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Musical Language
Musical languages are constructed languages based on musical sounds, which tend to incorporate articulation. Whistled languages are dependent on an underlying spoken languages and are used in various cultures as a means for communication over distance, or as secret codes. The mystical concept of a language of the birds tries to connect the two categories, since some authors of musical ''a priori'' languages have speculated about a mystical or primeval origin of the whistled languages. Constructed musical languages There are only a few language families as of now such as the Solresol language family, Moss language family, and Nibuzigu language family. The Solresol family is a family of a posteriori languages (usually English) where a sequence of 7 notes of the western C-Major scale or the 12 tone chromatic scale are used as phonemes. *Domila *Eaiea *Sarus * Solresol * Moss (language) is a pidgin built out of melodic shapes. *The Nıbuzıgu family Kobaïan is a language const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Constructed Languages
A constructed language (shortened to conlang) is a language whose phonology, grammar, orthography, and vocabulary, instead of having developed natural language, naturally, are consciously devised for some purpose, which may include being devised for a fiction, work of fiction. A constructed language may also be referred to as an artificial, planned or invented language, or (in some cases) a fictional language. ''Planned languages'' (or engineered languages / engelangs) are languages that have been purposefully designed; they are the result of deliberate, controlling intervention and are thus of a form of ''language planning''. There are many possible reasons to create a constructed language, such as to ease human communication (see international auxiliary language and code); to give fiction or an associated constructed setting an added layer of realism; for experimentation in the fields of linguistics, cognitive science, and machine learning; for artistic language, artistic crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Articulation (music)
Articulation is a Elements of music, musical parameter that determines how a single Note (music), note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its Envelope (music), attack and decay. They can also modify an event's timbre, Dynamics (music), dynamics, and Pitch (music), pitch. Musical articulation is analogous to the Articulation (phonetics), articulation of speech, and during the Baroque music, Baroque and Classical period (music), Classical periods it was taught by comparison to Rhetoric, oratory. Western music has a set of traditional articulations that were standardized in the 19th century#Music, 19th century and remain widely used. Composers are not limited to these, however, and may invent new articulations as a piece requires. When writing Electronic music, electronic and computer music, composers can design articulations from the ground up. In addition to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Language Of The Birds
In Abrahamic and European mythology, medieval literature and occultism, the language of the birds is postulated as a mystical, perfect divine language, Adamic language, Enochian, angelic language or a mythical or magical language used by birds to communicate with the initiated. History In Indo-European religion, the behavior of birds has long been used for the purposes of divination by augurs. According to a suggestion by Walter Burkert, these customs may have their roots in the Paleolithic when, during the Ice Age, early humans looked for carrion by observing scavenging birds. There are also examples of contemporary bird-human communication and symbiosis. In North America, ravens have been known to lead wolves (and native hunters) to prey they otherwise would be unable to consume. In Africa, the greater honeyguide is known to guide humans to beehives in the hope that the hive will be incapacitated and opened for them. Dating to the Renaissance, birdsong was the inspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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A Priori (languages)
A constructed language (shortened to conlang) is a language whose phonology, grammar, orthography, and vocabulary, instead of having developed naturally, are consciously devised for some purpose, which may include being devised for a work of fiction. A constructed language may also be referred to as an artificial, planned or invented language, or (in some cases) a fictional language. ''Planned languages'' (or engineered languages / engelangs) are languages that have been purposefully designed; they are the result of deliberate, controlling intervention and are thus of a form of ''language planning''. There are many possible reasons to create a constructed language, such as to ease human communication (see international auxiliary language and code); to give fiction or an associated constructed setting an added layer of realism; for experimentation in the fields of linguistics, cognitive science, and machine learning; for artistic creation; for fantasy role-playing games; and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Moss (language)
Moss is a musical language designed by composer Jackson Moore. It has a phonology based on elementary melodic distinctions, and a simple lexicon and grammar inspired by pidgin A pidgin , or pidgin language, is a grammatically simplified form of contact language that develops between two or more groups of people that do not have a language in common: typically, its vocabulary and grammar are limited and often drawn f ...s. Moore teaches Moss at the unaccredited Bruce High Quality Foundation University. External links Main Site [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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A Posteriori
('from the earlier') and ('from the later') are Latin phrases used in philosophy to distinguish types of knowledge, justification, or argument by their reliance on experience. knowledge is independent from any experience. Examples include mathematics,Some associationist philosophers have contended that mathematics comes from experience and is not a form of any ''a priori'' knowledge () tautologies and deduction from pure reason. Galen Strawson has stated that an argument is one in which "you can see that it is true just lying on your couch. You don't have to get up off your couch and go outside and examine the way things are in the physical world. You don't have to do any science." () knowledge depends on empirical evidence. Examples include most fields of science and aspects of personal knowledge. The terms originate from the analytic methods found in '' Organon'', a collection of works by Aristotle. Prior analytics () is about deductive logic, which comes from d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Solresol
Solresol (Solfège: G (musical note), Sol-D (musical note), Re-G (musical note), Sol), originally called Langue universelle and then Langue musicale universelle, is a Musical language, musical constructed language devised by François Sudre, beginning in 1817. His major book on it, ''Langue Musicale Universelle'', was published after his death in 1866, though he had already been publicizing it for some years. Solresol enjoyed a brief spell of popularity, reaching its pinnacle with Boleslas Gajewski's 1902 publication of ''Grammaire du Solresol''. Today, there exist small communities of Solresol enthusiasts scattered across the world. Sudre or Gajewski There are multiple versions of Solresol, and they each have minor differences. Currently, there are three small variations on the language, each of which mostly edit vocabulary and a small amount of the grammar. Sudre created the language, and thus his version deserves the title of being the original version of Solresol. Vince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Pidgin
A pidgin , or pidgin language, is a grammatically simplified form of contact language that develops between two or more groups of people that do not have a language in common: typically, its vocabulary and grammar are limited and often drawn from several languages. It is most commonly employed in situations such as trade, or where both groups speak languages different from the language of the country in which they reside (but where there is no common language between the groups). Fundamentally, a pidgin is a simplified means of linguistic communication, as it is constructed impromptu, or by convention, between individuals or groups of people. A pidgin is not the native language of any speech community, but is instead learned as a second language. A pidgin may be built from words, sounds, or body language from a multitude of languages as well as onomatopoeia. As the lexicon of any pidgin will be limited to core vocabulary, words with only a specific meaning in the lexifier l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Kobaïan
Magma is a French progressive rock band founded in Paris in 1969 by self-taught drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. The style of progressive rock that Vander developed with Magma is termed "Zeuhl", and has been applied to other bands in France operating in the same period, and to some recent Japanese bands. Vander created a fictional language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The language has of course a content, but not word by word." Vander himself has said, "When I wrote, the sounds f Kobaïancame naturally with it—I didn't intellectualise the process by saying 'Ok, now I'm going to write some words in a particular language', it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Christian Vander (musician)
Christian Vander (born 21 February 1948) is a French drummer, composer, singer and founder of the progressive rock band Magma. Career Vander is known for his extended compositions, drumming, and shrill falsetto improvisational/scat singing. His music fuses jazz, rock, classical and operatic influences, and draws on the work of musicians as diverse as John Coltrane and Carl Orff. Vander regards Coltrane as his greatest musical inspiration, and dedicated his 2011 album ''John Coltrane L'Homme Suprême'' to him as a tribute. Personal life Christian Vander is the adopted child of famous French jazz piano player Maurice Vander (who was a long time sideman of singer Claude Nougaro). Most of Vander and Magma's recorded work is still available through Vander's own record label, Seventh Records. He was married to singer Stella Vander who released many EPs herself in the 1960s and has performed vocal duties for Magma since 1972. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Magma (band)
Magma is a French progressive rock band founded in Paris in 1969 by self-taught drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. The style of progressive rock that Vander developed with Magma is termed " Zeuhl", and has been applied to other bands in France operating in the same period, and to some recent Japanese bands. Vander created a fictional language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The language has of course a content, but not word by word." Vander himself has said, "When I wrote, the sounds f Kobaïancame naturally with it—I didn't intellectualise the process by saying 'Ok, now I'm going to write some words in a particular language', it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |