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Morita-za
The Morita-za (森田座・守田座), also known later as the Shintomi-za (新富座), was one of the major Kabuki theaters in Edo (modern-day Tokyo) during the Edo period and into the beginning of the 20th century. It was established in January 1660, and run by the Morita family of actors until its destruction in the 1923 Great Kantō earthquake which destroyed much of Tokyo. History The Morita-za was first built by Morita Tarōbei I and his son Morita Tashichi in 1660, in Edo's Kobiki-chō district. The theater would burn down only a few months later, and many more times over the years, but was always rebuilt (until 1923). It was designated as one of only four theaters allowed to operate in Edo, by a 1670 government edict; the other three officially designated theaters were the Nakamura-za, Ichimura-Takenojō-za, and Yamamura-za. After all four were destroyed in the 1703 Great Genroku fire, and rebuilt, there began a tradition of co-producing plays for New Year's celebratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morita Kanya XII
(9 November 1846 – 21 August 1897) was the leading Japanese Theatre director, theatre manager of the first half of the Meiji period, between 1868 and 1912. He built the first modern theater, the Morita-za, Shintomi-za (新富座), which incorporated Western features such as gaslights and chairs. The theater opened in June 1878, and was located at a foreign settlement in Tsukiji, Tokyo. He was also a crucial factor in attracting the new audience, the aristocracy, into the kabuki theaters (Kikan). Early life It is said that as a young boy of 12 years, Morita Kanya XII ran to the port of Yokohama in an attempt to leave Japan and immigrate into the Western world for the sake of fulfilling his goal: becoming a millionaire. Although the Shinsengumi police stopped him that time, his spirit and interest for the West remained an integral part of his personality. During the time of government takeover (1868), the 22-year-old Morita Kanya XII became so obsessed with the Western world th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawarazaki-za
The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily lent its license to the Kawarazaki-za. It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. History The Kawarazaki-za was opened in 1656 by Kawarazaki Gonnosuke I. In 1670, the shogunate issued licenses to four theatres in the city, forbidding the others, including the Kawarazaki-za, from operating. The Kawarazaki-za was, therefore, largely inactive until 1735, when it obtained the license from the bankrupt Morita-za, losing it once more in 1744. The theatre then reacquired the Morita-za's license from 1790 to 1797, producing a number of plays including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura-za
was one of the three main ''kabuki'' theatres of Edo alongside the Morita-za and Ichimura-za. History It was founded in 1624 by Nakamura Kanzaburō 1st. The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura Kanzaburō I's last direct descendant Nakamura Kanzaburo XIII (1828–1895) as zamoto. It was later also called the Miyako-za (). A real-size replica of the Nakamura-za is located at the Edo-Tokyo Museum The is a historical museum located at 1-4-1 Yokoami, Sumida-Ku, Tokyo in the Ryogoku district. The museum opened in March 1993 to preserve Edo's cultural heritage, and features city models of Edo and Tokyo between 1590 (just prior to the .... References External links Nakamura-za at Kabuki21.com Former kabuki theatres Nihonbashi, Tokyo {{Japan-hist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zamoto
A ''zamoto'' (座元) is a manager of a kabuki theatre. Historically, the zamoto owned the theatre and was responsible for obtaining performance rights from the ''shōgun , officially , was the title of the military rulers of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, except during parts of the Kamak ...''.''Japan Quarterly'', 1969, p. 302 (Asahi Shinbunsha) Typically the zamoto was often the latest son of the hereditary owners, such as at the Nakamura-za, Morita-za and Ichimura-za. References Kabuki {{theatre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichimura-Takenojō-za
The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly three centuries before it was destroyed by fire in 1932. It has not been rebuilt. History The theatre which would later be known as the Ichimura-za was founded as the Murayama-za, by Murayama Matasaburō I in March 1634.Shōriya, Asagoro. "Ichimuraza." Kabuki21.com'. Accessed 15 November 2008. After it was destroyed by fire in 1641 and rebuilt, the theatre, now controlled by Murayama's son-in-law Murata Kuroemon, with the help of Ichimura Uzaemon III, was renamed the Ichimura-za in 1643. Uzaemon became the official manager of the theatre in 1652, upon Kuroemon's death. The Ichimura-za was destroyed by fire and rebuilt numerous times over the years, including during the famous 1657 "Furisode Fire" or "Great Fire of Meireki". Ichimura Uzaem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea in the south. The Japanese archipelago consists of four major islands—Hokkaido, Honshu, Shikoku, and Kyushu—and List of islands of Japan, thousands of smaller islands, covering . Japan has a population of over 123 million as of 2025, making it the List of countries and dependencies by population, eleventh-most populous country. The capital of Japan and List of cities in Japan, its largest city is Tokyo; the Greater Tokyo Area is the List of largest cities, largest metropolitan area in the world, with more than 37 million inhabitants as of 2024. Japan is divided into 47 Prefectures of Japan, administrative prefectures and List of regions of Japan, eight traditional regions. About three-quarters of Geography of Japan, the countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1660 Establishments In Japan
Year 166 ( CLXVI) was a common year starting on Tuesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * The Lombards invade Pannonia (modern Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Kabuki Theatres
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being used in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose cone to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shochiku
is a Japanese entertainment company. Founded in 1895, it initially managed '' kabuki'' theaters in Kyoto; in 1914, it also acquired ownership of the Kabuki-za theater in Tokyo. In 1920, Shochiku entered the film production industry and established the Kamata Film Studio. Currently, it is considered one of Japan's Big Four film studios and is the oldest among the Big Four. Shochiku is a member of the Motion Picture Producers Association of Japan (MPPAJ). It also produces and distributes anime films, in particular those produced by Bandai Namco Filmworks (which has a long-time partnership—the company released most, if not all, anime films produced by Bandai Namco Filmworks). Its best remembered directors include Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Keisuke Kinoshita and Yōji Yamada. It has also produced films by highly regarded independent and "loner" directors such as Takashi Miike, Takeshi Kitano, Akira Kurosawa, Masaki Kobayashi and Taiwanese New Wave d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sogo Shosha
are Japanese wholesale companies that trade in a wide range of products and materials. In addition to acting as intermediaries, ''sōgō shōsha'' also engage in logistics, plant development and other services, as well as international resource exploration. Unlike trading companies in other countries, which are generally specialized in certain types of products, ''sōgō shōsha'' have extremely diversified business lines, in which respect the business model is unique to Japan. The structure of ''sōgō shōsha'' can give them advantages in international trade. First, they have extensive risk management capabilities in that they trade in many markets, keep balances in many foreign currencies and can generate captive supply and demand for their own operations. They also have large-scale in-house market information systems which give them economies of scale in pursuing new business opportunities. Their vast scale also allows them to provide capital in the form of credit, financing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
