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Music Of Southeastern Europe
Balkan music is a type of music found in the Balkan region of southeastern Europe. In its broadest sense, it encompasses a variety of music styles across the countries of Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Greece, Hungary, Kosovo, Moldova, Montenegro, North Macedonia, Romania, Serbia and Slovenia. The music is characterised by complex rhythm. Famous bands in Balkan music include Taraf de Haïdouks, Fanfare Ciocărlia, and No Smoking Orchestra. Historical musical influences Byzantine medieval music Byzantine music (Greek: Βυζαντινή Μουσική) is associated with the medieval sacred chant of Christian Churches following the Constantinopolitan rite. Its modal system is based on the ancient Greek models. The development of large scale hymnographic forms begins in the fifth century with the rise of the kontakion, a long and elaborate metrical sermon, which finds its acme in the work of Romanos the Melodist (sixth century). Heirmoi in syllabic style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balkans
The Balkans ( , ), corresponding partially with the Balkan Peninsula, is a geographical area in southeastern Europe with various geographical and historical definitions. The region takes its name from the Balkan Mountains that stretch throughout the whole of Bulgaria. The Balkan Peninsula is bordered by the Adriatic Sea in the northwest, the Ionian Sea in the southwest, the Aegean Sea in the south, the Turkish straits in the east, and the Black Sea in the northeast. The northern border of the peninsula is variously defined. The highest point of the Balkans is Musala, , in the Rila mountain range, Bulgaria. The concept of the Balkan Peninsula was created by the German geographer August Zeune in 1808, who mistakenly considered the Balkan Mountains the dominant mountain system of southeastern Europe spanning from the Adriatic Sea to the Black Sea. In the 19th century the term ''Balkan Peninsula'' was a synonym for Rumelia, the parts of Europe that were provinces of the Ottoman E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The No Smoking Orchestra
The No Smoking Orchestra, frequently credited as Emir Kusturica and the No Smoking Orchestra, was a Serbian garage rock band formed in Belgrade in 1993. The band was formed in 1993 by Nele Karajlić who, after relocating to Belgrade from Sarajevo, decided to revive Zabranjeno Pušenje, a band he co-founded with Sejo Sexon in 1980 that had at that point been dormant since 1990. Initially, the band performed as Zabranjeno Pušenje, but ultimately changed the name to Emir Kusturica & The No Smoking Orchestra when renowned filmmaker Emir Kusturica (who had previously played with the band in 1987) re-joined it in 1998. History During the Bosnian War, Nele Karajlić moved to Belgrade. Throughout the 1993 through 1996 period, he played with different musicians under the name Zabranjeno pušenje. Their album ''Ja nisam odavle'' was released through Komuna in 1997. In 1998 the band composed the music for Emir Kusturica's film ''Black Cat, White Cat'', which won the Silver Lion at the V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nisiótika
Greek traditional music (, , 'traditional music'; also , , 'folk songs') includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences. Overview Greek folk music originally, predominantly contained one genre, known as Greek ''Demotiko (or Demotic/Paradosiako).'' This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times. It was the sole popular musical genre of the Greek people until the spread of ''Rebetiko'' and '' Laiko'' (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor. This style of music evolved from the ancient and the medieval Greek era and is still played today. The lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Crete
The music of Crete (, ), also called kritika (), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music (generally also involving singing), a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres (lullabies, ritual laments, etc.). Historically, there have been significant variations in the music across the island (more violin than lyra in far Eastern and Western Crete, a preference for the ''syrtos'' in Western Crete and ''kondylies'' in Eastern Crete). Some of this variation continues today and in the late-twentieth and early-twenty-first centuries has received greater attention by scholars and the mass media. Nonetheless, over the course of the twentieth-century, the sense of a single, island-wide Cretan musical tradition emerged. Although much Cretan music remains consciously close to its folk roots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetiko
Rebetiko (, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used to designate previously disparate kinds of urban Greek music which in the 1930s went through a process of musical syncretism and developed into a more distinctive musical genre. Rebetiko can be described briefly as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s, and served as the basis for further developments in popular Greek music. The music, which was partly forgotten, was rediscovered during the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word (, ), which is construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontic Greeks
The Pontic Greeks (; or ; , , ), also Pontian Greeks or simply Pontians, are an ethnically Greek group indigenous to the region of Pontus, in northeastern Anatolia (modern-day Turkey). They share a common Pontic Greek culture that is distinguished by its music, dances, cuisine, and clothing. Folk dances, such as the Serra (also known as ''Pyrrhichios''), and traditional musical instruments, like the Pontic lyra, remain important to Pontian diaspora communities. Pontians traditionally speak Pontic Greek, a modern Greek variety, that has developed remotely in the region of Pontus. Commonly known as ''Pontiaka'', it is traditionally called '' Romeika'' by its native speakers. The earliest Greek colonies in the region of Pontus begin in 700 BC, including Sinope, Trapezus, and Amisos. Greek colonies continued to expand on the coast of the Black Sea (''Euxeinos Pontos'') between the Archaic and Classical periods. The Hellenistic Kingdom of Pontus was annexed by Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nisiotika
Nisiotika (, meaning "insular (songs)") are the songs and dances of the Aegean islands with a variety of styles. Outside of Greece, it is played in the diaspora in countries such as Turkey, Australia, the United States and elsewhere. The lyre is the dominant folk instrument along with the laouto, violin, tsampouna, and souravli with widely varying Greek characteristics. The lyre and violin are typically played in a microtonal manor through the usage of specific articulations and string bending. Representative musicians and performers of Nisiotika include: Mariza Koch, credited with reviving the field in the 1970s, Yiannis Parios, Domna Samiou and the Konitopoulos family (Giorgos and Vangelis Konitopoulos, Eirini, Nasia and Stella Konitopoulou). There are also prominent elements of Cretan music on the Dodecanese Islands and Cyclades. Notable artists Composers * Giorgos Konitopoulos * Vangelis Konitopoulos * Stathis Koukoularis * Yiannis Parios * Nikos Ikonomidis * Stam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Crete
The music of Crete (, ), also called kritika (), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music (generally also involving singing), a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres (lullabies, ritual laments, etc.). Historically, there have been significant variations in the music across the island (more violin than lyra in far Eastern and Western Crete, a preference for the ''syrtos'' in Western Crete and ''kondylies'' in Eastern Crete). Some of this variation continues today and in the late-twentieth and early-twenty-first centuries has received greater attention by scholars and the mass media. Nonetheless, over the course of the twentieth-century, the sense of a single, island-wide Cretan musical tradition emerged. Although much Cretan music remains consciously close to its folk roots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Folk Music
Greek traditional music (, , 'traditional music'; also , , 'folk songs') includes a variety of Culture of Greece, Greek styles played by Greek people, ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences. Overview Greek folk music originally, predominantly contained one genre, known as Greek ''Demotiko (or Demotic/Paradosiako).'' This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine Greece, Byzantine times. It was the sole popular musical genre of the Greek people until the spread of ''Rebetiko'' and ''Laïko, Laiko'' (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor. This style of music evolved from the ancient and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Ancient Greece
Music was almost universally present in ancient Greece, ancient Greek society, from marriages, funerals, and Religion in ancient Greece, religious ceremonies to Theatre of ancient Greece, theatre, folk music, and the ballad-like reciting of epic poetry. This played an integral role in the lives of ancient Greeks. There are some fragments of actual Greek musical notation, many literary references, Ancient Greek vase painting, depictions on Pottery of ancient Greece, ceramics and relevant archaeology, archaeological remains, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc. The word ''music'' comes from the Muses, the daughters of Zeus and patron goddesses of creative and intellectual endeavours. Concerning the origin of music and musical instruments: the history of music in ancient Greece is so closely interwoven wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: ;The feminine form exists as well, but means the book octoechos. from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ, Glagolitic: , "voice, sound") is the eight-mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic chant in the Byzantine Rite today. Nomenclature The names ascribed to the eight tones differ in translations into Church Slavonic. The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites (see Hagiopolitan Octoechos Oktōēchos (here transcribed ""; Greek language, Greek: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
