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Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crook (music)
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn (or other brass instrument, such as a natural trumpet) which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays. Apel, pp. 392, 926. Master crook and coupler system Early horns had unalterable lengths and permanently attached mouthpieces. This presented problems in concert situations. A different horn was required for different keys, and the instrument could not be tuned. Around 1700 the Leichnamschneider brothers in Vienna developed a horn with a removable mouthpiece that could be connected to a short piece of tubing, called a master crook. Additional pieces, couplers, of different lengths were inserted between the master crook and the body of the horn to change the horn's length, and thus the pitch. Fine-tuning was done with even shorter segments called tuning bits. This simple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (abbreviated V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.8 million objects. It was founded in 1852 and named after Queen Victoria and Albert, Prince Consort, Prince Albert. The V&A is in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial, and the major cultural institutions with which he was associated. These include the Natural History Museum, London, Natural History Museum, the Science Museum (London), Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient history to the present day, from the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horns And Trumpets
Nature is an inherent character or constitution, particularly of the ecosphere or the universe as a whole. In this general sense nature refers to the laws, elements and phenomena of the physical world, including life. Although humans are part of nature, human activity or humans as a whole are often described as at times at odds, or outright separate and even superior to nature. During the advent of modern scientific method in the last several centuries, nature became the passive reality, organized and moved by divine laws. With the Industrial Revolution, nature increasingly became seen as the part of reality deprived from intentional intervention: it was hence considered as sacred by some traditions (Rousseau, American transcendentalism) or a mere decorum for divine providence or human history (Hegel, Marx). However, a vitalist vision of nature, closer to the pre-Socratic one, got reborn at the same time, especially after Charles Darwin. Within the various uses of the word t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Trumpet
A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series. History :''See: Clarion'' The natural trumpet was used as a military instrument to facilitate communication (e.g. break camp, retreat, etc.). Even before the late Baroque period the natural trumpet had been accepted into Western art music. There is evidence, for example, of extensive use of trumpet ensembles in Venetian ceremonial music of the 16th century. Although neither Andrea nor Giovanni Gabrieli wrote music specifically for the trumpet, they would have been very familiar with its technical possibilities. Later, talented players such as the early baroque composer Girolamo Fantini demonstrated that by playing in the extreme upper register and "lipping" the notes of the 11th and 13th harmonics (that is, flattening or sharpening those impure harmonics into tune with the embouchure), it was possible to play diatonic major and minor scales (and, hence, actual melodie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphorn
The alphorn (; ; ) is a traditional lip-reed wind instrument. It consists of a very long straight wooden natural horn, with a length of , a conical bore and a wooden cup-shaped mouthpiece. Traditionally the alphorn was made in one piece from the trunk of a pine. Modern alphorns are usually made in three detachable sections for easier transport and handling, carved from blocks of spruce. The alphorn is used by rural communities in the Alps. Similar wooden horns were used for communication in most mountainous regions of Europe, from the Alps to the Carpathians. History The alphorn may have developed from instruments like the , a similarly shaped Etruscan instrument of classical antiquity, although there is little documented evidence of a continuous connection between them. A 2nd century Roman mosaic, found in Boscéaz, depicts a shepherd using a similar straight horn. The use of long signal horns in mountainous areas throughout Europe and Asia may indicate a long history o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerardus Rubens
Pierre-Eugène-Aloys OCist, also known as Gerardus Rubens (born 1674; died 21 January 1736), was the 42nd Abbot of the Common Observance in St. Bernard's Abbey, Hemiksem. He was the son of Aloysius Rubens and Anne de Deckers, and related to the Painter Peter Paul Rubens. He was baptised in the Coudenberg Church. His parents died at young age, and he was educated by his uncle the reverend Eugenius Rubens. Career He entered Hemiksem Abbey in 1693 and took his vows. After his ordination he studied in Louvain in the College of the Order. In 1722, he was elected Abbot and followed to Cornelius Addriaenssens as Abbot of Hemiksem Abbey. His arms are the ones of the House of Rubens and his Motto was in Pace et equitate. He took a seat of the States of Brabant, though his political influence was not important. The archduchess, however, sent him to Orval Abbey to fight Jansenism, which was considered as a major problem. During the period of his abbacy, the abbey acquired many impor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg Concerto
''Hamburg Concerto'' (') for solo French horn, horn and chamber orchestra with four obbligato natural horns is one of György Ligeti's last works, composed in 1998–99 and revised in 2003. The work was commissioned by the ZEIT-Stiftung, ZEIT-Foundation, expressing the special wish that it should be List of songs about Hamburg, associated with the City of Hamburg. It is dedicated to the German horn player Marie Luise Neunecker, who premiered the original six movements with the Asko Ensemble in January 2001 in Hamburg (the place of the premiere being another special wish from the ZEIT-foundation). The final revision is cast in seven movements: György Ligeti wrote about his work: The name was chosen in analogy to Bach's ''Brandenburg Concertos'' (''Brandenburgische Konzerte''), Ligeti saw the naming as a dedication: On the centenary of Ligeti's birth in 2023''The “Hamburgisches Konzert” by György Ligeti''was released, the most exhaustive and complete analysis on this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde music, avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hochschule für Musik und Theater Hamburg, where he worked until retiring in 1989. His students included Hans Abrahamsen, Unsuk Chin and Michael Daugherty. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade For Tenor, Horn And Strings
The ''Serenade for Tenor, Horn and Strings'', Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra. Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects. The poets Britten chose to set for the Serenade range from an anonymous 15th-century writer to poets from the 17th, 18th and 19th centuries. Britten's domestic partner – the tenor Peter Pears – and Brain were the soloists at the first performance. They later recorded the work, which has received subsequent recordings by tenors, horn players, orchestras and conductors from Britain, continental Europe, America and Australia. Background and first performance Britten and his partner, Peter Pears, returned to Britain in April 1942 after three years in the United States. A few weeks later Britten was commissioned b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera ''Peter Grimes'' (1945), the ''War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Britten was born in Lowestoft, Suffolk, the son of a dentist. He showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the ''a cappella'' choral work ''A Boy Was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonic and chromatic, diatonicism and modality (music), modality (the major scale, major and minor scale, minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance music, Renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
