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Moscow, Cheryomushki
''Moscow, Cheryomushki'' (; ''Moskva, Cheryómushki'') is an operetta in three acts by Dmitri Shostakovich, his Op. 105. It is sometimes referred to as simply ''Cheryomushki''. Cheryomushki is a district in Moscow full of cheap subsidized housing built in 1956, and the word is also commonly used for such housing projects in general. The libretto was written by the experienced team of and , leading Soviet humorists of the day. The satirical plot dealt with a topical theme geared to one of the most pressing concerns of urban Russians, the chronic housing shortages and the difficulties of securing liveable conditions. 'Cheryomushki' translates to “ bird-cherry trees” and the operetta was named after a real housing estate in south-west Moscow. The work was completed in 1958 and was premiered in Moscow on 24 January 1959. The operetta is reminiscent of Shostakovich's popular music of the period, yet at the same time it engages a satirical assessment of the housing redevelopme ...
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Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs and including dances. It is lighter than opera in terms of its music, orchestral size, and length of the work. Apart from its shorter length, the operetta is usually of a light and amusing character. The subject matter may portray "lovers' spats, mistaken identities, sudden reversals of fortune, and glittering parties". It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, ...
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Limelight (magazine)
''Limelight'' is an Australian digital and print magazine focusing on music, arts and culture. It is based in Sydney, New South Wales. Originally published in 1976 by the Australian Broadcasting Corporation (ABC), as ''ABC Radio 24 Hours'', or simply ''24 Hours'', it has been published independently by Limelight Arts Media, owned by music lovers Robert Veel and Bruce Watson. Limelight publishes its print magazine 11 times per year and circulates a weekly digital music and performing arts newsletter to more than 30,000 subscribers. The Limelight website publishes reviews of orchestral music, chamber music, opera, theatre, dance and film, performing arts news, artist profiles and in-depth features. It is read by more than 1.25 million visitors to its website each year. Limelight's 'eventful' listing service and weekly newsletter keeps readers up to date on performances around Australia. History Founded in January 1976, the magazine was originally published under the name ''A ...
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BBC Music Magazine
''BBC Music Magazine'' is a British monthly magazine that focuses primarily on classical music. The first issue appeared in September 1992. BBC Worldwide, the commercial subsidiary of the BBC, was the original owner and publisher together with Warner Music Enterprises during its initial phase. Immediate Media Company has been the publisher since 2012. Since March 1993 an edition of ''BBC Music Magazine'' has been published in North America. The content of the magazine reflects the broadcast output of BBC Radio 3, which is devoted primarily to classical music, but also broadcasts some jazz and world music. Each edition comes with an audio CD, often including BBC recordings of full-length works. The magazine features articles on subjects such as favourite conductors and trends in 21st-century classical music. The magazine's circulation was 37,530 as of 2008. Profits "are returned to the BBC". Previous editors of the magazine have included Helen Wallace and Oliver Condy. Cha ...
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Cherry Town
''Cherry Town'' () is a 1962 Soviet musical comedy-drama film directed by Herbert Rappaport. It is based on Dmitri Shostakovich's 1959 operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs and including dances. It is lighter than opera in terms of its music, orchestral size, and length of the work. Apart from its shorter length, the oper ... '' Moscow, Cheryomushki''. Plot Lida Baburova, a tour guide at an architectural museum, unexpectedly receives a two-room apartment in the newly developed Zarechye district, affectionately referred to as "Our Cheryomushki" by its residents. The Baburovs' old house had become unlivable after severe structural damage, including a collapsed ceiling that opened a hole into the upstairs neighbors' flat. Excited to inspect their new home, Lida and her father are met with a shocking discovery: their apartment has effectively vanished. The building manager, Barabashkin, had falsified documents to m ...
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Lenfilm
Lenfilm (, acronym of Leningrad Films) is a Russian production and distribution company with its own film studio located in Saint Petersburg (the city was called Leningrad from 1924 to 1991, thus the name). It is a corporation with its stakes shared between private owners and several private film studios which operate on the premises. Since October 2012, the Chairman of the board of directors is Fyodor Bondarchuk. History Before Lenfilm St. Petersburg was home to several Russian and French film studios since the early 1900s. In 1908, St. Petersburg businessman Vladislav Karpinsky opened his film factory Omnium Film, which produced documentaries and feature films for local theatres. During the 1910s, one of the most active private film studios was Neptun in St. Petersburg, where such figures as Vladimir Mayakovsky and Lilya Brik made their first silent films, released in 1917 and 1918. Lenfilm's property was originally under the private ownership of the ''Aquarium'' garden ...
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Prince Igor
''Prince Igor'' (, ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the early Russian epic '' The Lay of Igor's Host'', which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890. Composition history Original composition: 1869–1887 After briefly considering Lev Mei's ''The Tsar's Bride'' as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested '' The Lay of Igor's Host'', a 12th century epic ...
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Alexander Borodin
Alexander Porfiryevich Borodin (12 November 183327 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was one of the prominent 19th-century composers known as " The Five", a group dedicated to producing a "uniquely Russian" kind of classical music. Abraham, Gerald. ''Borodin: the Composer and his Music''. London, 1927. Borodin is known best for his symphonies, his two string quartets, the symphonic poem '' In the Steppes of Central Asia'' and his opera '' Prince Igor''. A doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, he regarded medicine and science as his primary occupations, only practising music and composition in his spare time or when he was ill. As a chemist, Borodin is known best for his work concerning organic synthesis, including being among the first chemists to demonstrate nucleophilic substitution, as w ...
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Arioso
In classical music, arioso (; also aria parlante ) is a category of Solo (music), solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with Recitative, recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in Musical form, form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by L ...
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Mighty Handful
The Five (), also known as the Mighty Handful or The Mighty Five, were five prominent 19th-century Russian composers who worked together to create a distinct national style of classical music: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin. They lived in Saint Petersburg and collaborated from 1856 to 1870. History Name In May 1867 the critic Vladimir Stasov wrote an article, titled ''Mr. Balakirev's Slavic Concert'', covering a concert that had been performed for visiting Slav delegations at the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka, Alexander Dargomyzhsky, Mily Balakirev, and Nikolai Rimsky-Korsakov. The article ended with the following statement: The expression "mighty handful" (, ''Moguchaya kuchka'', "Mighty Bunch") was mocked by enemies of Balakirev and Stasov: Aleksandr Serov, academic circles of the conservat ...
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Isaac Glikman
Isaac Davydovich Glikman (1911–2003) was a Soviet literary critic, theater critic, librettist, screenwriter, and teacher at the St. Petersburg Conservatory. He was a close friend of the composer Dmitri Shostakovich. Biography Glikman was born in 1911 in Vitebsk, in the family of Jewish actor David Glikman. He graduated from philology faculty of the Leningrad University. It was while working in an administrative capacity for the Leningrad Philharmonia's Mass Education Unit that he first met Shostakovich in 1931; he then became his literary consultant and unofficial secretary. In the 1940s he headed the literary section of the Maly Opera Theater. Collaborating with composers, librettists and directors, he helped to create new stage works, among them Sergei Prokofiev's ''War and Peace''. He wrote screenplays for famous operas and operettas, and worked for many years as a music consultant and editor at Lenfilm. Filmography * 1958: ''Mister X'' * 1959: ''Morning Star'' * 19 ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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