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Old Comedy
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians.Mastromarco (1994) p.12 The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, ''de facto'' define the genre. The only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays. Origins and history The word "comedy" (, ''kōmōidía'') derives from the words for 'revel' and 'song' ( κῶμος, ''kōmos'', and ᾠδή, ''ōidē'') and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BCE, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of ''The Acharnians'', the first of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thalia Sarcophagus Louvre Ma475
Thalia, Thalía, Thaleia or Thalian may refer to: People * Thalia (given name), including a list of people with the name Mythological and fictional characters * Thalia (Grace), one of the three Graces (Charities) * Thalia (Muse), the muse of comedy and idyllic poetry * Thalia (Nereid), one of the fifty daughters of Nereus and Doris * Thalia (nymph), daughter of Hephaestus, and minor goddess of vegetation * Thalia Menninger, a fictional character from the TV series '' The Many Loves of Dobie Gillis'' * Thalia Grace, in mythology novels by Rick Riordan Places * Thalia, Victoria, Australia * Thalia, Texas, U.S. * Thalia, Virginia, U.S. Arts and entertainment * Thalia Awards, issued by the Czech Actors' Association * ''Thalia'' (German magazine), a former German magazine * ''Thalia'' (Swedish magazine), avant-garde theatre, music and literary magazine * ''Thalia'', a book by Arius in the 1st century AD *'' The Muse Thalia'', a painting by Michele Pannonio c. 1546 * ''Tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysistrata
''Lysistrata'' ( or ; Attic Greek: , ''Lysistrátē'', ) is an ancient Greek comedy by Aristophanes, originally performed in classical Athens in 411 BC. It is a comic account of a woman's mission to end the Peloponnesian War between Greek city states by denying all the men of the land any sex, which was said to be the only thing they truly and deeply desired. Lysistrata persuades the women of the warring cities to engage in a sex strike as a means of forcing the men to negotiate peace – a strategy that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society. Its structure represents a shift from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as the '' Thesmophoriazusae'', another play with a focus on gender-based issues, just two years after Athens's defeat in the Sicilian Expedition. Plot The play begins with these lines spoken by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frogs
''The Frogs'' (; , often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place. The play features the comical katabasis of the god of theater Dionysus, with his slave Xanthias, in order to revive the late tragedian Euripides. Dionysus is frustrated with tragedy's decline in quality after the playwright's recent passing, and concerned about theatre's future as the city of Athens struggles in the Peloponnesian War. During the pair's journey through the underworld, the god cravenly and unsuccessfully attempts to evade trouble after masquerading as Heracles, still infamous for his prior kidnapping of the guard-dog Cerberus. At the palace of Pluto, Dionysus then adjudicates a fierce debate between Euripides and Aeschylus for the underworld's throne of tragic drama. Aeschylus wins due to his pragmatism, and Dionysus ends up reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bacchae
''The Bacchae'' (; , ''Bakkhai''; also known as ''The Bacchantes'' ) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included '' Iphigeneia at Aulis'' and ''Alcmaeon in Corinth'', and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition. The tragedy recounts the Greek myth of King Pentheus of Thebes and his mother Agave, who were punished by the god Dionysus (who is Pentheus's cousin) for rejecting his cult. The play opens with Dionysus proclaiming that he has arrived in Thebes with his votaries to avenge the slander, repeated by his aunts, that he is not the son of Zeus. Disguised as a foreign holy man, the god intends to introduce Dionysian rites into the city, but the Thebans reject his divinity and king Pen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Comedy
Ancient Greek comedy () was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is st .... Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Classical Athens, Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northrop Frye
Herman Northrop Frye (July 14, 1912 – January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, ''Fearful Symmetry (Frye), Fearful Symmetry'' (1947), which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in ''Anatomy of Criticism'' (1957), one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that ''Anatomy'' established Frye as "the foremost living student of Western literature." Frye's contributions to cultural and social criticism spanned a long career during which he earned widespread recognition and received many honours. Biography Early life and education Born in Sherbrooke, Quebec, but raised in Moncton, New Brunswick, Frye was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satire, satirical or irony, ironic imitation. Often its subject is an Originality, original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or Counterculture of the 1960s, 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, parody music, music, Theatre, theater, television and film, animation, and Video game, gaming. The writer and critic John Gross observes in his ''Oxford Book of Parodies'', that parody seems to flourish on te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parabasis
In Greek comedy, the parabasis (plural parabases; , plural: ) is a point in the play when all of the actors leave the stage and the chorus is left to address the audience directly. The chorus partially or completely abandons its dramatic role, to step forward (parabasis) and talk to the audience on a topic completely irrelevant to the subject of the play. Structure A parabasis usually consists of three songs (S) alternating with three speeches (s) (or recitatives) in the order S-s-S-s-S-s. The first speech, or parabasis proper - generally in anapaest - often ends with a passage which is to be rattled off very quickly (theoretically in one breath - called a ''πνῖγος – pnigos''). Examples *In ''The Knights'', we find Aristophanes offers a survey of the Athenian comic tradition, thereby enhancing his own role: “if one of the old comic poets had tried to force us Knights to address the public in the parabasis he wouldn’t have got away with so lightly. But this time the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agon
() is the Greek personification for a conflict, struggle or contest, describing a concept of the same name. This could be a contest in athletics, in chariot or horse racing, or in music or literature at a public festival in ancient Greece. is the word-forming element in 'agony', explaining the concept of agon(y) in tragedy by its fundamental characters, the protagonist and antagonist. Athletics In one sense, meant a contest or a competition in athletics, for example, the Olympic Games (Ὀλυμπιακοὶ Ἀγῶνες). Agon was also a mythological personification of the contests listed above. This god was represented in a statue at Olympia with '' halteres'' ( dumbbells) () in his hands. This statue was a work of sculptor , and dedicated by Micythus of Rhegium. Religion According to Pausanias, Agon was recognized in the Greek world as a deity, whose statue appeared at Olympia, presumably in connection with the Olympic Games, which operated as both religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
