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Neoconservative Postmodernism
In music, neoconservative postmodernism is "a sort of 'postmodernism of reaction'", which values "textual unity and organicism as totalizing musical structures" like "latter-day modernists". Neoconservative modernism...critically engages modernism, but rejects it out of hand. Neoconservative composers employ premodern styles in an attempt to bring a new type of coherence to the 'heterogeneous present' and re-establish the dominance of Western musical practice. Jann Pasler notes the musical characteristics that are indicative of a neoconservative postmodernism: "In music, we all know about the nostalgia that has gripped composers in recent years, resulting in neo-romantic works ... the sudden popularity of writing operas and symphonies again, of construing one's ideas in tonal terms. ...Many of those returning to romantic sentiment, narrative curve, or simple melody wish to entice audiences back to the concert hall. To the extent that these developments are a true "about face," they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodernism
Postmodernism encompasses a variety of artistic, Culture, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world. Still, there is disagreement among experts about its more precise meaning even within narrow contexts. The term began to acquire its current range of meanings in literary criticism and architectural theory during the 1950s–1960s. In opposition to modernism's alleged self-seriousness, postmodernism is characterized by its playful use of Eclecticism, eclectic styles and performative irony, among other features. Critics claim it supplants Morality, moral, Politics, political, and Aesthetics, aesthetic ideals with mere style and spectacle. In the 1990s, "postmodernism" came to denote a general – and, in general, celebratory – response to cultural pluralism. Proponents align themselves with feminism, multiculturalism, and pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Form
In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition (music), repetition or variation (music), variation, the arrangement of the instruments (as in the order of solo (music), solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestration, orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism (music)
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching Elements of music, aspects of music such as harmony, melody, sound, and rhythm, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one musical language, or modernist style, ever assumed a dominant position. Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic atonality, post-tonal and twelve-tone technique, twelve-tone works and Igor Stravinsky's move away from meter (music), symmetrical rhythm. Authorities typically regard m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-romantic
The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism. It has been used with reference to late-19th-century composers such as Richard Wagner particularly by Carl Dahlhaus who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of Musical modernism, modernism, whose leading early representatives were Richard Strauss and Gustav Mahler . It has been applied to writers, painters, and composers who rejected, abandoned, or opposed Realism (arts), realism, Naturalism (art), naturalism, or avant-garde modernism at various points in time from about 1840 down to the present. Late 19th century and early 20th century Neo-romanticism as well as Romanticism is considered in opposition to natur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of California, San Diego
The University of California, San Diego (UC San Diego in communications material, formerly and colloquially UCSD) is a public university, public Land-grant university, land-grant research university in San Diego, California, United States. Established in 1960 near the pre-existing Scripps Institution of Oceanography in La Jolla, UC San Diego is the southernmost of the ten campuses of the University of California. It offers over 200 undergraduate and graduate degree programs, enrolling 33,096 undergraduate and 9,872 graduate students, with the second largest student housing capacity in the nation. The university occupies near the Pacific coast. UC San Diego consists of 12 undergraduate, graduate, and professional schools as well as 8 undergraduate residential colleges. The university operates 19 organized research units as well as 8 School of Medicine research units, 6 research centers at Scripps Institution of Oceanography, and 2 multi-campus initiatives. UC San Diego is als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in numerous ways, sometimes broadly and with polarity, e.g., popular music as opposed to art music or folk music, or, as another example, religious music and secular music. Often, however, classification draws on the proliferation of derivative subgenres, fusion genres, and microgenres that has started to accrue, e.g., screamo, country pop, and mumble rap, respectively. The artistic nature of music means that these classifications are often subjective and controversial, and some may overlap. As genres evolve, novel music is sometimes lumped into existing categories. Definitions Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humanism
Humanism is a philosophy, philosophical stance that emphasizes the individual and social potential, and Agency (philosophy), agency of human beings, whom it considers the starting point for serious moral and philosophical inquiry. The meaning of the term "humanism" has changed according to successive intellectual movements that have identified with it. During the Italian Renaissance, Italian scholars inspired by Greek classical scholarship gave rise to the Renaissance humanism movement. During the Age of Enlightenment, humanistic values were reinforced by advances in science and technology, giving confidence to humans in their exploration of the world. By the early 20th century, organizations dedicated to humanism flourished in Europe and the United States, and have since expanded worldwide. In the early 21st century, the term generally denotes a focus on human well-being and advocates for human freedom, autonomy, and progress. It views humanity as responsible for the prom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Lerdahl
Alfred Whitford (Fred) Lerdahl (born March 10, 1943) is an American music theorist and composer. Best known for his work on musical grammar, Music cognition, cognition, Rhythm, rhythmic theory, and pitch space, he and the linguist Ray Jackendoff developed the Chomsky-inspired generative theory of tonal music. Lerdahl has written numerous orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: ''Time after Time'' in 2001, String Quartet No. 3 in 2010, and ''Arches (Lerdahl), Arches'' in 2011. He is a Professor Emeritus of Musical Composition at Columbia University. Life Alfred Whitford "Fred" Lerdahl was born on March 10, 1943, in Madison, Wisconsin. His maternal uncle was the astronomer Albert Whitford (astronomer), Albert Whitford. Lerdahl studied with James Ming at Lawrence University, where he earned his BMus in 1965, and with Milton Babbitt, Edward Cone, Edward T. Cone, and Earl Kim at Princeton University, where he earned his MFA in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Harbison
John Harris Harbison (born December 20, 1938) is an American composer and academic. Life John Harris Harbison was born on December 20, 1938, in Orange, New Jersey, to the historian Elmore Harris Harbison and Janet German Harbison. The Harbisons were a musical family; Elmore had studied composition in his youth and Janet wrote songs. Harbison's sisters Helen and Margaret were musicians as well. He won the prestigious BMI Foundation's Student Composer Awards for composition at the age of 16 in 1954. He studied music at Harvard University (BA 1960), where he sang with the Harvard Glee Club, and later at the Berlin Musikhochschule and at Princeton (MFA 1963). He is an Institute Professor of music at the Massachusetts Institute of Technology. He is a former student of Walter Piston and Roger Sessions. His works include several symphonies, string quartets, and concerti for violin, viola, and double bass. Harbison won the Pulitzer Prize for music in 1987 for '' The Flight into Egypt' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Reich
Stephen Michael Reich ( ; born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow. His innovations include using tape loops to create phasing patterns, as on the early compositions '' It's Gonna Rain'' (1965) and '' Come Out'' (1966), and the use of simple, audible processes, as on '' Pendulum Music'' (1968) and '' Four Organs'' (1970). Works like '' Drumming'' (1971) and '' Music for 18 Musicians'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalist Music
In visual arts, music, and other media, minimalism is an art movement that began in the post-war era in western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. Minimalism's key objectives were to strip away conventional characterizations of art by bringing the importance of the object or the experience a viewer has for the object with minimal mediation from the artist. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt, and Frank Stella. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman, and John Adams. The term has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
