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Music Royalties
Music royalties are royalty payments for the writing and performing of music. Unlike other forms of intellectual property, music has a strong linkage to individuals – composers (score), songwriters (lyrics) and writers of musical plays – in that they can own the exclusive copyright to created music and can license it for performance independent of corporates. Recording companies and the performing artists that create a "sound recording" of the music enjoy a separate set of copyrights and royalties from the sale of recordings and from their digital transmission (depending on national laws). With the advent of pop music and major innovations in technology in the communication and presentations of media, the subject of music royalties has become a complex field with considerable change in the making. A musical composition obtains copyright protection as soon as it is written out or recorded. However, it is not protected from infringed use unless it is registered with the copyright ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalty Payment
A royalty payment is a payment made by one party to another that owns a particular asset, for the right to ongoing use of that asset. Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation.Guidelines for Evaluation of Transfer of Technology Agreements, United Nations, New York, 1979 A royalty interest is the right to collect a stream of future royalty payments. A license agreement defines the terms under which a resource or property are licensed by one party ( party means the periphery behind it) to another, either without restriction or subject to a limitation on term, business or geographic territory, type of product, etc. License agreements can be regulated, particularly where a government is the resource owner, or they can be private contracts that follow a general structure. However, certain types of franchise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface
Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Blackface became a global phenomenon as an outgrowth of theatrical practices of racial misrepresentation, racial impersonation popular throughout Britain and its colonial empire, where it was integral to the development of imperial racial politics. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre, English Renaissance theater, in works such as William Shakespeare's ''Othello''. However, some scholars see blackface as a specific pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Billings
William Billings (October 7, 1746 – September 26, 1800) was an American composer and is regarded as the first American choral composer and leading member of the First New England School. Life William Billings was born in Boston, Province of Massachusetts Bay. At the age of 14, the death of his father stopped Billings' formal schooling. In order to help support his family, young Billings trained as a tanner. He possibly received musical instruction from John Barry, one of the choir members at the New South Church, but for the most part he was self-taught. Billings had an unusual appearance and a strong addiction to snuff. His contemporary wrote that Billings "was a singular man, of moderate size, short of one leg, with one eye, without any address & with an uncommon negligence of person. Still, he spake & sung & thought as a man above the common abilities." Billings' wife died on March 26, 1795, leaving him with six children under the age of 18. He died in poverty in Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph
A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of sound. The sound vibration Waveform, waveforms are recorded as corresponding physical deviations of a helical or spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a ''Phonograph record, record''. To recreate the sound, the surface is similarly rotated while a playback #Stylus, stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a Diaphragm (acoustics), diaphragm that produced sound waves coupled to the open air through a flaring Horn loudspeaker, horn, or directly to the listener's ears through stethoscope-type earphones. The phonograph was invented in 1877 by Thomas Edison; its use would rise the following year. Alexander Graham Bell's Volta Laboratory an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Player Piano
A player piano is a self-playing piano with a pneumatic or electromechanical mechanism that operates the piano action using perforated paper or metallic rolls. Modern versions use MIDI. The player piano gained popularity as mass-produced home pianos increased in the late 19th and early 20th centuries. Sales peaked in 1924 and subsequently declined with improvements in electrical phonograph recordings in the mid-1920s. The advent of electrical amplification in home music reproduction, brought by radios, contributed to a decline in popularity, and the stock market crash of 1929 virtually wiped out production. History The first practical pneumatic piano player, manufactured by the Aeolian Company and called the "Pianola", was invented in 1896 by Edwin S. Votey, and came into widespread use in the 20th century. The name "pianola", sometimes used as a generic name for any player piano, came from this invention. The mechanism of this player piano was all-pneumatic: foot-operated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parlour Music
Parlour music (or parlor music) is a type of popular music which, as the name suggests, is intended to be performed in the parlours of houses, usually by amateur singers and pianists. Disseminated as sheet music, its heyday came in the 19th century, as a result of a steady increase in the number of households with enough resources to purchase musical instruments and instruction in music, and with the leisure time and cultural motivation to engage in recreational music-making. Its popularity faded in the 20th century as the phonograph record and radio replaced sheet music as the most common means for the spread of popular music. History Many of the earliest parlour songs were transcriptions for voice and keyboard of other music. Thomas Moore's ''Irish Melodies'', for instance, were traditional (or "folk") tunes supplied with new lyrics by Moore, and many arias from Italian operas, particularly those of Bellini and Donizetti, became parlour songs, with texts either translated or re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Pan Alley
Tin Pan Alley was a collection of History of music publishing, music publishers and songwriters in New York City that dominated the American popular music, popular music of the United States in the late 19th and early 20th centuries. Originally, it referred to a specific location on West 28th Street, between Fifth Avenue, Fifth and Sixth Avenues in the List of New York City neighborhoods#Between Midtown and Downtown, Flower District of Manhattan, as commemorated by Media:Tin Pan Alley plaque crop.jpg, a plaque on 28th Street between Broadway (Manhattan), Broadway and Sixth. Several buildings on Tin Pan Alley are protected as New York City designated landmark, New York City designated landmarks, and the section of 28th Street from Fifth to Sixth Avenue is also officially co-named Tin Pan Alley. The start of Tin Pan Alley is usually dated to about 1885, when a number of music publishers set up shop in the same district of Manhattan. The end of Tin Pan Alley is less clear cut. Some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldrush
A gold rush or gold fever is a discovery of gold—sometimes accompanied by other precious metals and rare-earth minerals—that brings an onrush of miners seeking their fortune. Major gold rushes took place in the 19th century in Australia, Greece, New Zealand, Brazil, Chile, South Africa, the United States, and Canada while smaller gold rushes took place elsewhere. In the 19th century, the wealth that resulted was distributed widely because of reduced migration costs and low barriers to entry. While gold mining itself proved unprofitable for most diggers and mine owners, some people made large fortunes, and merchants and transportation facilities made large profits. The resulting increase in the world's gold supply stimulated global trade and investment. Historians have written extensively about the mass migration, trade, colonization, and environmental history associated with gold rushes. Gold rushes were typically marked by a general buoyant feeling of a "free-for-all" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christy's Minstrels
Christy's Minstrels, sometimes referred to as the Christy Minstrels, were a blackface group formed by Edwin Pearce Christy, a well-known ballad singer, in 1843, in Buffalo, New York. They were instrumental in the solidification of the minstrel show into a fixed three-act form. The troupe also invented or popularized "the line", the structured grouping that constituted the first act of the standardized three-act minstrel show, with the interlocutor in the middle and "Mr. Tambo" and "Mr. Bones" on the ends. Early years In 1846 they first performed in Polmer's Opera House in New York City. From March 1847, they ran for a seven-year stint at New York City's Mechanics' Hall (until July 1854). After performing at a benefit performance for Stephen Foster in Cincinnati, Ohio, on August 25, 1847, the group specialized in performances of Foster's works. Foster sold his song "Old Folks at Home" to Christy for his exclusive use. The troupe's commercial success was phenomenal: Christy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swanee River (song)
"Old Folks at Home" (also known as "Suwannee River, Swanee River") is a Folk music, folk song written by Stephen Foster in 1851. Since 1935, it has been the official List of U.S. state songs, state song of Florida, although in 2008 the #Lyrics, original lyrics were Expurgation, revised. It is Roud Folk Song Index no. 13880. Composition "Old Folks at Home" was commissioned in 1851 by E. P. Christy for use by Christy's Minstrels, his minstrel troupe. Christy also asked to be credited as the song's creator, and was so credited on early sheet music printings. As a result, while the song was a success, Foster did not directly profit much from it, though he continued to receive royalties for the song. Foster had composed most of the lyrics but was struggling to name the river of the opening line, and asked his brother, Morrison, to suggest one. Morrison wrote, "One day in 1851, Stephen came into my office, on the bank of the Monongahela, Pittsburgh, and said to me, 'What is a good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beautiful Dreamer
"Beautiful Dreamer" is a parlor song by American songwriter Stephen Foster. It was published posthumously in March 1864, by Wm. A. Pond & Co. of New York. The first edition states on its title page that it is "the last song ever written by Stephen C. Foster, composed but a few days prior to his death." However, Carol Kimball, the author of ''Song'', points out that the first edition's copyright is dated 1862, which suggests, she writes, that the song was composed and readied for publication two years before Foster's death. There are at least 20 songs, she observes, that claim to be Foster's last, and it is unknown which is indeed his last. The song is set in time with a broken chord accompaniment.Carol Kimball. ''Song: a guide to art song style and literature''. Hal Leonard Corporation. p. 248.Michael Saffle. 2000. Perspectives on American music, 1900–1950 Taylor & Francis. p. 382. The song tells of a lover serenading a "Beautiful Dreamer" who is oblivious to worldly cares an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Old Kentucky Home
"My Old Kentucky Home, Good-Night!", typically shortened to "My Old Kentucky Home", is a sentimental ballad and regional anthem of Kentucky. It was written by Stephen Foster, probably composed in 1852. It was published in January 1853 by Firth, Pond, & Co. of New York. Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel ''Uncle Tom's Cabin,'' as evidenced by the title of a sketch in Foster's sketchbook, "Poor Uncle Tom, Good-Night!" The song is often interpreted as an anti-slavery song, echoing the suffering of slaves separated from their family. Frederick Douglass wrote in his 1855 autobiography '' My Bondage and My Freedom'' that the song "awakens sympathies for the slave, in which antislavery principles take root, grow, and flourish". However, the song's publication by Firth & Pond as a minstrel song and its use in "Tom shows" (stagings of Stowe's novel of varying degrees of sincerity and faithfulness to the original text), and other settings, have clo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
