czechoslovak New Wave, a movement known for its dark humor, use of non-professional actors, and "art-cinema realism". Another of Jireš's prominent works is '' The Joke'' (1969), adapted from a novel by Milan Kundera. It tells the story of Ludvik Jahn, a man expelled from the Czechoslovakian Communist Party for an idle joke to his girlfriend, and the revenge he later seeks through adultery. The film was produced during the political liberalization of the 1968 Prague Spring and contains many scenes which satirize and criticize the country's communist leadership. Released after the Warsaw Pact invasion of Czechoslovakia, the film had initial success in theaters but was then banned by authorities for the next twenty years. Amos Vog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zabriskie Point (film)
''Zabriskie Point'' is a 1970 American drama film directed by Michelangelo Antonioni and starring Mark Frechette, Daria Halprin, and Rod Taylor. It was widely noted at the time for its setting in the counterculture of the 1960s, counterculture of the United States. Some of the movie's scenes were filmed on location at Zabriskie Point in Death Valley. The movie was an overwhelming commercial failure,Smith, Matt"Zabriskie Point.' ''Brattle Theatre Film Notes ''. Retrieved: September 19, 2012. and was panned by most critics upon release. It is listed in the 1978 book ''The Fifty Worst Films of All Time'' and has been described as "the worst film ever made by a director of genius". However, its critical standing has increased in the decades since. It has to some extent achieved cult film, cult status and is noted for its cinematography, a soundtrack featuring Pink Floyd and other popular 1960s rock acts, and direction.Allwood, Emma Hope"Three things you don't know about Zabriskie P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passenger (1975 Film)
''The Passenger'' () is a 1975 drama thriller film directed by Michelangelo Antonioni. Written by Antonioni, Mark Peploe, and Peter Wollen, the film is about a disillusioned Anglo- American journalist, David Locke (Jack Nicholson), who assumes the identity of a dead businessman while working on a documentary in Chad, unaware that he is impersonating an arms dealer with connections to the rebels in the civil war. Along the way, he is accompanied by an unnamed young woman ( Maria Schneider). ''The Passenger'' was the final film in Antonioni's three-picture deal with producer Carlo Ponti and Metro-Goldwyn-Mayer, after ''Blowup'' (1966) and ''Zabriskie Point'' (1970). The film received strong reviews, with critics praising Antonioni's direction, Nicholson's performance, the cinematography, and its themes of identity, disillusionment and existentialism. During the film's release, it was in competition for the Palme d'Or at the Cannes Film Festival. The film was originally released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Antonioni
Michelangelo Antonioni ( ; ; 29 September 1912 – 30 July 2007) was an Italian film director, screenwriter, and editor. He is best known for his "trilogy on modernity and its discontents", ''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962); the English-language film ''Blowup'' (1966); and the multilingual '' The Passenger (1975 film), The Passenger'' (1975). His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking composition (visual arts), visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent world art cinema. Antonioni received numerous awards and nominations throughout his career, being the first and one of two directors, the other being Jafar Panahi, to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Three of his films are on the list of A hundred Italian films to be saved, hundred Italian films to be saved. He rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dog Star Man
''Dog Star Man'' is a series of short experimental films, all directed by Stan Brakhage, featuring Jane Wodening. It was released in installments between 1961 and 1964 and comprises a prelude and four parts. In 1992, ''Dog Star Man'' was included in its entirety in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Described as a "cosmological epic" and "creation myth" (particularly the ''Prelude''), ''Dog Star Man'' illustrates the odyssey of a bearded woodsman (Brakhage) climbing through a snow-covered mountain with his dog to chop down a tree. While doing so, he witnesses various mystical visions with various recurring imagery such as a woman, child, nature, and the cosmos while making his ascent. The five short films all form one larger film, and they are almost always shown together as one film. In 1965, Brakhage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Brakhage
James Stanley Brakhage ( ; January 14, 1933 – March 9, 2003) was an American experimental filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a Filmography of Stan Brakhage, large and diverse body of work, exploring a variety of formats, approaches and Cinematic techniques, techniques that included handheld camerawork, drawn on film animation, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry and visual phenomena, Brakhage sought to reveal the universal, in particular exploring themes of birth, mortality, sexuality,Senses of Cinema: Stan Brakhage < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solaris (1972 Film)
''Solaris'' () is a 1972 Soviet psychological science fiction film based on Stanisław Lem's 1961 novel of the same title. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev and the film also features a composition by J.S. Bach as its main theme. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station to evaluate the situation, only to encounter the same mysterious phenomena as the others. ''Solaris'' won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was nominated for the Palme d'Or. It received critical acclaim, and is often cited as one of the greatest science fiction films in the history of cinema. The film was Tarkovsky's attempt to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Rublev (film)
''Andrei Rublev'' () is a 1966 Soviet epic biographical historical drama film directed by Andrei Tarkovsky who co-wrote it with Andrei Konchalovsky. The film was re-edited from the 1966 film titled ''The Passion According to Andrei'' by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. The film is loosely based on the life of Andrei Rublev, a 15th-century Russian icon painter. The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, , Nikolai Burlyayev and Tarkovsky's wife Irma Raush. Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant for the film. ''Andrei Rublev'' is set against the background of Russia in the early 15th century. Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. Tarkovsky sought to create a film that shows the artist as "a world-historic figure" and "Christianity as an axiom o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Tarkovsky
Andrei Arsenyevich Tarkovsky (, ; 4 April 1932 – 29 December 1986) was a Soviet film director and screenwriter of Russian origin. He is widely considered one of the greatest directors in cinema history. Works by Andrei Tarkovsky, His films explore spiritual and metaphysics, metaphysical themes and are known for their Slow cinema, slow pacing and long takes, dreamlike visual imagery and preoccupation with nature and memory. Tarkovsky studied film at the All-Union State Institute of Cinematography under filmmaker Mikhail Romm and subsequently directed his first five features in the Soviet Union: ''Ivan's Childhood'' (1962), ''Andrei Rublev (film), Andrei Rublev'' (1966), ''Solaris (1972 film), Solaris'' (1972), ''Mirror (1975 film), Mirror'' (1975), and ''Stalker (1979 film), Stalker'' (1979). After years of creative conflict with State Committee for Cinematography, state film authorities, he left the country in 1979 and made his final two films—''Nostalghia'' (1983) and ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulholland Drive (film)
''Mulholland Drive'' (stylized as ''Mulholland Dr.'') is a 2001 Surrealist cinema, surrealist neo-noir mystery film, mystery Art film, art film written and directed by David Lynch. Its plot follows an aspiring actress (Naomi Watts) who arrives in Los Angeles, where she befriends a woman (Laura Harring) who is suffering from amnesia after a car accident. The film follows several other vignette (literature), vignettes and characters, including a Hollywood director (Justin Theroux) who encounters American mafia, mob interference while casting for his latest film. Lynch's tagline for the film is "a love story in the city of dreams". The film was originally conceived as a television pilot for American Broadcasting Corporation, ABC, with footage shot and edited in 1999 as an open-ended mystery. After viewing Lynch's cut, however, television executives cancelled the proposed TV series. Lynch then secured funding from French production company StudioCanal to make the material into a fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
