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No Escapin' This
"No Escapin' This" is the first single from ''Take It or Squeeze It'', a 2001 album by East Coast hip hop group The Beatnuts. It was released by Loud Records in 2001 in both 12 inch and CD format. The song is produced by The Beatnuts and features braggadocious raps by Juju and Psycho Les, as well as ad libs performed by Greg Nice and a chorus performed by Claudette Sierra. The track's beat samples "A Little Fugue for You and Me" by Enoch Light. The song's refrain contains a vocal sample from Psycho Les' verse on " Off the Books" by The Beatnuts. "No Escapin' This" is the only single from ''Take It or Squeeze It'' to chart, but it failed to appear on both the ''Billboard'' Hot 100 and Rhythmic Top 40 like prior singles. It reached #56 on the Hot R&B/Hip-Hop Singles & Tracks charts and #12 on the Hot Rap Singles chart, though, because of its "party and bullshit formula" and "percussive choral loop". Its popularity landed it on two Beatnuts hits compilations: ''Beatnuts Forever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatnuts
The Beatnuts are an American hip hop group and production duo from New York City. Its current members are JuJu and Psycho Les. JuJu (born Jerry Tineo on December 14, 1968) is a Dominican American from Corona and Psycho Les (born Lester Fernandez on April 10, 1970) is a Colombian American from Jackson Heights, Queens. Although only peripheral members, they are routinely acknowledged by Q-Tip as being members of Native Tongues. The Beatnuts were originally a trio before Fashion (born Berntony Smalls on January 13, 1970), now known as Al' Tariq, left the group to start a solo career. V.I.C. (Groove Merchantz, Ghetto Pros) was also a member of The Beatnuts' production team for a while. History Origins JuJu and Psycho Les grew up in different communities in Queens, New York City. Psycho Les started producing beats and DJing at age 15 under aliases including DJ Les Jams and DJ Incredible. At a high school in Flushing, Queens, a friend DJ Loco Moe introduced Les to fellow produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Singles
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatnuts Songs
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Nuts, Vol
A classic is an outstanding example of a particular style; something of lasting worth or with a timeless quality; of the first or highest quality, class, or rank – something that exemplifies its class. The word can be an adjective (a ''classic'' car) or a noun (a ''classic'' of English literature). It denotes a particular quality in art, architecture, literature, design, technology, or other cultural artifacts. In commerce, products are named 'classic' to denote a long-standing popular version or model, to distinguish it from a newer variety. ''Classic'' is used to describe many major, long-standing sporting events. Colloquially, an everyday occurrence (e.g. a joke or mishap) may be described in some dialects of English as 'an absolute classic'. "Classic" should not be confused with ''classical'', which refers specifically to certain cultural styles, especially in music and architecture: styles generally taking inspiration from the Classical tradition, hence classicism. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatnuts Forever
''Beatnuts Forever'' is the second of three greatest hits albums by hip hop group The Beatnuts. It was released by Relativity Records in 2001 shortly after the release of ''Take It or Squeeze It''. It contains songs from The Beatnuts' first four albums, as well as its two EP's. It most heavily borrows from ''Take It or Squeeze It'' and least heavily from '' The Beatnuts: Street Level''. The album does not feature the song "Beatnuts Forever", and only contains one exclusive Beatnuts track, "Intro". All of its songs are produced by The Beatnuts. ''Beatnuts Forever'' did not chart upon release, and is currently out of print __NOTOC__ An out-of-print (OOP) or out-of-commerce item or work is something that is no longer being published. The term applies to all types of printed matter, visual media, sound recordings, and video recordings. An out-of-print book is a book ... and rare. It was only released in vinyl format. Track listing References The Beatnuts albums 2001 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the current own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Rap Tracks
Hot Rap Songs (formerly known as Hot Rap Tracks and Hot Rap Singles) is a chart released weekly by '' Billboard'' in the United States. It lists the 25 most popular hip-hop/rap songs, calculated weekly by airplay on rhythmic and urban radio stations and sales in hip hop-focused or exclusive markets. Streaming data and digital downloads were added to the methodology of determining chart rankings in 2012. From 1989 through 2001, it was based on how much the single sold in that given week. The song with the most weeks at number one is "Old Town Road", with a total of 20 weeks. Chart statistics and other facts Artists with the most number-one singles Note: Rihanna is a featured artist on all her number-one singles. Artists with the most consecutive weeks at number one *25 weeks – Lil Wayne ("Lollipop", " A Milli") *20 weeks – Drake (" I'm On One", " Headlines"); T-Pain (" Good Life", "Low"); T.I. (" Whatever You Like", " Live Your Life") *19 weeks – 50 Cent (" Candy Shop" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were conso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Top 40
The Rhythmic chart (also called Rhythmic Airplay, and previously named Rhythmic Songs, Rhythmic Top 40 and CHR/Rhythmic) is an airplay chart published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on rhythmic radio stations, whose playlist includes mostly hit-driven R&B/hip-hop, rhythmic pop, and some dance tracks. Nielsen Audio sometimes refers to the format as rhythmic contemporary hit radio. History ''Billboard'' magazine first took notice of the newly emerged genre on February 27, 1987, when it launched the first crossover chart, Hot Crossover 30. It originally consisted of thirty titles and was based on reporting by eighteen stations, five of which were considered as ''pure'' rhythmic. The chart featured a mix of urban contemporary, top 40 and dance hits. In September 1989, ''Billboard'' split the Hot Crossover 30 chart in two: Top 40/Dance and Top 40/Rock, the latter of which focused on rock titles which crossed over. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by ''Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was "Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off The Books
"Off the Books" is the third single from ''Stone Crazy'', a 1997 album by East Coast hip hop group The Beatnuts. It was released by Relativity Records in both 12 inch and CD format in 1997. The song is produced by The Beatnuts and features raps by Juju and Psycho Les, the first on-record performance by Cuban Link, and a notable early verse from Big Punisher. (Big Pun's first on-record performance was the B-Side to Fat Joe's "Envy" single, "Firewater" with Fat Joe, Raekwon and Armageddon.) Lyrics from Psycho Les's verse were later sampled in "The Rep Grows Bigga" by Gang Starr and two Beatnuts songs: "No Escapin' This" and "Slam Pit". The track's beat samples "Break that Party and Opening" by Melvin Van Peebles, "Sign Song" by Buddy Baker, "Get out of My Life, Woman" by George Semper and "Hihache" by Lafayette Afro Rock Band. "Off the Books" was the most commercially successful single from ''Stone Crazy''; it reached #86 on the ''Billboard'' Hot 100 making it the first Beatnut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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