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Move Somethin' (album)
''Move Somethin is the second studio album by the American hip hop group 2 Live Crew. It was released on August 17, 1988, via Luke Records and was produced by Luke Skyywalker and Mr. Mixx. It was certified Gold by Recording Industry Association of America. The album improved on the charts from the previous album, making in to number 68 on the ''Billboard'' 200 and number 20 on the Top R&B/Hip Hop Albums chart. It contains the singles "Move Somethin'" and "Do Wah Diddy Diddy". The album incorporates samples from such diverse sources as James Brown ("With Your Badself"), Manfred Mann ("Do Wah Diddy Diddy"), The Kinks ("One and One"), Yellow Magic Orchestra ("Mega-Mixx II"), Kraftwerk ("Drop the Bomb"), and Quadrant Six (the title track). On the song "Word II", 2 Live Crew's DJ Mr. Mixx scratches up Brian May's guitar solo (as well as the chorus) on "We Will Rock You" over the crowd stomp-and-clap beat, which was sampled from the same song. Its wide musical range is nonetheless a ...
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2 Live Crew
2 Live Crew is an American hip hop group from Miami, Florida, formed in 1984. The group was originally composed of DJ Mr. Mixx (David Hobbs), Fresh Kid Ice (Christopher Wong Won), and Amazing Vee (Yuri Vielot), though its most well-known lineup emerged later with the addition of Brother Marquis (Mark Ross) and the replacement of Amazing Vee by Luther "Luke Skyywalker" Campbell, who also served as the group's manager and promoter. Known for their provocative lyrics and sexually explicit content, 2 Live Crew gained widespread attention in the late 1980s and early 1990s, becoming pioneers of the Miami bass genre and influential figures in the development of Southern hip hop. Their breakthrough album, ''The 2 Live Crew Is What We Are'' (1986), introduced their signature sound, blending booming basslines with humorous and risqué themes. The group achieved both commercial success and controversy with their 1989 album, ''As Nasty As They Wanna Be'', which was certified double platinum ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ...
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Public Enemy (group)
Public Enemy is an American hip hop group formed in Roosevelt, New York, in 1985 by Chuck D and Flavor Flav. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, '' Yo! Bum Rush the Show'', was released in 1987 to critical acclaim, and their second album, ''It Takes a Nation of Millions to Hold Us Back'' (1988), was the first hip hop album to top ''The Village Voice''s Pazz & Jop critics' poll. Their next three albums, '' Fear of a Black Planet'' (1990), '' Apocalypse 91... The Enemy Strikes Black'' (1991), and '' Muse Sick-n-Hour Mess Age'' (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film '' He Got Game'' and a collaborative album with Paris, '' Rebirth of a Nation'' (2006). Public Enemy has gone through many lineup changes over the years, with Chuck D and Flavor Flav remaining the onl ...
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Trouble Funk
Trouble Funk is an American R&B and funk band from Washington, D.C. The group helped to popularize funk and the subgenre go-go in the Washington metropolitan area. Among the band's well-known songs is the go-go anthem "Hey, Fellas". They released several studio albums including '' Drop the Bomb'', '' In Times of Trouble'', ''Live'', and '' Trouble Over Here Trouble Over There'' (UK No. 54), and two live albums, ''Trouble Funk: Straight Up Go-Go Style'' and ''Saturday Night Live''. In 1982, they released a single "So Early in the Morning" on D.E.T.T Records, later reissued on diverse labels as 2.13.61 and Tuff City. Trouble Funk sometimes shared the stage with hardcore punk bands of the day such as Minor Threat and the Big Boys. Trouble Funk's song "Pump Me Up" was sampled by many other artists, including Dimples D.'s one-hit wonder " Sucker DJ", which went to No. 1 in Australia, Public Enemy's " Fight the Power", Kurtis Blow's song "If I Ruled the World" and M.A.R.R.S.'s ...
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The J
J, or j, is the tenth letter of the English alphabet. J may also refer to: * Palatal approximant in the International Phonetic Alphabet * J, Je (Cyrillic), Cyrillic letter Je Astronomy * J, a provisional designation in astronomy, provisional designation prefix for some objects discovered between May 1 and 15 of a year Computing * J (programming language), successor to APL * J Sharp, J# programming language for the Microsoft .NET Framework * J operator, a programming construct * J (operating system), an operating system for ICL's System 4 series of computers Genetics and medicine * Haplogroup J (mtDNA) * Haplogroup J (Y-DNA) * ATC code J ''Antiinfectives for systemic use'', a section of the Anatomical Therapeutic Chemical Classification System Mathematics * J, symbol used to denote the Bessel function * ''j'', used as the symbol for the imaginary unit (\sqrt) in fields where ''i'' is used for a different purpose (such as electric current) * ''j'' and ''j2'' (or \bar) a ...
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Fred Wesley
Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and was raised in Mobile, Alabama. As a child, he took piano and later trumpet lessons. He played baritone horn and trombone in school, and when he was around 12, his father brought a trombone home, whereupon he switched (eventually permanently) to trombone. During the 1960s and 1970s, he was a pivotal member of James Brown's bands, playing on many hit recordings including " Say it Loud – I'm Black, and I'm Proud," " Mother Popcorn" and co-writing tunes such as " Hot Pants." His slippery riffs and precise solos, complementing those of saxophonist Maceo Parker, gave Brown's R&B, soul, and funk tunes their instrumental punch. In the 1970s, he also was band leader and musical director of Brown's band the J.B.'s, ...
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Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples. The 808 was a commercial failure, as electronic music had yet to become mainstream and many producers wanted more realistic drum sounds. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the emerging electronic, dance and hip-hop ...
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We Will Rock You
"We Will Rock You" is a song by the British rock band Queen from their 1977 album '' News of the World'', written by guitarist Brian May. ''Rolling Stone'' ranked it number 330 of " The 500 Greatest Songs of All Time" in 2004, and the RIAA it placed at number 146 on the Songs of the Century list in 2001. In 2009, "We Will Rock You" was inducted into the Grammy Hall of Fame. Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, "We Will Rock You" and " We Are the Champions" were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations played the songs consecutively, without interruption. Since its release, "We Will Rock You" has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popula ...
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Brian May
Sir Brian Harold May (born 19 July 1947) is an English musician, songwriter, record producer, animal welfare activist and astrophysics, astrophysicist. He achieved global fame as the lead guitarist and backing vocalist of the rock band Queen (band), Queen, which he co-founded with singer Freddie Mercury and drummer Roger Taylor (Queen drummer), Roger Taylor. His guitar work and songwriting contributions helped Queen become one of the most successful acts in music history. May previously performed with Taylor in the progressive rock band Smile (band), Smile, which he had joined while he was at university. After Mercury joined to form Queen in 1970, bass guitarist John Deacon completed the line-up in 1971. They became one of the biggest rock bands in the world with the success of the album ''A Night at the Opera (Queen album), A Night at the Opera'' and its single "Bohemian Rhapsody". From the mid-1970s until 1986, Queen played at some of the biggest venues in the world, includi ...
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Kraftwerk
Kraftwerk (, ) is a Germany, German Electronic music, electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk was among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn (album), Autobahn'' (1974), ''Trans-Europe Express (album), Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the rele ...
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Yellow Magic Orchestra
Yellow Magic Orchestra (abbreviated to YMO) was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals, occasional keyboards) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with influencing the development of various electronic genres, including synth-pop, city pop, dance, electro, hip-hop, J-pop and techno. They also explored subversive socio-political themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, ...
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The Kinks
The Kinks were an English rock band formed in London in 1963 by brothers Ray Davies, Ray and Dave Davies, and Pete Quaife. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their The Kinks' 1965 US tour#Ban, touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including Rhythm and blues, American R&B and rock and roll initially, and later adopting British music hall, Folk music, folk, and country music, country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' observational and satirical lyricism, and made apparent in albums such as ''Face to Face (The Kinks ...
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