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OKeh
Okeh Records () is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". Since 1926, Okeh has been a subsidiary of Columbia Records, a subsidiary of Sony Music. Okeh is a jazz imprint, distributed by Sony Masterworks, a specialty label of Columbia. Early history Okeh was founded by Otto (Jehuda) Karl Erich Heinemann (Lüneburg, Germany, 20 December 1876 - New York, USA, 13 September 1965) a German-American manager for the U.S. branch of Odeon Records, which was owned by Carl Lindstrom. In 1916, Heinemann incorporated the Otto Heinemann Phonograph Corporation, set up a recording studio and pressing plant in New York City, and started the label in 1918. The first discs were vertical cut, but later the more common lateral-cut method was used. The label's parent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong Hot Five And Hot Seven Sessions
The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence. Ron Wynn and Bruce Boyd Raeburn, writing for the ''All Music Guide to Jazz'', note that "these recordings radically altered jazz's focus; instead of collective playing, Armstrong's spectacular instrumental (and vocal) improvisations redefined the music." Armstrong helped popularize scat singing in "Heebie Jeebies," and his solo on " Potato Head Blues" helped establish the stop-time technique in jazz. Recordings 1925–1926 Hot Five ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands. The jazz standard "Moten Swing" bears his name. Career Moten started making music from an early age and developed as a pianist, pulling together other musicians in a band. His first recordings were made (for OKeh Records) on September 23, 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat for which his band was famous. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era; they are treasured records in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at " cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie Trumbauer
Orie Frank Trumbauer (May 30, 1901 – June 11, 1956) was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments. He was a composer of sophisticated sax melodies, one of the major small group jazz bandleaders of the 1920s and 1930s. His landmark recording of " Singin' the Blues" with Bix Beiderbecke and Eddie Lang in 1927, was inducted into the Grammy Hall of Fame in 1977. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", " Tailspin", "Singin' the Blues", "Wringin' an' Twistin'", and " For No Reason at All in C" with Bix Beiderbecke and Eddie Lang, and the first hit recording of " Georgia On My Mind" in 1931. "Tram" was described as one of the most influential and important jazz saxophonists of the 1920s and 1930s, particularly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Johnson (musician)
Alonzo "Lonnie" Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin.Herzhaft, Gérard (1979). ''Encyclopedia of the Blues''. Biography Early career Johnson was born in New Orleans, Louisiana, and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. "There was music all around us," he recalled, "and in my family you'd better play something, even if you just banged on a tin can." In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic. He and his brother settled in St. Louis in 1921, where they performed as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Record Corporation
American Record Corporation (ARC), also referred to as American Record Company, American Recording Corporation, or ARC Records, was an American record company. Overview ARC was created in January 1929 by Louis G. Sylvester, president of Scranton Button Works ('Scranton'), founded 1885. Scranton owned a pressing plant that manufactured disks for many companies, including Columbia labels and Emerson Records, the latter which it also owned. It then purchased Cameo Record Corporation, which owned the Cameo, Lincoln and Romeo labels), and six labels owned by the Plaza Music Company ( Conqueror, Banner, Domino, Jewel, Oriole, and Regal). for $1 each, including liabilities. Pathé-Perfect Phonograph and Radio Corporation, which owned Actuelle, Pathé, and Perfect, was also purchased. 'American Record Corporation' was incorporated in Delaware on July 25, 1929, as a subsidiary of Consolidated Film Industries, Inc. ("CFI"). Louis G. Sylvester became the president of the new company, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heebie Jeebies (composition)
"Heebie Jeebies" is a composition written by Boyd Atkins which achieved fame when it was recorded by Louis Armstrong in 1926. Armstrong also performed "Heebie Jeebies" as a number at the Vendome Theatre. The recording on Okeh Records by Louis Armstrong and his Hot Five includes a famous example of scat singing by Armstrong. After the success of the recording, an accompanying dance was choreographed and advertised by Okeh. A popular legend (apparently originating from a 1930s claim by Richard M. Jones) says that Louis Armstrong dropped his lyric sheet while recording the song and for lack of words to sing, began to improvise his vocals and thereby created the technique of scat singing. This story, though popular, may be apocryphal. Although Armstrong did not invent scat singing, because it was already practiced by many musicians in New Orleans during the early twentieth century, Armstrong, Kid Ory, and Johnny St. Cyr confirm in their accounts that he did drop the sheet music d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Lang
Eddie Lang (born Salvatore Massaro, October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby. Biography The son of an Italian-American instrument maker, Lang was born in Philadelphia, Pennsylvania, and grew up with violinist Joe Venuti. His first instrument was violin when he was seven. He performed on violin in 1917 and became a member of a trio. In 1920, he dropped the violin for banjo and worked with Charlie Kerr, then Bert Estlow, Vic D'Ippolito, and Billy Lustig's Scranton Siren Orchestra. A few years later, he dropped the banjo for guitar when he became a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odeon Records
Odeon Records is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the Odéon-Théâtre de l'Europe in Paris. History Straus and Zuntz bought the company from Carl Lindström that he had founded in 1897. They transformed the Lindström enterprise into a public company, the Carl Lindström A.G. and in 1903 purchased Fonotipia Records, including their Odeon-Werke International Talking Machine Company. International Talking Machine Company issued the Odeon label first in Germany in 1903 and applied for a U.S. trademark the same year. While other companies were making single-side discs, Odeon made them double-sided. In 1909 it created the first recording of a large orchestral work — and what may have been the first record album — when it released a 4-disc set of Tchaikovsky's Nutcracker Suite with Hermann Finck conducting the London Palace Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell. His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. " In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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