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Music Of Tibet
The music of Tibet ( zh, 藏族音乐) reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture. The new-age 'singing bowl' music marketed in the West as 'Tibetan music' is of 1970s US origin. History Western research into the history of Tibetan music has often focused more on religious than secular musics. It has been suggested that Tibetan religious music may have been strongly influenced by West-Asian musics, including those of pre-Muslim Persia (and perhaps even of Byzantium). It has also been suggested that the landscape – and in particular the resonances of caves, with their natural percussive sounding stones - exerted a formative influence on the overtone singing found in Tibetan Buddhist chant (and plausibly also in prehistoric shamanic invocat ...
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Bundesarchiv Bild 135-S-16-09-12, Tibetexpedition, Mönche Blasen Tuben
The German Federal Archives or Bundesarchiv (BArch) (, lit. "Federal Archive") are the national archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media ( Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents in this collection dated back to the ...
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Percussive
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.'' The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymb ...
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Bardic
In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal".Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), and ('bard, poet'), ('singer, poet'), Middle Breton: ''barz'' (' ...
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Chöd
Chöd ( lit. 'to sever') is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism (where it is classed as Anuttarayoga Tantra in Kagyu and Anuyoga in Nyingma). Also known as "cutting through the ego," the practices are based on the Prajñāpāramitā or "Perfection of Wisdom" sutras, which expound the "emptiness" concept of Buddhist philosophy. According to Mahayana Buddhists, emptiness is the ultimate wisdom of understanding that all things lack inherent existence. Chöd combines prajñāpāramitā philosophy with specific meditation methods and tantric ritual. The chod practitioner seeks to tap the power of fear through activities such as rituals set in graveyards, and visualisation of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test. Definition and Sanskrit ''chedasādhanā'' both literally mean "cutting practice". In Standard Tibet ...
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Kangling
''Kangling'' (), literally translated as "leg" (''kang'') "flute" (''ling''), is the Tibetan name for a trumpet or horn made out of a human tibia or femur, used in Tibetan Buddhism for various chöd rituals as well as funerals performed by a chöpa. The leg bone of a deceased person is used. Alternatively, the leg bone of a respected teacher may be used. The kangling may also be made out of wood. The kangling should only be used in chöd rituals performed outdoors with the chöd damaru and bell. In Tantric chöd practice, the practitioner, motivated by compassion, plays the kangling as a gesture of fearlessness, to summon hungry spirits and demons so that she or he may satisfy their hunger and thereby relieve their sufferings. It is also played as a way of "cutting off of the ego." A minor figure from Katok Monastery, the First Chonyi Gyatso, Chopa Lugu (17th – mid-18th century), is remembered for his "nightly bellowing of bone-trumpet anglingand shouting of phet" on pilgri ...
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Damaru
A damaru (, ; Tibetan languages, Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the Hindu deity Shiva, associated with Tantra, Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The damaru is typically made of wood, metal with leather damaru heads at both ends. The resonator is made of brass. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist motion, the strikers beat on the drumhead. In Hindu ...
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Ghanta
Ghanta (Sanskrit: घण्टा, IAST: ghaṇṭā; Tibetan: drilbu) is the Sanskrit term for a ritual bell used in Hindu religious practices. The ringing of the bell produces what is regarded as an auspicious sound. Hindu temples generally have one metal bell hanging at the entrance and devotees ring the bell while entering the temple which is an essential part in preparation of having a darshan. A bell is also rung by poojari during Pūjā or Yajna – during the waving of light, burning of incense in front of the deity, while bathing the deity and while offering food or flowers. There are bells specially made to produce the long strains of the sound Aum. Characteristics The bell is made out of five to seven precious metals, which are connected to the planets: lead (Saturn), tin (Jupiter), iron (Mars), copper (Venus), mercury (Mercury), silver (the Moon) and gold (the Sun). A clapper is attached to the inside and the bell makes a high pitched sound when rung. The top of ...
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Vajrayana
''Vajrayāna'' (; 'vajra vehicle'), also known as Mantrayāna ('mantra vehicle'), Guhyamantrayāna ('secret mantra vehicle'), Tantrayāna ('tantra vehicle'), Tantric Buddhism, and Esoteric Buddhism, is a Mahāyāna Buddhism, Mahāyāna Buddhist tradition that emphasizes Eastern esotericism, esoteric practices and rituals aimed at Sudden awakening, rapid spiritual awakening. Emerging between the 5th and 7th centuries CE in medieval India, Vajrayāna incorporates a Tibetan tantric practice, range of techniques, including the use of mantras (sacred sounds), dhāraṇīs (mnemonic codes), mudrās (symbolic hand gestures), mandalas (spiritual diagrams), and the visualization of Buddhist deities, deities and Buddhahood, Buddhas. These practices are designed to transform ordinary experiences into paths toward Enlightenment in Buddhism, enlightenment, often by engaging with aspects of Taṇhā, desire and Dvesha, aversion in a ritualized context. A distinctive feature of Vajrayāna is ...
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Indian Classical Music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ''Hindustani classical music, Hindustani'' and the South Indian expression known as ''Carnatic classical music, Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal Empire, Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is ''Odissi music'', which has evolved over the last two thousand years. The roots of the classical music of India are found ...
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Decline Of Buddhism In The Indian Subcontinent
Buddhism, which originated in India, gradually dwindled starting in the 4th–6th century CE, and was replaced by Hinduism approximately in the 12th century, in a centuries-long process. Lack of appeal among the rural masses, who instead embraced Hinduism formed in the Hindu synthesis, the Muslim Turkic invasions, and dwindling financial support from trading communities and royal elites, were major factors in the decline of Buddhism. The total Buddhist population in 2010 in the Indian subcontinent – excluding that of Sri Lanka, Bhutan (both Buddhist majority states), and Nepal – was about 10 million, of which about 92.5% in India, 7.2% lived in Bangladesh and 0.2% in Pakistan. According to Peter Harvey, the religion recovered slowly from these invasions during the 7th century, with the "Buddhism of Punjab and Sindh remaining strong". The reign of the Pala Dynasty (8th to 12th century) saw Buddhism in North India recover due to royal support from the Palas who support ...
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History Of Buddhism In India
Buddhism is an ancient Indian religion, which arose in and around the ancient Kingdom of Magadha (now Bihar, India). It is based on the teachings of Gautama Buddha, who lived in the 6th or 5th century BCE and was deemed a "Buddha" or an "Awakened One". Buddhist records list Gautama Buddha as the fourth buddha of our kalpa, while the next buddha will be Maitreya Buddha. Buddhism spread outside of Northern India beginning in the Buddha's lifetime. In the 3rd century BCE and during the reign of the Mauryan Emperor Ashoka, the Buddhist community split into two schools: the Mahāsāṃghika and the Sthaviravāda, each of which spread throughout India and grew into numerous sub-schools. In modern times, three major branches of Buddhism exist: the Theravada in Sri Lanka and Southeast Asia, and the Mahayana in the Himalayas and East Asia, and the Vajrayana throughout Asia and specifically in Tibet, Nepal, and Bhutan. The practice of Buddhism lost influence in India around the 7 ...
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Oral Cavity
A mouth also referred to as the oral is the body orifice through which many animals ingest food and vocalize. The body cavity immediately behind the mouth opening, known as the oral cavity (or in Latin), is also the first part of the alimentary canal, which leads to the pharynx and the gullet. In tetrapod vertebrates, the mouth is bounded on the outside by the lips and cheeks — thus the oral cavity is also known as the buccal cavity (from Latin ', meaning "cheek") — and contains the tongue on the inside. Except for some groups like birds and lissamphibians, vertebrates usually have teeth in their mouths, although some fish species have pharyngeal teeth instead of oral teeth. Most bilaterian phyla, including arthropods, molluscs and chordates, have a two-opening gut tube with a mouth at one end and an anus at the other. Which end forms first in ontogeny is a criterion used to classify bilaterian animals into protostomes and deuterostomes. Development In t ...
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