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Mr Emmet Takes A Walk
''Mr Emmet Takes a Walk'' is a chamber opera by the English composer Sir Peter Maxwell Davies with a libretto by David Pountney. The work is self-described as a "dramatic sonata". It tells the story of the last seconds of the life of Mr Emmet before his suicide on a railway line. Thoughts, ideas, musical fragments and experiences flash through Mr Emmet's mind before his death which expand across the fifty-minute duration of the work. Davies has cited the works of four composers as motifs in the opera: *Bach's Prelude and Fugue No. 12 in F minor (BWV, 881) from Book 2 of the ''Well-Tempered Clavier'' *Andrea Gabrieli's ''Edipo Tiranno'' *"Come furia disperata" from Mozart's ''Don Giovanni'' (sung by the character Donna Anna in act 1, scene 1), *the opening of Schumann's Second Symphony.Liner notes by the composer to the recording of the work, PsaCD1002. The work premiered in a co-production of Muziektheater Transparant and the Psappha ensemble at the St. Magnus Festival, ...
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Chamber Opera
Chamber opera is a designation for operas written to be performed with a Chamber music, chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Giovanni Battista Pergolesi, Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's ''Savitri (opera), Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw (opera), The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin (composer), George Benjamin, William Wa ...
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Psappha (ensemble)
Psappha was an ensemble of contemporary classical musicians based in Manchester in the North West of England, specialised in the performance of works by living composers. Founded in 1991 by artistic director Tim Williams, the ensemble moved into a new home in 2015, St Michael's, Ancoats, Manchester. The ensemble had a core instrumentation of flute, clarinet, piano, percussion, violin, viola and cello. Psappha closed in November 2023 due to Arts Council England withdrawing 100% of its regular funding to the ensemble. Association with Peter Maxwell Davies Their patron until his death in March 2016 was Sir Peter Maxwell Davies. Davies was earlier associated with the Fires of London, a group which disbanded in 1987. The Fires formed in the 1960s to play Arnold Schoenberg's '' Pierrot lunaire'' (1912) and new works with a similar scoring. Psappha has performed Davies' works for Pierrot ensemble, such as ''Missa super l'homme armé'' (1968, rev. 1971) and ''Eight Songs for a Mad King ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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English-language Operas
English is a West Germanic language that developed in early medieval England and has since become a English as a lingua franca, global lingua franca. The namesake of the language is the Angles (tribe), Angles, one of the Germanic peoples that Anglo-Saxon settlement of Britain, migrated to Britain after its End of Roman rule in Britain, Roman occupiers left. English is the list of languages by total number of speakers, most spoken language in the world, primarily due to the global influences of the former British Empire (succeeded by the Commonwealth of Nations) and the United States. English is the list of languages by number of native speakers, third-most spoken native language, after Mandarin Chinese and Spanish language, Spanish; it is also the most widely learned second language in the world, with more second-language speakers than native speakers. English is either the official language or one of the official languages in list of countries and territories where English ...
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Boosey & Hawkes
Boosey & Hawkes is a British Music publisher (sheet music), music publisher, purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass instrument, brass, string instrument, string and woodwind instrument, woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, Boosey & Hawkes controls the copyright to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams (composer), John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York City, New York, the company also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company a ...
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Rebecca Caine
Rebecca Caine (born 25 November 1959) is a Canadian light lyric soprano, and musical theatre performer. Life and career Caine was born in Toronto, Ontario and studied at the Guildhall School of Music and Drama in London. She is the daughter of Australian statistician Geoffrey Watson and the granddaughter of British constitutional law scholar Sir William Ivor Jennings. Caine currently resides in London. Caine's career has been divided between opera and musical theatre. She made her West End debut at the age of 19 in the role of Laurey in ''Oklahoma!''. She then sang the role of Eliza in ''My Fair Lady'' on a national tour. While making her debut at Glyndebourne as Amor in ''L'incoronazione di Poppea'', she was asked to join the Royal Shakespeare Company where she created the role of Cosette in ''Les Misérables''. After a successful West End run, she joined the original cast of '' The Phantom of the Opera'' to play Christine opposite Michael Crawford as alternate (perfo ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in '' Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divi ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or Choir, choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the Sheet music, score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by Musical ensemble, ensemble members, and "shape" the musical phrasing, phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a Baton (conducting), baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. S ...
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Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ...
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