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Nine Bows
The Nine Bows is a visual representation in Art of ancient Egypt, Ancient Egyptian art of foreigners or others. Besides the nine bows, there were no other generic representations of foreigners. Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. Alternatively, the nine bows may have had a separate or complementary meaning. In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. The number nine was used metaphorically to express totality. Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. Ancient Egyptians believed in dualism or that two cosmic forces, order and chaos, go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thutmose III Sphinx E10897 Mp3h8800-gradient
Thutmose (; also rendered Thutmoses, Thutmosis, Tuthmose, Tutmosis, Thothmes, Tuthmosis, Thutmes, Dhutmose, Djhutmose, Djehutymes, etc.) is an anglicization of the ancient Egyptian personal name ''dhwty-ms'', usually translated as "Born of the god Thoth". Thoutmôsis (in Ancient Greek Θούθμωσις / Thoúthmôsis) is the Hellenized form of the Egyptian Ḏḥwtj-mś (reconstructed pronunciation: /tʼaˈħawtij ˈmissaw/) and means "Born of Thoth". This theophoric name was part of the royal titulary of four pharaohs of the 18th dynasty as the name of Sa-Rê or "birth name". It was also worn by the eldest son of Amenhotep III, high priest of Ptah, as well as by a vizier who exercised his functions successively under Thutmose IV and Amenhotep III. Under this last king and under his successor, Amenhotep IV, two other high dignitaries, royal sons of Kush, similarly called themselves "Born of Thoth". Ancient Egyptians Monarchs and royals The name was common among royals of the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
9 (number)
9 (nine) is the natural number following and preceding . Evolution of the Hindu–Arabic digit Circa 300 BC, as part of the Brahmi numerals, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. How the numbers got to their Gupta form is open to considerable debate. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoshenq I
Hedjkheperre Setepenre Shoshenq I (Egyptian ''ššnq''; reigned )—also known as Shashank or Sheshonk or Sheshonq Ifor discussion of the spelling, see Shoshenq—was a pharaoh of ancient Egypt and the founder of the Twenty-second Dynasty of Egypt. Family Of Meshwesh ancestry, Shoshenq I was the son of Nimlot A, Great Chief of the Ma, and his wife Tentshepeh A, a daughter of a Great Chief of the Ma herself; Shoshenq was thus the nephew of Osorkon the Elder, a Meshwesh king of the 21st Dynasty. He is generally presumed to be the Shishak mentioned in the Hebrew Bible, and his exploits are carved on the Bubastite Portal at Karnak. Chronology The conventional dates for his reign, as established by Kenneth Kitchen, are 945–924 BC but his time-line has recently been revised upwards by a few years to 943–922 BC, since he may well have lived for up to two to three years after his successful campaign in Israel and Judah, conventionally dated to 925 BC. As Edward We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nectanebo II
Nectanebo II (Egyptian language, Egyptian: ; ) was the last native ruler of ancient Egypt, as well as the third and last pharaoh of the Thirtieth Dynasty of Egypt, Thirtieth Dynasty, reigning from 358 to c.340 BC. During the reign of Nectanebo II, Egyptian artists developed a specific style that left a distinctive mark on the reliefs of the Ptolemaic Kingdom. Like his indirect predecessor Nectanebo I, Nectanebo II showed enthusiasm for many of the Cult (religious practice), cults of the gods within ancient Egyptian religion, and more than a hundred Egyptian sites bear evidence of his attention. For several years, Nectanebo II was successful in keeping Egypt safe from the Achaemenid Empire. However, he was betrayed by his former servant, Mentor of Rhodes, and ultimately defeated. The Persians occupied Memphis, Egypt, Memphis and then seized the rest of Egypt, incorporating the country into the Achaemenid Empire under Artaxerxes III. Nectanebo fled south. His subsequent fate is un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Sphinx Of Thutmose III
The Bronze Sphinx of Thutmose III is a statuette of a sphinx made during the 18th Dynasty of Egypt under the reign of Thutmose III, who ruled from to 1425 BCE. Adorned with multiple symbols of royal power, it might have been an element or a lock. It was purchased by the Louvre in 1826, and is part of the permanent collections in the display case 4 in Room 637 (formerly 24), Sully Wing, first floor. Symbolism The statuette is adorned with gold inlays highlighting symbols of royal power. The sphinx depicts Pharaoh reclining on the Nine bows, which represent the traditional enemies of Egypt brought to submission. The front of the statuette uses the lapwing Rekhyt bird to spell "all the people give praise", using the basket hieroglyph V30 ("''nb''") for "all"' the lapwing hieroglyph G24 𓅛 ("''rḫyt''") for "the people" and the star hieroglyph N14 𓇼 for "praising" (this is a rebus). Djed The ''djed'', also ''djt'' ( 𓊽, Coptic ''jōt'' "pillar", anglicized /dʒɛd/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abydos, Egypt
Abydos ( or ; Sahidic ') is one of the oldest cities of ancient Egypt, and also of the Ta-wer, eighth Nome (Egypt), nome in Upper Egypt. It is located about west of the Nile at latitude 26° 10' N, near the modern Egyptian towns of El Araba El Madfuna and El Balyana. In the ancient Egyptian language, the city was called Abedju (''ꜣbḏw'' or ''AbDw'')(Arabic Abdu عبد-و). The English name ''Abydos'' comes from the Greek language, Greek , a name borrowed by Greek geographers from the unrelated city of Abydos, Hellespont, Abydos on the Hellespont. Considered one of the most important archaeological sites in Egypt, the sacred city of Abydos was the site of many ancient Egyptian temple, temples, including Umm el-Qa'ab, a royal necropolis where early pharaohs were entombed. These tombs began to be seen as extremely significant burials and in later times it became desirable to be buried in the area, leading to the growth of the town's importance as a cult site. Today, Abydos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keftiu
Keftiu (Middle and Late Egyptian ''Keft, Keftu, Kaftu, Kafta, Kefdet, Keftju''; Old Testament ''kaphtor''; Akkadian ''kaptaritum''; Assyrian ''kaptara''; Ugaritic ''kptwr'', ''kptr''; Mycenaean ''kapte''?) in ancient Egyptian sources referred to the region of Crete and, among other things, its Minoan- Mycenaean inhabitants and trading ships, which had a range as far as Crete. In the 13th century BC, the Egyptians transferred the geographical designation to the Levant. A similar development of localization is noticeable in the writings of the Old Testament. There, '' kaphtor'' was originally the Greek homeland of the Philistines. There are also Old Testament texts suggesting that the Philistines were the Sea Peoples who plagued Egypt before the Late Bronze Age collapse. One name often associated with these Sea People, the Tjeker, were a tribe theorized to have originated from Zakros in the far East of Crete. However, in the Septuagint, ''kaphtor'' is located in the region of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horus Name
The Horus name is the oldest known and used crest of ancient Egyptian rulers. It belongs to the " great five names" of an Egyptian pharaoh. However, modern Egyptologists and linguists are starting to prefer the more neutral term "serekh name". This is because not every pharaoh placed the falcon, which symbolizes the deity Horus, atop his (or in some cases, her) serekh. Heraldic appearance The picture of the Horus name is made of two basic elements: A sitting or walking figure of a certain deity holds a rectangular, ornamental vignette, imitating the floor plan of a palace facade and the royal courtyard. The rectangular vignette is called ''serekh'', after the Egyptian word for "facade". There are countless variations of the facade decor in the serekh. The complexity and detail of the facade decor varied remarkably depending on the object on which it was present. It seems that no strict artistic rules for the design of the serekh itself existed. The name of the pharaoh was wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche
upalt=A stone face carved with coloured hieroglyphics. Two cartouches - ovoid shapes with hieroglyphics inside - are visible at the bottom., Birth and throne cartouches of Pharaoh KV17.html" ;"title="Seti I, from KV17">Seti I, from KV17 at the Valley of the Kings, Egypt. Neues Museum, Berlin In Egyptian hieroglyphs, a cartouche ( ) is an oval with a line at one end tangent to it, indicating that the text enclosed is a pharaoh, royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was (compare with Coptic ''šne'' yielding eventual sound changes), and the cartouche was essentially an expanded s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Kingdom Of Egypt
The New Kingdom, also called the Egyptian Empire, refers to ancient Egypt between the 16th century BC and the 11th century BC. This period of History of ancient Egypt, ancient Egyptian history covers the Eighteenth Dynasty of Egypt, Eighteenth, Nineteenth Dynasty of Egypt, Nineteenth, and Twentieth Dynasty of Egypt, Twentieth dynasties. Through radiocarbon dating, the establishment of the New Kingdom has been placed between 1570 and 1544 BC. The New Kingdom followed the Second Intermediate Period of Egypt, Second Intermediate Period and was succeeded by the Third Intermediate Period of Egypt, Third Intermediate Period. It was the most prosperous time for the Egyptians#History, Egyptian people and marked the peak of Egypt's power. In 1845, the concept of a "New Kingdom" as Periodization of ancient Egypt, one of three "golden ages" was coined by German scholar Christian Charles Josias von Bunsen; the original definition would evolve significantly throughout the 19th and 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antinoöpolis
Antinoöpolis (also Antinoopolis, Antinoë, Antinopolis; ; ''Antinow''; , modern , modern ''Sheikh 'Ibada'' or ''Sheik Abāda'') was a city founded at an older Egyptian village by the Roman emperor Hadrian to commemorate his deified young beloved, Antinoüs, on the east bank of the Nile, not far from the site in Upper Egypt where Antinoüs drowned in 130 AD. Antinoöpolis was a little to the south of the Egyptian village of Besa (), named after the god and oracle of Bes. Antinoöpolis was built at the foot of the hill upon which Besa was seated. The city is located nearly opposite Hermopolis Magna and was connected to Berenice Troglodytica by the Via Hadriana. History New Kingdom During the New Kingdom, the city, ''Hir-we'', was the location of Ramesses II's great temple, dedicated to the gods of Khmun and Heliopolis. Roman period During the Roman Empire, the city of Antinoöpolis was erected in AD 130 by the emperor Hadrian on the site of Hir-we as the cult centre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
