|
Music In The Plays Of William Shakespeare
Music in the plays of William Shakespeare includes both music incidental to the plot, as song and dance, and also additional supplied both by Shakespeare's own company and subsequent performers.David Lindley, ''Shakespeare and Music'' (2014) 1408143666 "Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential." This music is distinct from musical settings of Shakespeare's sonnets by later composers. Music in Shakespeare's own theatre productions Songs as text within the plays The following are among the most notable examples of songs in Shakespeare's plays: *"Full Fathom Five" in '' The Tempest'', I, 2 *"How Should I Your True Love Know?" in ''Hamlet'' IV, 5 *"It Was a Lover and His Lass" in ''As You Like It'' V, 3 *"O Mistress Mine" in ''Twelfth Night'', II, 3 *"Sigh No More" in '' Much Ado About Nothing'', II, 3 *"Take, O Take T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays Of William Shakespeare
Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays—as well as their classifications as tragedy, history, comedy, or otherwise—is a matter of scholarly debate. Shakespeare's plays are widely regarded as being among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language. Many of his plays appeared in print as a series of quartos, but approximately half of them remained unpublished until 1623, when the posthumous First Folio was published. The traditional division of his plays into tragedies, comedies, and histories follows the categories used in the First Folio. However, modern criticism has labeled some of these plays " problem plays" that elude easy categorisation, or perhaps purposely break generic conventions, and has introduced the term romances for what scholars believe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greensleeves
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationer's Company in September 1580,Frank Kidson, ''English Folk-Song and Dance''. READ BOOKS, 2008, p.26. John M. Ward, "'And Who But Ladie Greensleeues?'", in ''The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld'', edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181. . and the tune is found in several late-16th-century and early-17th-century sources, such as ''Ballet's MS Lute Book'' and ''Het Luitboek van Thysius'', as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge. Form "Greensleeves" can have a ground either of the form called a '' romanesca''; or its slight variant, the ''passa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Deller
Alfred George Deller, CBE (31 May 1912 – 16 July 1979), was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century. He is sometimes referred to as the "godfather of the countertenor". His style in singing lute song, with extensive use of rubato and extemporised ornamentation, was seen as radical and controversial in his day but is now considered the norm. Deller was an influential figure in the renaissance of early music: an early proponent of "original instrument performance" and one of the first to bring this form to the popular consciousness through his broadcasts on the BBC. He also founded the Stour Music Festival in 1962, one of the first and most important early music festivals in the world. Life and career Church music Deller was born in Margate, a seaside resort in Kent. As a boy, he sang in his local church choir. When his voice broke, he continued singing in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakespeare Songs (Alfred Deller Album)
''Shakespeare Songs'' is a 1967 LP album of Elizabethan songs which is one of the most celebrated recordings of the countertenor Alfred Deller. Deller is accompanied by lutenist Desmond Dupré and the Deller Consort, Philip Todd and Max Worthley tenors, Maurice Bevan baritone.Naomi Miller '' Reimagining Shakespeare for Children and Young Adults'' -1135363358 2013 Page 73 Note For those who are interested: Shakespeare Songs, performed by Alfred Deller and Desmond Dupre on lute, is released by Harmonia Mundi. France, HMA 190202. The album includes both anonymous songs adapted by Shakespeare, such as the Willow song, and also songs written by composers following the celebrity of Shakespeare's plays, such as Thomas Morley's "It Was A Lover And His Lass" which is not known to have actually ever been performed in the play ''As You Like It''. Track list # – Thomas Morley " It Was A Lover And His Lass" 2:53 from As You Like It V, 3 # – John Wilson "Take, O Take Those Lips Away" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', '' The Pirates of Penzance'' and '' The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include " Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Leipzig Conservatoire in Germany. His graduation piece, incidental music to Shakespeare's '' The Tempest'' (1861), was received with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Bishop (composer)
Sir Henry Rowley Bishop (18 November 178730 April 1855) was an English composer from the early Romantic era. He is most famous for the songs "Home! Sweet Home!" and "Lo! Hear the Gentle Lark." He was the composer or arranger of some 120 dramatic works, including 80 operas, light operas, cantatas, and ballets. Bishop was Knighted in 1842. Bishop worked for all the major theatres of London in his era – including the Royal Opera House at Covent Garden, the Theatre Royal, Drury Lane, Vauxhall Gardens and the Haymarket Theatre, and was Professor of Music at the universities of Edinburgh and Oxford. His second wife was the noted soprano Anna Bishop, who scandalised British society by leaving him and conducting an open liaison with the harpist Nicolas-Charles Bochsa until the latter's death in Sydney. Life Bishop was born in London, where his father was a watchmaker and haberdasher. At the age of 13, Bishop left full-time education and worked as a music-publisher with his cous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Linley
William Linley (1771–1835) was one of seven musical siblings born to Thomas Linley the elder and his wife Mary Johnson. Early life Born in Bath, Somerset, on 27 January 1771 Linley was the youngest child of Thomas Linley and Mary Johnson (1729–1820). Educated at Harrow and then St Paul's School, additional tutoring in musical disciplines was provided by his father and Carl Friedrich Abel. He joined the British East India Company and was in India 1790-1795 and 1800–1805, holding a writership at their College in Madras. He retired from the company in 1810 and devoted himself to singing, composing glees and songs and writing literature. He bequeathed his collection of family portraits to Dulwich Picture Gallery. The Linley portrait collection: seven musical siblings Image:Gainsborough, Thomas - Thomas Linley the younger - Google Art Project.jpg , Thomas Linley the younger, William's elder brother Image:SamLinley.jpg, Samuel, William's brother File:Ozias Thurston Linl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song " A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Locke (composer)
Matthew Locke (c. 1621 – August 1677) was an English Baroque composer and music theorist. Biography Locke was born in Exeter and was a chorister in the choir of Exeter Cathedral, under Edward Gibbons, the brother of Orlando Gibbons. At the age of eighteen Locke travelled to the Netherlands, possibly converting to Roman Catholicism at the time. Locke, with Christopher Gibbons (the son of Orlando), composed the score for '' Cupid and Death,'' the 1653 masque by Caroline-era playwright James Shirley. Their score for that work is the sole surviving score for a dramatic work from that era. Locke was one of the quintet of composers who provided music for '' The Siege of Rhodes'' (1656), the breakthrough early opera by Sir William Davenant. Locke wrote music for subsequent Davenant operas, '' The Cruelty of the Spaniards in Peru'' (1658) and ''The History of Sir Francis Drake'' (1659). He wrote the music for the processional march for the coronation of Charles II. In 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, ''The New Grove Dictionary of Music and Musicians'' states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music." Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing paten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Kempe
William Kempe (c. 1560–c. 1603), commonly referred to as Will Kemp, was an English actor and dancer specialising in comic roles and best known for having been one of the original players in early dramas by William Shakespeare. Roles associated with his name may include the great comic creation, Falstaff, and his contemporaries considered him the successor to the great clown of the previous generation, Richard Tarlton. Kempe's success and influence was such that in December 1598 he was one of a core of five actor-shareholders in the Lord Chamberlain's Men alongside Shakespeare and Richard Burbage, but in a short time (possibly after a disagreement among the members of the troupe) he parted company with the group. Despite his fame as a performer and subsequent intent to continue his career, he appears to have died unregarded and in poverty circa 1603. Life In a 1615 lawsuit brought by Thomasina (née Heminges) Ostler, widow of William Ostler, against her father, John Hemin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
