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Mr Puntila And His Man Matti
''Mr Puntila and His Man Matti'' () is an epic comedy by the German modernist playwright Bertolt Brecht. It was written in 1940 and first performed in 1948. The story describes the aristocratic land-owner Puntila's relationship to his servant, Matti, as well as his daughter, Eva, whom he wants to marry off to an Attaché. Eva herself loves Matti and so Puntila has to decide whether to marry his daughter to his driver or to an Attaché, while he also deals with a drinking problem. In his essay "Notes on the Folk Play" (written in 1940), Brecht warns that " naturalistic acting is not enough in this case" and recommends an approach to staging that draws on the ''Commedia dell'Arte''. The central relationship between Mr Puntila and Matti—in which Puntila is warm, friendly and loving when drunk, but cold, cynical and penny-pinching when sober—echoes the relationship between the Tramp and the Millionaire in Charlie Chaplin's ''City Lights'' (1931). The duality of Mr. Puntila is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matru Ki Bijlee Ka Mandola
''Matru Ki Bijlee Ka Mandola'' () is a 2013 Indian Hindi-language satirical black comedy film directed, co-written, co-produced, and composed by Vishal Bhardwaj. The film stars Pankaj Kapur, Imran Khan and Anushka Sharma in the titular roles, while Shabana Azmi and Aarya Babbar play supporting roles. The film was released worldwide on 11 January 2013. Plot The film tells the story of three individuals, Harphool Singh Mandola a.k.a. Harry, his daughter Bijlee Mandola, and Hukum Singh Matru a.k.a. 'Matru'. Harry is a wealthy, cynical businessman who dreams of turning the Mandola village into an example of his success. However, this dream can only be realized if the villagers agree to sell their land to the government at low rates so that the land can be converted into a Special Economic Zone. Harry is a drunkard. He is normally a shrewd, sophisticated and composed individual, but whenever drunk, he turns into an advocate of equality and betterment of the villagers. When he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcohol (drug)
Alcohol, sometimes referred to by the chemical name ethanol, is the active ingredient in alcoholic drinks such as beer, wine, and distilled spirits (hard liquor). Alcohol is a central nervous system (CNS) depressant, decreasing Action potential, electrical activity of neurons in the brain, which causes the characteristic effects of alcohol intoxication ("drunkenness"). Among other effects, alcohol produces euphoria, anxiolytic, decreased anxiety, increased sociability, sedation, and impairment of cognitive, memory, motor control, motor, and sense, sensory function. Alcohol has a variety of adverse effects. Short-term effects of alcohol consumption, Short-term adverse effects include generalized impairment of neurocognitive function, dizziness, nausea, vomiting, and symptoms of hangover. Alcohol is addiction, addictive and can result in alcohol use disorder, Substance dependence, dependence, and Alcohol withdrawal syndrome, withdrawal upon cessation. The long-term effects of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Class
A social class or social stratum is a grouping of people into a set of Dominance hierarchy, hierarchical social categories, the most common being the working class and the Bourgeoisie, capitalist class. Membership of a social class can for example be dependent on education, wealth, occupation, income, and belonging to a particular subculture or social network. Class is a subject of analysis for sociologists, political scientists, anthropologists and Social history, social historians. The term has a wide range of sometimes conflicting meanings, and there is no broad consensus on a definition of class. Some people argue that due to social mobility, class boundaries do not exist. In common parlance, the term social class is usually synonymous with Socioeconomic status, socioeconomic class, defined as "people having the same social, economic, cultural, political or educational status", e.g. the working class, "an emerging professional class" etc. However, academics distinguish socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical comedy, physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the theatre, stage and film. Historical context T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-Aristotelian Drama
Non-Aristotelian drama, or the 'epic form' of the drama, is a kind of play whose dramaturgical structure departs from the features of classical tragedy in favour of the features of the epic, as defined in each case by the ancient Greek philosopher Aristotle in his ''Poetics'' (c.335 BCE) The German modernist theatre practitioner Bertolt Brecht coined the term 'non-Aristotelian drama' to describe the dramaturgical dimensions of his own work, beginning in 1930 with a series of notes and essays entitled "On a non-aristotelian drama".Willett (1964, 46). In them, he identifies his musical ''The Threepenny Opera'' (1928) as an example of "epic form". " Aristotle's definition," Brecht writes, "the difference between the dramatic and epic forms was attributed to their different methods of construction."From an essay by Brecht probably written in 1936; Brecht (1964, 70). Method of construction here refers to the relation the play establishes between its parts and its whole: Brecht also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protagonist
A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist. The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. A particularly noble, virtuous, or accomplished protagonist is commonly called a ''hero,'' though the terms are not synonyms. Etymology The term ''protagonist'' comes , combined of (, 'first') and (, 'actor, competitor'), which stems from (, 'contest') via (, 'I conten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Well-made Play
The well-made play (, pronounced ) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas. Scribe, a prolific playwright, wrote several hundred plays between 1815 and 1861, usually in collaboration with co-authors. His plays, breaking free from the old neoclassical style of drama seen at the Comédie Française, appealed to the theatre-going middle classes. The "well-made" form was adopted by other French and foreign playwrights and remained a key feature of the theatre well into the 20th century. Among later playwrights drawing on Scribe's formula were Alexandre Dumas ''fils'', Victorien Sardou and Georges Feydeau in France, W. S. Gilbert, Oscar Wilde, Noël Coward, and Alan Ayckbourn in Britain, and Lillian Hellman and Arthur Miller in the US. Writers who objected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Structure
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture. In a play or work of theatre especially, this can be called dramatic structure, which is presented in audiovisual form. Story structure can vary by culture and by location. The following is an overview of various story structures and components that might be considered. Definition Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. Story structures can vary culture to culture and throughout history. The same named story stru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarete Steffin
Margarete Emilie Charlotte Steffin (21 March 1908, Rummelsburg – 4 June 1941, Moscow) was a German actress and writer, one of Bertold Brecht's closest collaborators, as well as a prolific translator from Russian and Scandinavian languages. Biography Born to a working-class family, at the age of fourteen she went to work for the phone company but her interest in Social Democratic politics got her fired. She worked in publishing and communist youth agitprop theatre and worked at the ''Rote Revue''. In 1931, she took a diction class from Brecht's wife Helene Weigel and became his lover. She was introduced to the Theater am Schiffbauerdamm, playing a maid in '' Die Mutter'' (1932). In 1933, Brecht and Weigel went into exile in Denmark. Though soon replaced as Brecht's lover by Ruth Berlau, Steffin entered an arranged marriage to a Danish citizen to stay as Brecht's secretary and followed the Brechts to Finland and Moscow when war broke out. She died from tuberculosis (diagnos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
