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Once Upon A Time (The Twilight Zone)
"Once Upon a Time" is episode 78 of the American television anthology series ''The Twilight Zone''. It originally aired on December 15, 1961. It features early film star Buster Keaton in one of his later roles, as an unlikely time traveler, and the opening and closing scenes pay tribute to the silent films for which he was famous. Opening narration Plot Woodrow Mulligan is a grumpy man in 1890, dissatisfied with what his world has come to: the nation's budget surplus is only 85 million dollars, prices are shockingly high to him, and his once-quiet town of Harmony, New York is bustling with livestock roaming the streets, which are full of horse-drawn carriages and penny-farthing bicycles moving at the speed limit of 8 mph. A collision with a bicyclist dumps him in a water trough, forcing him to take off his pants to dry them when he gets to his place of work. He works as janitor for Professor Gilbert, who has just invented a "time helmet", which can transport the wearer t ...
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The Twilight Zone (1959 TV Series)
''The Twilight Zone'' (marketed as ''Twilight Zone'' for its final two seasons) is an American fantasy science fiction horror anthology series, anthology television series created and presented by Rod Serling, which ran for five seasons on CBS from October 2, 1959, to June 19, 1964. Each episode presents a standalone story in which characters find themselves dealing with often disturbing or unusual events, an experience described as entering "the Twilight Zone", often with a Plot twist, surprise ending and a moral. Although often considered predominantly Science fiction on television, science-fiction, the show's paranormal and Franz Kafka#"Kafkaesque", Kafkaesque events leaned the show much closer to fantasy and Horror fiction, horror (there are about twice as many fantasy episodes as science fiction). The phrase "twilight zone" has entered the vernacular, used to describe surreal experiences. The series featured both established stars and younger actors who would become much bet ...
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Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ...
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Fiction Set In 1890
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to written narratives in prose often specifically novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or characters who are actual people. Because fiction is generally understood as not adhering to the real world, the them ...
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Television Episodes Written By Richard Matheson
Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, entertainment, news, and sports. The medium is capable of more than "radio broadcasting", which refers to an audio signal sent to radio receivers. Television became available in crude experimental forms in the 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was intro ...
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Television Episodes About Time Travel
Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, entertainment, news, and sports. The medium is capable of more than "radio broadcasting", which refers to an audio signal sent to radio receivers. Television became available in crude experimental forms in the 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was int ...
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The Twilight Zone (1959 TV Series) Season 3 Episodes
''The Twilight Zone'' is an American media franchise based on the anthology series, anthology television series created by Rod Serling in which characters find themselves dealing with often disturbing or unusual events, an experience described as entering "the Twilight Zone". The episodes are in various genres, including science fiction, fantasy, Absurdist fiction, absurdism, dystopian fiction, suspense, Horror fiction, horror, Drama (film and television)#Fantasy drama, supernatural drama, black comedy, and psychological thriller, frequently concluding with a macabre or Twist ending, unexpected twist, and usually with a moral. A popular and critical success, it introduced many Americans to common science fiction and fantasy trope (literature), tropes. The Twilight Zone (1959 TV series), The first series, shot entirely in black-and-white, ran on CBS for five seasons from 1959 to 1964. ''The Twilight Zone'' followed in the tradition of earlier television shows such as ''Tales of ...
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1961 American Television Episodes
Events January * January 1 – Monetary reform in the Soviet Union. * January 3 ** United States President Dwight D. Eisenhower announces that the United States has severed diplomatic and consular relations with Cuba (Cuba–United States relations are restored in 2015). ** Aero Flight 311 (Koivulahti air disaster): Douglas DC-3C OH-LCC of Finnish airline Aero crashes near Kvevlax (Koivulahti), on approach to Vaasa Airport in Finland, killing all 25 on board, due to pilot error: an investigation finds that the captain and first officer were both exhausted for lack of sleep, and had consumed excessive amounts of alcohol at the time of the crash. It remains the deadliest air disaster to occur in the country. * January 5 ** Italian sculptor Alfredo Fioravanti enters the U.S. Consulate in Rome, and confesses that he was part of the team that forged the Etruscan terracotta warriors in the Metropolitan Museum of Art. ** After the 1960 military coup, General Cemal Gürsel ...
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Running Gag
A running gag, or running joke, is a literary device that takes the form of an amusing joke or a comical reference and appears repeatedly throughout a work of literature or other form of storytelling. Though they are similar, catchphrases are not considered to be running gags. Running gags can begin with an instance of unintentional humor that is repeated in variations as the joke grows familiar and audiences anticipate reappearances of the gag. The humor in a running gag may derive entirely from how often it is repeated, but the underlying statement or situation will always be some form of joke. A trivial statement will not become a running gag simply by being repeated. A running gag may also derive its humor from the (in)appropriateness of the situation in which it occurs, or by setting up the audience to expect another occurrence of the joke and then substituting something else ('' bait and switch''). Running gags are found in everyday life, live theater, live comedy, televi ...
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Intertitle
In films and videos, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (hence, ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In the silent film era, intertitles were mostly called "subtitles", but also "leaders", "Caption (text), captions", "titles", and "headings", prior to being named intertitles, and often had Art Nouveau, Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our ...
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The Garage (1920 Film)
''The Garage'' is a 1920 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. This was the fourteenth and last film starring the duo before Keaton set up his own studio and Arbuckle started making feature-length films. The film also stars Luke the Dog, who starred in many other short comedies with Arbuckle. The film was also known as ''Fire Chief''. Plot Fatty and Buster play automobile mechanics and firemen at a garage in a fire station. Molly Malone plays the boss' daughter who is constantly pestered by a stranger named Jim (McCoy) who wishes to make her his girlfriend, though she turns him down after the flowers he brings her end up accidentally soaked in motor oil thanks to Fatty and Buster. Livid, Jim raises the alarm in the fire station to make Fatty and Buster think there is a fire and forcing them to rush across town. However, Jim accidentally starts a real fire while trying to exit the station and Fatty a ...
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Fatty Arbuckle
Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year (equivalent to $ million in ). Arbuckle was the defendant in three widely publicized trials between November 1921 and April 1922 for the rape and manslaughter of actress Virginia Rappe. Rappe had fallen ill at a party hosted by Arbuckle at San Francisco's St. Francis Hotel in September 1921, and died four days later. A friend of Rappe accused Arbuckle of raping ...
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Penny-farthing
The penny-farthing, also known as a high wheel, high wheeler or ordinary, is an early type of bicycle. It was popular in the 1870s and 1880s, with its large front wheel providing high speeds, owing to it travelling a large distance for every rotation of the wheel. These bicycles had solid Natural rubber, rubber tires and as a consequence the only Shock absorber, shock absorption was in the saddle. The penny-farthing became obsolete in the late 1880s with the development of modern bicycles, which provided similar speed, via a chain drive, chain-driven gear train, and comfort, from the use of pneumatic tires. These later bikes were marketed as "safety bicycles" because of the greater ease of mounting and dismounting, the reduced danger of falling, and the reduced height to fall, in comparison to penny-farthings. The name came from the British penny (British pre-decimal coin), penny and farthing (British coin), farthing coins, the penny being much larger than the farthing, so that ...
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