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Movitz Blåste En Konsert
Movitz blåste en konsert (Movitz blew a concert) is epistle No. 51 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, ''Fredmans epistlar, Fredman's Epistles''. The epistle is subtitled "Angående konserten på Tre Byttor" ("Concerning the concert at the Three Barrels"), naming a restaurant in Stockholm's Djurgården park. It was written after Bellman had become a court musician to the new King Gustav III in 1773. The melody was borrowed from George Frideric Handel's 1718 opera, ''Acis and Galatea (Handel), Acis and Galatea''. The song describes a concert in an elegant setting, the performance taking place after an evening ball in a restaurant. It strikes a refined tone, mentioning the opera composer Baldassare Galuppi and the cellist and composer Anton Fils. This does not prevent Bellman from making the song humorous, with opportunities for the performer to imitate musical instruments, for elegance to be contrasted with tavern life, and for the real ...
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Art Song
An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs.Kimball, p. xiv However, some Baroque arias that "appear with great fr ...
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Lyre
The lyre () is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute-family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar. The lyre has its origins in ancient history. Lyres were used in several ancient cultures surrounding the Mediterranean Sea. The earliest known examples of the lyre have been recovered at archeological sites that date to c. 2700 BCE in Mesopotamia. The oldest lyres from the Fertile Crescent are known as the eastern lyres and are distinguished from other ancient lyres by their flat base. They have been found at archaeological sites in Egypt, Syria, Anatolia, and the Levant. The round lyre or the Western lyre also originated in Syria and Anatolia, but was not as widely used and eventually died out in the east c. 1750 BCE. The round lyre, called ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-pis ...
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Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tub ...
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Ge Rum I Bröllopsgåln Din Hund!
Ge rum i Bröllopsgåln din hund! (Make room in the Wedding reception you dog!) is Epistle No. 40 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, ''Fredman's Epistles''. One of his best-known works, it describes an utterly chaotic wedding at a venue where soldiers mixed up with musicians and the wedding-party; the chimney catches fire, and even the priest robs the collection. The verse-pattern and elaborate rhyming scheme combine to assist the feeling of chaos. The epistle is subtitled "''Angående Bröllopet hos Bensvarfvars''" (Concerning the Wedding at Bensvarvars); the song is sometimes known under this name. James Massengale calls it "one of the wildest weddings in Swedish literature". The composition has been contrasted with the wedding at Cana, part of Bellman's use of Biblical allusions for comic effect. Context Song Music and verse form The song has 9 verses, each consisting of 14 lines. The verses have a complex pattern of stres ...
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Bellman
Bellman may refer to: * Town crier, an officer of the court who makes public pronouncements * Bellhop, a hotel porter * Bellman (surname) * Bellman (diving), a standby diver and diver's attendant * Bellman hangar, a prefabricated, portable aircraft hangar * Bellman's Head, a headland point in Stonehaven Bay, Scotland Arts * ''The Bellman'' (film), a 1945 French drama film * The Bellman (character), a character in the ''Thursday Next'' novels * "Bellman", a character in Lewis Carroll's poem ''The Hunting of the Snark'' * Bellman Prize, a literature prize awarded by the Swedish Academy * Bellman joke, a type of Swedish joke * Zvončari, a Croatian folk custom Sciences *Bellman equation, a condition for optimality in dynamic programming *Hamilton–Jacobi–Bellman equation, a condition for optimality of a control with respect to a loss function *Bellman–Ford algorithm The Bellman–Ford algorithm is an algorithm that computes shortest paths from a single source vertex ...
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Carina Burman
Carina Burman (born 1960) is a Swedish novelist and literature scholar. Her research has been focused on Swedish 18th and 19th century literature. She completed her Ph.D. in literature in Uppsala in 1988 with a dissertation on the Gustavian writer Johan Henric Kellgren. Later production includes a critical edition of previously unpublished letters of the novelist and feminist pioneer Fredrika Bremer in two volumes (1996) and a biography of Bremer (2001). Together with her husband, Professor Lars Burman, she has published critical editions on behalf of the Swedish Academy of the works of Johan Henric Kellgren (1995), Fredrika Bremer's "Livet i gamla världen. Palestina" (1995) and the poetic works of Erik Gustaf Geijer (1999). Carina and Lars Burman have also edited Bremer's "Grannarne" for the series of Swedish literature published by Svenska Vitterhetssamfundet (2000). Burman's novels have historical motifs, often taking the form of a pastiches. Her first, "Min salig bror Jean ...
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Air (music)
An air ( it, aria; also ''ayr'', ''ayre'' in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French '' air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include " Come again", " Flow, my tears", " I saw my Lady weepe", and "In darkness let me dwell". The ...
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Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and bro ...
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