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Music In The Tuileries
''Music in the Tuileries'' is an 1862 oil-on-canvas painting by Édouard Manet. It is owned by the National Gallery, London and the Hugh Lane Gallery, Dublin as part of the shared Lane Bequest. The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people. The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation. The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Durand-Ruel
Paul Durand-Ruel (; 31 October 1831 – 5 February 1922) was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system. Early life and education He was born Paul-Marie-Joseph Durand-Ruel in Paris, son of Jean Marie Fortuné Durand and Marie Ferdinande Ruel. His parents, who opened an art shop in 1839, used the Durand-Ruel name for the family business. In 1851, Paul enrol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French Modernism, modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism (art movement), Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, Le Déjeuner sur l'herbe, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and ''Olympia (Manet), Olympia'', premiering in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. These works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassian poets, Parnassianism, Symbolism (arts), Symbolism, Decadent movement, Decadence and Modernism. He was widely esteemed by writers as disparate as Honoré de Balzac, Balzac, Charles Baudelaire, Baudelaire, the Goncourt brothers, Gustave Flaubert, Flaubert, Ezra Pound, Pound, T. S. Eliot, Eliot, Henry James, James, Marcel Proust, Proust and Oscar Wilde, Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. It is funded by the National Endowment for the Humanities. History Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, videos, photographs, and links to additional resources for all of the art and architecture that make up the AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1862 In Art
Events from the year 1862 in art. Events * May 1–November 1 – 1862 International Exhibition held at South Kensington in London. Notable artistic displays include a large picture gallery; work shown by William Morris's decorative arts firm of Morris, Marshall, Faulkner & Company; and an exhibit from Japan influential in the development of Anglo-Japanese style. Morris designs his first wallpaper, '':File:William Morris design for Trellis wallpaper 1862.jpg, Trellis''. * November 3 – First appearance in print of the term Macchiaioli for the group of revolutionary young Italian painters, in a hostile review published in the journal ''Gazzetta del Popolo''. * Claude Monet becomes a student of Charles Gleyre in Paris, where he meets Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley, sharing new approaches to painting ''en plein air''. Awards Works * Paul-Jacques-Aimé Baudry – ''The Pearl and the Wave'' * Albert Bierstadt ** The Fishing Fleet' ** '':File:Guerrill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Édouard Manet
This is a list of some of the more well-known paintings of French artist Édouard Manet (1832–1883). List External links * Manet overview pages at museum web sites with collection databases: *Art Institute of Chicago*Barnes Foundation*Bridgestone Museum of Art, Tokyo*Foundation E.G. Bührle*Guggenheim*J. Paul Getty Museum*Metropolitan Museum of Art*** [http://masp.art.br/masp2010/acervo_busca_autor.php Museu de Arte de São Paulo] *Museum of Fine Arts, Boston*National Gallery, London*National Gallery of Art, Washington, D.C.*National Gallery of Victoria*National Museum Cardiff*National Museum of Western Art, Tokyo* * [http://www.googleartproject.com/artist/%C3%A9douard-manet/4128003/ Google Art Project] {{DEFAULTSORT:List of paintings by Edouard Manet Lists of paintings, Manet, Edouard Paintings by Édouard Manet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Meissonier
Jean-Louis-Ernest Meissonier (; 21 February 181531 January 1891) was a French academic painter and sculptor. He became famous for his depictions of Napoleon and his military sieges and manoeuvres in paintings acclaimed both for the artist's mastery of fine detail and his assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae." Meissonier enjoyed great success in his lifetime, becoming, with Gérôme and Cabanel, one of "the three most successful artists of the Second Empire." Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the ''atelier d'hiver'', or ''winter workshop'', situated on the top floor of the house, and at ground level, a glass-roofed annexe, the ''atelier d'été'' or ''summer workshop''. Meissoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bone Char
Bone char () is a porous, black, granular material produced by charring animal bones. Its composition varies depending on how it is made; however, it consists mainly of tricalcium phosphate (or hydroxyapatite) 57–80%, calcium carbonate 6–10% and carbon 7–10%. It is primarily used for filtration and decolorisation. Production Bone char is primarily made from cattle and pig bones; however, to prevent the spread of Creutzfeldt–Jakob disease, the skull and spine are no longer used. The bones are heated in a sealed vessel at up to ; the oxygen concentration must be kept low while doing this, as it affects the quality of the product, particularly its adsorption capacity. Most of the organic material in the bones is driven off by heat, and was historically collected as Dippel's oil; that which is not driven off remains as activated carbon in the final product. Heating bones in an oxygen-rich atmosphere gives bone ash, which is chemically quite different. Used bone char can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RMS Lusitania
RMS ''Lusitania'' was a United Kingdom, British ocean liner launched by the Cunard Line in 1906. The Royal Mail Ship, the world's largest passenger ship until the completion of her sister three months later, in 1907 regained for Britain the Blue Riband appellation for the fastest Atlantic crossing, which had been held by German ships for a decade. During World War I, ''Lusitania'' was listed as Armed merchantmen, armed merchant cruiser (AMC) and carried both British munitions and US citizens on her 202nd trans-Atlantic crossing, when on 7 May 1915 at 14:10 off the Old Head of Kinsale, Ireland, the German submarine SM U-20 (Germany), ''U-20'' fired a single torpedo, triggering a second explosion and the sinking about 18 minutes later. Only 6 of several dozen lifeboats and rafts were successfully lowered, and of 1,960 persons on board, 767 survived and 1,193 perished.The official figures give 1,195 lost out of 1,959, excluding three stowaways who also were lost. The figures he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Lane
Sir Hugh Percy Lane (9 November 1875 – 7 May 1915) was an Irish art dealer, collector and gallery director. He is best known for establishing Dublin's Municipal Gallery of Modern Art (the first known public gallery of modern art in the world) and for his contribution to the visual arts in Ireland, including the Lane Bequest. Hugh Lane died on board the RMS ''Lusitania''. Family Hugh Percy Lane was born in County Cork, Ireland, on 9 November 1875. He was the son of a rector father, James William Lane. His mother, Frances Adelaide (Persse) Lane, was a daughter of Dudley Persse, of Roxborough, County Galway. Her sister, Augusta, was the dramatist Augusta, Lady Gregory, of Coole, County Galway. He was brought up in Cornwall, England, and began his career as an apprentice painting restorer with Martin Henry Colnaghi in London, then worked as an art dealer at the Colnaghi's Marlborough Gallery for some years, before becoming a dealer in his own right and opening a gallery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Faure
Jean-Baptiste Faure (; 15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs. Singing career Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's ''Galathée''. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's '' Le chalet'' and Michel in Thomas's '' Le caïd''. During this time he also created the Marquis d'Erigny in Auber's '' Manon Lescaut'' (1856) and Hoël in Meyerbeer's '' Le pardon de Ploërmel'' (1859; later known as ''Dinorah''), among seven premieres at that house.Soubies, A. & Malherbe, C. ''Histoire de l'Opéra comique; La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
